PARTITIONS GRATUITES : ORCHESTRE
- Amber R

By G. Chambers/R. Williams. Arranged by Eric Swiggers. For Concert Band. Arrangements of Modern Light Music / Popular Pieces / Pop. Grade 3. Score and Parts. Duration 4 minutes

SKU: HL.50483086

Composed by R. Shchedrin. Study Score. 44 pages. Sikorski #SIK2281. Published by Sikorski (HL.50483086).

8.25x11.75x0.157 inches.

Mixed Chamber Ensemble

SKU: HL.50037090

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Score Only. Composed 1984. Ricordi #PR849. Published by Ricordi (HL.50037090).

8.0x10.5x0.271 inches.

Have Mercy, Lord, and Hear Our Pray'r, BWV 101. By Johann Sebastian Bach. Arranged by Hans Grischkat. (Study Score). Schott. 81 pages. Published by Eulenburg.

By William Paris Chambers (1854-1913). Arranged by John R. Bourgeois. For Concert Band. Concert Band Music. Bourgeois Editions. Concert March. Full Score

By William Paris Chambers. Arranged by John R. Bourgeois. For Concert Band. Concert Band Music. Bourgeois Editions. Concert March. Level: Medium. Full Score and Set of Parts. Published by Wingert-Jones Publications.

By William Paris Chambers. Arranged by John R. Bourgeois. For Concert Band. Concert Band Music. Bourgeois Editions. Concert March. Level: Medium. Full Score and Set of Parts. Published by Wingert-Jones Publications.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in set)

SKU: AP.36-A929590

Arranged by Erich Wolfgang Korngold, R. Mark Rogers, and ed./arr. Leo Artok. Full Orchestra. Kalmus Masterworks Library. Masterwork. Score and Part(s). LudwigMasters Publications #36-A929590. Published by LudwigMasters Publications (AP.36-A929590).

UPC: 735816239411. English.

When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.