PARTITIONS GRATUITES : CHœUR SSATB, PIANO
AUTRES
Niveau Intermédiaire: Grade 3-5

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Vocal/choral score. MorningStar Music Publishers #56-0002. Published by MorningStar Music Publishers

By Janice Kapp Perry. Arranged by A. Laurence Lyon. Text: Rodney Turner. For SSATB Choir. Level: Medium. Duration 3:30. Published by Jackman Music Corporation.

By Max Buhler. Text: Max Buhler. For SSATB Choir. Christmas. Level: Medium. Duration 3:00. Published by Jackman Music Corporation.

By Catherine A. Tibbetts. For SSATB choir and piano, 4-hands. Christmas. Medium. Octavo. Duration 1 minute, 35 seconds. Published by Jackman Music Corporation

(aus: Israelsbrunnlein. Geistliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir, [Basso continuo]. No. 20. Madrigals; Occasions: Mourning, Death. Level 3. Score. Language: German/English. Composed 1623. 8 pages. Duration 6 min

By Robert A. Harris. For SSATB choir, organ or piano. General. Medium. Octavo. Published by MorningStar Music Publishers

SSATB Choir, Piano - Level 3

SKU: CA.925000

Composed by Henri Duparc. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Duration 5 minutes. Carus Verlag #CV 09.250/00. Published by Carus Verlag (CA.925000).

ISBN M-007-24902-1. Key: E flat major. Language: French. Text: Baudelaire, Charles.

The harmonic turns and piano configurations in La vie anterieure - the former life - seem almost exuberantly lyrical. At the beginning, the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry C'est la que j'ai vecu! [I have lived there] which expresses the fervent yearning to return to a past life, the collective desperately reinforces the longing for the past. Once more, the women's choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude, creating a moment that is completely in the present.