| Contextures: Riots - Decade '60 Orchestre Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU:
PR.11641867S Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S). UPC:
680160683208. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bossa Nova Breeze Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
By James Hosay. (Score and Parts). Curnow Concert Band Full Set. 48 pages. Publ...(+)
By James Hosay. (Score
and Parts). Curnow
Concert Band Full Set. 48
pages. Published by
Curnow Music.
$52.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Waldmusik für Orchester und Soloinstrumente (1977) Orchestre Barenreiter
Orchestra (Fl-Picc, 2 Fl, 2 Ob, 2 clarinet, bassoon1, bassoon2 , bassoon-Co, 4Hn...(+)
Orchestra (Fl-Picc, 2 Fl,
2 Ob, 2 clarinet,
bassoon1, bassoon2 ,
bassoon-Co, 4Hn, 3Trp,
3trombone, Tb, timpani, 2
percussion, harp, Str, im
3. Satz:Fl-Picc, Fl, Ob,
clarinet) SKU:
BA.BA06729 Composed
by Gunter Bialas.
Stapled. Study score.
Composed 1977. 68 pages.
Duration 17 minutes.
Baerenreiter Verlag
#BA06729_00. Published by
Baerenreiter Verlag
(BA.BA06729). ISBN
9790006482221. 27 x 20.9
cm inches. Clarinet
used in soloist function
and positioned apart (in
movt. 3). $65.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bossa Nova Breeze Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0993-06-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.CMP-0993-06-010
Composed by James Hosay.
Young Band. Set (Score
and Parts). Composed
2006. Curnow Music #CMP
0993-06-010. Published by
Curnow Music
(BT.CMP-0993-06-010).
9x12 inches.
English. Lush
harmonies and flowing
melodies make this an
excellent â??change of
paceâ? selection that
will bring a touch of
elegance to any concert
or school function.
Itâ??s also a great
opportunity to work on
accidentals, intonation,
articulations, balance,
and that smooth, relaxed
Brazilian style.
Interesting Percussion
writing fits the style
perfectly and provides a
subtle but animated
foundation for the
expressive Winds.
Tantalizing!
De zwoele bries
aan de kust van het
exotische Brazilië
komt dichterbij als uw
orkest deze lichte ballad
in latin-stijl speelt. U
kunt uw slagwerksectie
vooraan in het midden
plaatsen om een visueel
en muzikaal effect te
creëren.
Weelderigeharmonieën
en vloeiende melodieën
zorgen voor een
sfeervolle, elegante
afwisseling in uw
concert. Bossa Nova
Breeze is uitstekend
geschikt voor de
ontwikkeling van het
gevoel voor een
muziekstijl die
wereldwijd enormpopulair
is.
Mit den
leichten, flieÃ?enden
Klängen dieser Ballade
im lateinamerikanischen
Stil aus der Feder des
Amerikaners James L.
Hosay weht eine Brise
Bossa Nova von der
sonnigen Küste
Brasiliens direkt in Ihr
Konzert! Eine mögliche
Aufführungsvariante,
bei der das Schlagzeug
ganz nach vorne auf die
Bühne geholt wird,
bringt zusätzlich
visuelle und musikalische
Abwechslung in Ihr
Programm.
La
bossa-nova (signifiant
â??nouvelle vagueâ?)
est un style musical
né au Brésil la fin
des années 1950. Des
compositeurs tels que
Carlos Jobim, Luis Bonfa
et plusieurs musiciens
dont Stan Getz, Charly
Bird, Baden Powell,
João Gilberto ont
contribué rendre ce
nouveau rythme
extrêmement
célèbre. Avec
Bossa Nova Breeze,
le soleil du Brésil
fait son entrée dans
les salles de concert.
La bossa-nova
è uno stile musicale
nato in Brasile alla fine
degli anno 1950.
Compositori quali Carlos
Jobim, Luis Bonfa e
numerosi musicisti quali
Stan Getz, Charly Bird,
Baden Powell, Joao
Gilberto hanno
contribuito alla
diffusione di questo
nuovo ritmo. Con Bossa
Nova Breeze, il sole
del Brasile entra nelle
sale da concerto. $65.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Spacious Firmament on High Orchestre d'harmonie - Débutant FJH
Concert Band Concert Band - Grade 1 SKU: FJ.B1379S Adapted from The Cr...(+)
Concert Band Concert Band
- Grade 1 SKU:
FJ.B1379S Adapted
from The Creation.
Composed by Franz Joseph
Haydn. Arranged by Chris
Sharp. Concert Band. FJH
Beginning Band. Score.
Duration 1:20. The FJH
Music Company Inc
#98-B1379S. Published by
The FJH Music Company Inc
(FJ.B1379S).
English. This
thoughtful adaptation
from Haydn's Creation is
a wonderful way to
incorporate classical
music on your next
program while working on
balance between
woodwinds, brass and
percussion. It can also
function as a lyrical
work on your program
without the demands of
long sustained phrases.
Easy to put together, yet
still authentic to the
original.
About FJH
Beginning
Band Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1. $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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