| Franz Schubert : Marche Militaire Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
By Franz Schubert (1797-1828). Concert Band. Concert Band; Masterworks; Score. Y...(+)
By Franz Schubert
(1797-1828). Concert
Band. Concert Band;
Masterworks; Score. Young
Symphonic. Form: March;
Transcription. Classical;
Masterwork Arrangement;
Romantic. Grade 2. 12
pages. Published by
Alfred Music Publishing
$7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Marche Militaire Orchestre Symphonique [Conducteur et Parties séparées] - Facile Alfred Publishing
By Franz Schubert (1797-1828). Concert Band. Concert Band; Masterworks; Part(s);...(+)
By Franz Schubert
(1797-1828). Concert
Band. Concert Band;
Masterworks; Part(s);
Score. Young Symphonic.
Form: March;
Transcription. Classical;
Masterwork Arrangement;
Romantic. Grade 2. 126
pages. Published by
Alfred Music Publishing
$52.00 $49.4 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| German Military March Band 1 Orchestre d'harmonie Bote and Bock (+)
-
Alt-Hessicher
Reitermarsch
-
Bayerischer
Prasentiermarsh
-
Bayerstreich Militargebet
-
Bayerstreich
Zapfenstreich
-
Der Dessauer
-
Der Hohenfriedberger
-
Der Koburger
-
Der Pappenheimer
-
Der Rheinstromer
-
Der Toraguer Parademarsch
-
Geschwindmarsch
-
Givenchy-Marsch
-
Graf-Eberhand-Marsch
-
Grosse Zeit, Neue Zeit
-
Grosser Zapfenstreich
-
Hessicher Fahnenmarsch
(1732)
-
hOLLANDISCHER eHRENMARSCH
-
Kreuzritter-Fanfare
-
Kurassiermarche
-
March Fur Das Koniglich
Preussiche 2.
Leib-Husaren-Regiment
-
Marsch (1741)
-
Marsch (Mollwitz
1741)
-
Marsch Aus St. Petersburg
vom
Leib-Garde-Preobraschensk
y-Regiment
-
Marsch Der Hannoverschen
Cambridge-Dragoner-Regime
nts
-
Marsch Der Hannoverschen
Garde du Corps
-
Marsch Der Hannoverschen
Konprinz-Dragoner-Regimen
ts
-
Marsch der Koniglich
Bayerischen
Grenadier-Garde
-
Marsch Des
Infanterie-Regiments Jung
Bornstedt
-
Marsch Des
Infanterie-Regiments von
Mollendorf
-
Marsch Herzog von
Braunschweig
-
Marsch I Bataillon Garde
-
Marsch
Prinz-August-Grenadier-Ba
taillon
-
Marsch vom Regiment
Herzog Von Braunschweig
-
Marsch vom Regiment Jung
Bornstedt
-
Marsch vom Regiment Prinz
Ferdinand
-
Marsch vom Regiment Prinz
Heinrich
-
mARsche aus der zeit
friedrichs des grossen
-
marsche der kurachsischen
(1788)
-
Marsche des Schwabischen
Kreisregiments
Durlach-Baden
-
Parademarsch
-
Parademarsch B-Dur
-
Parademarsch Nr.1
-
pARADepost fur berittene
Truppen
-
Prasentiermarsch
(1806)
-
Prasentiermarsch der
Schwarzen Brigade
-
pRASENTIERMARSCH des
Leib-Kurassier-Regiments
-
Sachsischer Zapfenstreich
-
SCHWEDISCHER rEITERMARSCH
-
Vestalin-Marsch
-
Wir Prasentierermarsche
| | |
| Pochodnie Military March No. 1 Soli, choeur mixte et accompagnement Lucks Music Library
(1.1.2.1/2.2.1.0,perc,str ) SKU: TM.07677SET Composed by Nikolai Miaskows...(+)
(1.1.2.1/2.2.1.0,perc,str
) SKU: TM.07677SET
Composed by Nikolai
Miaskowsky. Set Type: D.
Set of parts. Lucks Music
Library #A5781. Published
by Lucks Music Library
(TM.07677SET).
P/C in set. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Marche fatale Orchestre [Conducteur] Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU:
BR.PB-5432 Composed
by Helmut Lachenmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432). ISBN
9790004212790. 10 x 12.5
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $63.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 1: Lord of the Rings 25 Years Anniversary Edition Orchestre Amstel Music
By Johan De Meij. For Orchestra. Amstel Music. Hardcover. 242 pages. Amstel Musi...(+)
By Johan De Meij. For
Orchestra. Amstel Music.
Hardcover. 242 pages.
Amstel Music #AM127.
Published by Amstel Music
$138.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Marche Pontificale Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1074291-010 Composed by Cha...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1074291-010
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Your
Favorite Classics.
Transcription. Set (Score
and Parts). Composed
2007. De Haske
Publications #DHP
1074291-010. Published by
De Haske Publications
(BT.DHP-1074291-010).
MARS (135X180) inches.
English-German-French-Dut
ch. In 1950, Pope
Pius XII selected Marche
Pontificale from the
OrganSymphony No. 1, by
French composer Charles
Gounod, as the
officialhymn of the
Vatican. The first
rendition of the official
hymn took placein the
same year, in Saint
Peter?s Square in Rome,
played by sevenmilitary
bands. To celebrate the
80th birthday of Pope
Benedict XVI in2007, Wil
van der Beek has produced
a first-class arrangement
of thisfamous work for
concert band.
Ter
gelegenheid van het
heilig jaar 1950 bepaalde
de toenmalige paus Pius
XII dat de Marche
Pontificale van de
Franse componist Charles
Gounod (1818-1893) de
officiële hymne van
Vaticaanstad zou worden,
als opvolger van eenhymne
uit 1857 van Vittorino
Hallmayr.De nieuwe naam
van de mars werd
â??Paushymneâ??. De
godvruchtige Gounod had
het werk in 1869
geschreven voor een
jubileum van paus Pius
IX. In dat jaar vond de
première plaats op het
Sint-Pieterpleinin Rome,
gespeeld door zeven
militaire orkesten. Het
was een enorm succes - en
ook nu nog is deze muziek
zeer geliefd.Wil van der
Beek stond garant voor
het uitstekende
arrangement van dit
bekende
werk.
Marche
Pontificale stammt
aus der Orgelsymphonie
Nr. 1, die Charles
François Gounod 1835
zur Ernennung von Papst
Pius IX schrieb und die
seit 1950 als offizielle
Vatikanhymne gilt. Nun
liegt sie, pünktlich
zum Jubiläumsjahr
2007, in dem unserâ??
Papst Benedikt XVI seinen
80. Geburtstag feierte,
in einer neuen
Bearbeitung für
Blasorchester aus der
Feder des erfahrenen
Arrangeurs Wil van der
Beek vor.
En
1950, l'occasion de
l'Année Sainte, le
Pape Pie XII décida
que la Marche
pontificale du
compositeur français
Charles Gounod
(1818-1893) deviendrait
l'hymne officiel de
l'�tat de la Cité du
Vatican. La Marche
pontificale, comme
l'avait appelée son
auteur prit alors le nom
dâ??Hymne
pontifical
remplaçant ainsi
lâ??ancien hymne
(Musica Festiva)
composé par Vittorino
Hallmayr en 1857.Animé
dâ??une foi profonde,
Charles Gounod avait
composé cette marche
en 1869 pour le jubilé
sacerdotal du Pape Pie
IX. La création eut
lieu la même année,
sur le parvis de la
Basilique Saint-Pierre,
par sept fanfares
militaires. Lâ???uvre
connut un succès
immédiat.Elle est
toujours appréciée
de nos jours.Wil van der
Beek en a réalisé
un excellent
arrangement. $90.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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