| Tombeau Op. 81g For Pjk Wind Band Score Orchestre d'harmonie - Intermédiaire Schott
Wind band or wind instrumentsensemble (1 * 1 * 3 * Bassklar. * Altsax. in Es * T...(+)
Wind band or wind
instrumentsensemble (1 *
1 * 3 * Bassklar. *
Altsax. in Es * Tenorsax.
in B * Baritonsax. in Es
* 1 - 1 * 2 * 2 *
Tenorhr. * Bar. * 1 -
Glsp.) - intermediate
SKU: HL.49019886
Composed by Bertold
Hummel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed 1998.
Op. 81g. 16 pages.
Duration 5'. Schott Music
#SHS1024. Published by
Schott Music
(HL.49019886). ISBN
9790001144797.
9.25x12.0x0.076
inches. At funeral
or memorial services and
ceremonies, the
traditional, slowly
marching funeral music,
the Tombeau, still plays
an important musical role
today. In most cases,
such musics were created
for a specific occasion,
like the death of a
prince or an artist. That
was the case with this
Tombeau for wind
orchestra, too: Bertold
Hummel wrote it after the
death of a fellow
composer and
friend.Hummel was not
afraid of expressing his
feelings in a wistfully
nostalgic funeral music
full of tonal beauty
which is close to the
musical language of the
19th century with regard
to form and harmony.In
addition to the score and
parts, our edition of
this moving piece also
contains the particell
with which Hummel put
down the Tombeau on paper
in 1998. $17.99 - Voir plus => Acheter | | |
| Tombeau Op. 81g For Pjk Wind Band Set Of Parts Orchestre d'harmonie - Intermédiaire Schott
Wind band or wind instrumentsensemble (1 * 1 * 3 * Bassklar. * Altsax. in Es * T...(+)
Wind band or wind
instrumentsensemble (1 *
1 * 3 * Bassklar. *
Altsax. in Es * Tenorsax.
in B * Baritonsax. in Es
* 1 - 1 * 2 * 2 *
Tenorhr. * Bar. * 1 -
Glsp.) - intermediate
SKU: HL.49019887
Composed by Bertold
Hummel. Sheet music.
Ensemble. Softcover.
Composed 1998. Op. 81g.
50 pages. Duration 5'.
Schott Music #SHS1024-70.
Published by Schott Music
(HL.49019887). ISBN
9790001144803.
9.25x12.0x0.336
inches. At funeral
or memorial services and
ceremonies, the
traditional, slowly
marching funeral music,
the Tombeau, still plays
an important musical role
today. In most cases,
such musics were created
for a specific occasion,
like the death of a
prince or an artist. That
was the case with this
Tombeau for wind
orchestra, too: Bertold
Hummel wrote it after the
death of a fellow
composer and
friend.Hummel was not
afraid of expressing his
feelings in a wistfully
nostalgic funeral music
full of tonal beauty
which is close to the
musical language of the
19th century with regard
to form and harmony.In
addition to the score and
parts, our edition of
this moving piece also
contains the particell
with which Hummel put
down the Tombeau on paper
in 1998. $63.00 - Voir plus => Acheter | | |
| Circius Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 5 SKU: BT.GOB-000283-020 Composed by Torstein Aagaar...(+)
Fanfare Band - Grade 5
SKU:
BT.GOB-000283-020
Composed by Torstein
Aagaard-Nilsen. Arranged
by Rob van der Zee. Set
(Score & Parts). 154
pages. Gobelin Music
Publications #GOB
000283-020. Published by
Gobelin Music
Publications
(BT.GOB-000283-020).
Composed during
the summer of 1988.
Commissioned by The
Norwegian Brass Band Club
First performed in the
Grieg Hall¬? at the 10th
Anniversary Concert for
the Norwegian
Championship, Bergen,
February 1989. EBML
conducted by Michael
Antrobus.
The
work is important for me
because it was my first
piece to be played
outside Norway. Black
Dyke/David King performed
it and did a recording of
it in 1991.
The
composer: In the
original score I quote a
Swedish bishop (Olaus
Mangnus) who lived in the
15th century. He
travelled around
Scandinavia and drew maps
- very important historic
material.
When he
came to the north of
Norway (where I come
from) hedescribed the
wind from the north as
Ciricus: (something like)
Worst of all winds is
Circius, that revolves(?=
turn upside down) heaven
and earth. (Well, not a
good translation I¬?m
afraid).
The fast
sections reflects the
mighty winds from the
north. In the middle
section, I borrowed a
folksong-like tune (by C.
Elling, a norwegian
composer). The text
(by Kristoffer Janson)
tells about old times
when the fishermen used
open boats: they had to
put their lives in the
hands of God. De opening
en het slot van dit werk
beschrijven 'Circius' de
wind die hemel en aarde
verwoest. Het
middendeel is een
bewerking van het Noorse
volkslied 'The
fisherman's speech to his
son'. De inhoud van het
lied komt overeen met
Circius. De vader
verzoekt zijn zoon de
krachten van de natuur te
trotseren, maar bovenal
te respecteren. Een
kort doch spectaculair
concertwerk dat het
gehele orkest in de greep
heeft.
Gobelin
Music Publications. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Circius Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 5 SKU: BT.GOB-000283-120 Composed by Torstein Aagaar...(+)
Fanfare Band - Grade 5
SKU:
BT.GOB-000283-120
Composed by Torstein
Aagaard-Nilsen. Arranged
by Rob van der Zee. Score
Only. 24 pages. Gobelin
Music Publications #GOB
000283-120. Published by
Gobelin Music
Publications
(BT.GOB-000283-120).
Composed during
the summer of 1988.
Commissioned by The
Norwegian Brass Band Club
First performed in the
Grieg Hall¬? at the 10th
Anniversary Concert for
the Norwegian
Championship, Bergen,
February 1989. EBML
conducted by Michael
Antrobus.
The
work is important for me
because it was my first
piece to be played
outside Norway. Black
Dyke/David King performed
it and did a recording of
it in 1991.
The
composer: In the
original score I quote a
Swedish bishop (Olaus
Mangnus) who lived in the
15th century. He
travelled around
Scandinavia and drew maps
- very important historic
material.
When he
came to the north of
Norway (where I come
from) hedescribed the
wind from the north as
Ciricus: (something like)
Worst of all winds is
Circius, that revolves(?=
turn upside down) heaven
and earth. (Well, not a
good translation I¬?m
afraid).
The fast
sections reflects the
mighty winds from the
north. In the middle
section, I borrowed a
folksong-like tune (by C.
Elling, a norwegian
composer). The text
(by Kristoffer Janson)
tells about old times
when the fishermen used
open boats: they had to
put their lives in the
hands of God. De opening
en het slot van dit werk
beschrijven 'Circius' de
wind die hemel en aarde
verwoest. Het
middendeel is een
bewerking van het Noorse
volkslied 'The
fisherman's speech to his
son'. De inhoud van het
lied komt overeen met
Circius. De vader
verzoekt zijn zoon de
krachten van de natuur te
trotseren, maar bovenal
te respecteren. Een
kort doch spectaculair
concertwerk dat het
gehele orkest in de greep
heeft.
Gobelin
Music Publications. $27.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Circius Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 5 SKU: BT.GOB-000037-130 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 5
SKU:
BT.GOB-000037-130
Composed by Torstein
Aagaard-Nilsen. Score
Only. 27 pages. Gobelin
Music Publications #GOB
000037-130. Published by
Gobelin Music
Publications
(BT.GOB-000037-130).
Composed during
the summer of 1988.
Commissioned by The
Norwegian Brass Band Club
First performed in the
Grieg Hall¬? at the 10th
Anniversary Concert for
the Norwegian
Championship, Bergen,
February 1989. EBML
conducted by Michael
Antrobus.
The
work is important for me
because it was my first
piece to be played
outside Norway. Black
Dyke/David King performed
it and did a recording of
it in 1991.
The
composer: In the
original score I quote a
Swedish bishop (Olaus
Mangnus) who lived in the
15th century. He
travelled around
Scandinavia and drew maps
- very important historic
material.
When he
came to the north of
Norway (where I come
from) hedescribed the
wind from the north as
Ciricus: (something like)
Worst of all winds is
Circius, that revolves(?=
turn upside down) heaven
and earth. (Well, not a
good translation I¬?m
afraid).
The fast
sections reflects the
mighty winds from the
north. In the middle
section, I borrowed a
folksong-like tune (by C.
Elling, a norwegian
composer). The text
(by Kristoffer Janson)
tells about old times
when the fishermen used
open boats: they had to
put their lives in the
hands of God. De opening
en het slot van dit werk
beschrijven 'Circius' de
wind die hemel en aarde
verwoest. Het
middendeel is een
bewerking van het Noorse
volkslied 'The
fisherman's speech to his
son'. De inhoud van het
lied komt overeen met
Circius. De vader
verzoekt zijn zoon de
krachten van de natuur te
trotseren, maar bovenal
te respecteren. Een
kort doch spectaculair
concertwerk dat het
gehele orkest in de greep
heeft.
Gobelin
Music Publications. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Circius Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 5 SKU: BT.GOB-000037-030 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 5
SKU:
BT.GOB-000037-030
Composed by Torstein
Aagaard-Nilsen. Concert
Piece. Set (Score &
Parts). 30 pages. Gobelin
Music Publications #GOB
000037-030. Published by
Gobelin Music
Publications
(BT.GOB-000037-030).
Composed during
the summer of 1988.
Commissioned by The
Norwegian Brass Band Club
First performed in the
Grieg Hall¬? at the 10th
Anniversary Concert for
the Norwegian
Championship, Bergen,
February 1989. EBML
conducted by Michael
Antrobus.
The
work is important for me
because it was my first
piece to be played
outside Norway. Black
Dyke/David King performed
it and did a recording of
it in 1991.
The
composer: In the
original score I quote a
Swedish bishop (Olaus
Mangnus) who lived in the
15th century. He
travelled around
Scandinavia and drew maps
- very important historic
material.
When he
came to the north of
Norway (where I come
from) hedescribed the
wind from the north as
Ciricus: (something like)
Worst of all winds is
Circius, that revolves(?=
turn upside down) heaven
and earth. (Well, not a
good translation I¬?m
afraid).
The fast
sections reflects the
mighty winds from the
north. In the middle
section, I borrowed a
folksong-like tune (by C.
Elling, a norwegian
composer). The text
(by Kristoffer Janson)
tells about old times
when the fishermen used
open boats: they had to
put their lives in the
hands of God. De opening
en het slot van dit werk
beschrijven 'Circius' de
wind die hemel en aarde
verwoest. Het
middendeel is een
bewerking van het Noorse
volkslied 'The
fisherman's speech to his
son'. De inhoud van het
lied komt overeen met
Circius. De vader
verzoekt zijn zoon de
krachten van de natuur te
trotseren, maar bovenal
te respecteren. Een
kort doch spectaculair
concertwerk dat het
gehele orkest in de greep
heeft.
Gobelin
Music Publications. $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pathfinders March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Beginning Band - Grade 1 - Score and Parts. By Philip Sparke. De Haske Concert B...(+)
Beginning Band - Grade 1
- Score and Parts. By
Philip Sparke. De Haske
Concert Band Full Set.
Size 9x12 inches.
Published by DeHaske
Publications.
$74.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scenes from an English Landscape Orchestre d'harmonie [Conducteur] - Intermédiaire G and M Brand Music Publishers
Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3...(+)
Concert band (Piccolo,
Flute 1/2, Oboe 1/2,
Bassoon 1/2, Bb Soprano
Clarinet 1-3, Eb Alto
Clarinet, Bb Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Cornet (in Bb) 1-3,
Trumpet (in Bb) 1/2,
French Horn 1-4 ,
Trombone 1-3, Euphonium,
Tuba, Stri) - grade 4
SKU: CN.S11242
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost. $7.50 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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