PARTITIONS GRATUITES : ORCHESTRE
- Spohr

Concert Band/Harmonie and Euphonium Solo - Grade 2.5

SKU: BT.DHP-1135392-140

From Faust. Composed by Charles Francois Gounod. Arranged by Wil van der Beek. Solo Spectrum. Solo & Concerto. Score Only. Composed 2013. 16 pages. De Haske Publications #DHP 1135392-140. Published by De Haske Publications (BT.DHP-1135392-140).

9x12 inches. English-German-French-Dut ch.

Goethe’s Faust has already been set to music by various renowned musicians, such as Berlioz, Busoni and Spohr, and indeed Charles Gounod, who built his eponymous opera around the tale. Gounod’s Faust is primarily known for its lovely melodies and its beautifully expressive vocal parts and subtle orchestrations. One of the high points of this opera is doubtless this impressive Cavatina (“Salut, demeure chaste et pure”). Wil van der Beek has arranged the Cavatina with the euphonium as solo instrument.

Goethe s Faust is in het verleden al door verschillende componisten - waaronder Berlioz en Spohr - op muziek gezet. Ook Charles Gounod gebruikte Faust voor zijn gelijknamige opera. Zijn versie staat bol van prachtige melodieën en uiterst expressieve zangpartijen in een gera_x001C_ffineerde orkestratie. Een van deze hoogtepunten is zeker zijn Cavatina (“Salut, demeure chaste et pure”), in deze versie van Wil van der Beek bewerkt voor euphonium en orkest.

Goethes Faust wurde schon mehrfach von namhaften Komponisten vertont - darunter Berlioz, Busoni, Spohr und eben auch Charles Gounod, der aus dem Stoff_x001F_ die gleichnamige Oper komponierte. Sein Faust ist vor allem für herrliche Melodien sowie schöne, ausdrucksvolle Vokalpartien und feinsinnige Orchestrierungen bekannt. Einer der Höhepunkte dieser Oper ist zweifellos diese eindrucksvolle Cavatina (Salut, demeure chaste et pure“). Wil van der Beek wählte für seine Bearbeitung das Euphonium als Soloinstrument.

Faust, de Goethe a été plusieurs fois mis en musique par des compositeurs célèbres - dont Berlioz, Busoni et Spohr. En s’inspirant de la pièce de Goethe, Charles Gounod composa un opéra connu pour ses belles mélodies, ses chants expressifs et ses orchestrations subtiles. Un des points forts de cet opéra est sans aucun doute cette impressionnante Cavatine intitulée Salut ! Demeure chaste et pure. Wil van der Beek a choisi, pour son arrangement, de confi_x001C_er la partie solo l’euphonium. Un choix judicieux, qui placera votre soliste sous les feux de la rampe gr ce cette cavatine vibrante d’émotion et de sensibilité.

Il Faust di Goethe fu più volte messo in musica da compositori famosi quali Berlioz, Busoni, Spohr e Charles Gounod che compose l’opera omonima. Il suo Faust è noto per le belle melodie, le parti vocali particolarmente espressive e la ra_x001F_nata orchestrazione. Uno dei punti di forza di questa opera è senza dubbio l’imponente Cavatina (Salut, demeure chaste et pure). Wil van der Beek ha scelto di arrangiare la sua Cavatina per eufonio solo e banda.

Concert Band/Harmonie and Euphonium Solo - Grade 2.5

SKU: BT.DHP-1135392-010

From Faust. Composed by Charles Francois Gounod. Arranged by Wil van der Beek. Solo Spectrum. Solo and Concerto. Set (Score and Parts). Composed 2013. De Haske Publications #DHP 1135392-010. Published by De Haske Publications (BT.DHP-1135392-010).

9x12 inches. English-German-French-Dut ch.

Goetheâ??s Faust has already been set to music by various renowned musicians, such as Berlioz, Busoni and Spohr, and indeed Charles Gounod, who built his eponymous opera around the tale. Gounodâ??s Faust is primarily known for its lovely melodies and its beautifully expressive vocal parts and subtle orchestrations. One of the high points of this opera is doubtless this impressive Cavatina (â??Salut, demeure chaste et pureâ?). Wil van der Beek has arranged the Cavatina with the euphonium as solo instrument.

Goethe s Faust is in het verleden al door verschillende componisten - waaronder Berlioz en Spohr - op muziek gezet. Ook Charles Gounod gebruikte Faust voor zijn gelijknamige opera. Zijn versie staat bol van prachtige melodieën en uiterst expressieve zangpartijen in een gera_x001C_ffineerde orkestratie. Een van deze hoogtepunten is zeker zijn Cavatina (â??Salut, demeure chaste et pureâ?), in deze versie van Wil van der Beek bewerkt voor euphonium en orkest.

Goethes Faust wurde schon mehrfach von namhaften Komponisten vertont - darunter Berlioz, Busoni, Spohr und eben auch Charles Gounod, der aus dem Stoff_x001F_ die gleichnamige Oper komponierte. Sein Faust ist vor allem fu?r herrliche Melodien sowie schöne, ausdrucksvolle Vokalpartien und feinsinnige Orchestrierungen bekannt. Einer der Höhepunkte dieser Oper ist zweifellos diese eindrucksvolle Cavatina (Salut, demeure chaste et pureâ??). Wil van der Beek wählte fu?r seine Bearbeitung das Euphonium als Soloinstrument.

Faust, de Goethe a été plusieurs fois mis en musique par des compositeurs célèbres - dont Berlioz, Busoni et Spohr. En sâ??inspirant de la pièce de Goethe, Charles Gounod composa un opéra connu pour ses belles mélodies, ses chants expressifs et ses orchestrations subtiles. Un des points forts de cet opéra est sans aucun doute cette impressionnante Cavatine intitulée Salut ! Demeure chaste et pure. Wil van der Beek a choisi, pour son arrangement, de confi_x001C_er la partie solo lâ??euphonium. Un choix judicieux, qui placera votre soliste sous les feux de la rampe gr ce cette cavatine vibrante dâ??émotion et de sensibilité.

Il Faust di Goethe fu più volte messo in musica da compositori famosi quali Berlioz, Busoni, Spohr e Charles Gounod che compose lâ??opera omonima. Il suo Faust è noto per le belle melodie, le parti vocali particolarmente espressive e la ra_x001F_nata orchestrazione. Uno dei punti di forza di questa opera è senza dubbio lâ??imponente Cavatina (Salut, demeure chaste et pure). Wil van der Beek ha scelto di arrangiare la sua Cavatina per eufonio solo e banda.

Viola (2.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15126-19

Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15126-19. Published by Breitkopf and Haertel (BR.OB-15126-19).

ISBN 9790004341902. 10 x 12.5 inches.

Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.

From the early years of the clarinet concerto.

Clarinet and orchestra (2.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15126

Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Partitur-Bibliothek (Score Library).

From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Full score. 60 pages. Duration 20'. Breitkopf and Haertel #PB 15126. Published by Breitkopf and Haertel (BR.PB-15126).

ISBN 9790004214275. 10 x 12.5 inches.

Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.

From the early years of the clarinet concerto.