Peter Cornelius PIANO ET VOIX

By Peter Cornelius. Chamber Choir - Recommended by Frieder Bernius; Occasions: Praise and thanks; Use during church year: Holy Week. Score. 8 pages. Published by Carus Verlag (German import).

Men's choir - easy

SKU: HL.49026592

Composed by Peter Cornelius. Sheet music. Schott Chorblattreihe (Choral Music). Score. Op. 9/3. 2 pages. Schott Music #CHBL 34. Published by Schott Music (HL.49026592).

ISBN 9790001206396. German.

SSATB Choir, Piano - Level 3

SKU: CA.925800

Composed by Peter Cornelius. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Composed 1854. Op. 4, No. 1. Duration 3 minutes. Carus Verlag #CV 09.258/00. Published by Carus Verlag (CA.925800).

ISBN 9790007249205. Key: A flat major. German. Text: Cornelius, Peter.

Peter Cornelius once described himself as a poet-composer, for he wrote the texts for many of his songs himself. This is the case with In Lust und Schmerzen, the first song of the three Liebeslieder which make up op. 4. Cornelius composed these songs in 1854 in Weimar, where he was living near Franz Liszt whom he greatly admired. Liszt's influence can be discerned in the urgent piano accompaniment and the cumulative chromaticism which Cornelius chose as a means of expressing the emotional content of the text in music, alternating between Lust und Leiden, between Kampf und Ruh. The marking Leidenschaftlich bewegt [passionately agitated] aptly describes the character of the song. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

Chorus (with soloists) and piano (solos: S. A. 7T. Bar. 4B - choir: SAATTBB - picc.2.2.2.2 - 4.2.3.0 - timp.perc(2) - hp - str)

SKU: BR.EB-2066

Comic Opera in 2 Acts. Composed by Peter Cornelius. Edited by Max Hasse. Arranged by Waldemar von (KA) Baussnern. Choir; Softbound. Edition Breitkopf. Opera; Music theatre; Romantic. Piano/Vocal Score. 240 pages. Breitkopf and Haertel #EB 2066. Published by Breitkopf and Haertel (BR.EB-2066).

ISBN 9790004160770. 7.5 x 10.5 inches.

Text by the composer Translation: engl. (M. E. Browne) Place: Bagdad Characters: Der Kalif (baritone) - Baba Mustapha, ein Kadi (tenor) - Margiana, seine Tochter (soprano) - Bostana, eine Verwandte (alto) - Nureddin (tenor) - Abul Hassan Ali Ebn Bekar, Barbier (bass) - 1. Muezzin (bass) - 2. Muezzin (tenor) - 3. Muezzin (tenor) - Ein Sklave (tenor) - Vier Bewaffnete (2 Tenore, 2 Basse) Corneliuss opera got off to a bad start, to say the least: the scandal provoked at the first performance in Weimar in 1858 led to protests and ultimately to the resignation of Franz Liszt as court opera director. It was not until 1904 that the opera was played again in that city and proved that the scandal had not been caused by the work but by Liszts aesthetic views. The score was long considered as the ideal example of a musical comedy with a far too complicated plot. Today, however, many prominent commentators beg to differ: This is one of the sunniest scores ever written. Music in the spirit of Mozart and Mendelssohn: a highly delicate mixture of classical formal rigor and romantic irony, heightened with just a touch of exquisite sensuality that has just wafted in from the Orient. It is practically incomprehensible how Cornelius could have been regarded as a composer of the Wagner school for practically a century. With its intricate fusing of comedy, lyricism and sentimentality, it is precisely the opera that Schubert, Schumann, E.T.A. Hoffmann and Mendelssohn were unable to write. (Hans Zender).

SATB choir - Level 3

SKU: CA.314960

Composed by Peter Cornelius. Arranged by Clytus Gottwald. Separate edition with choral collection. Sacred vocal music, Christmas Carols, Advent, Christmas. Full score. Composed 2011. Duration 2 minutes. Carus Verlag #CV 03.149/60. Published by Carus Verlag (CA.314960).

ISBN 9790007153342. Key: G major. Language: German. Text: Cornelius, Peter. Text: Peter Cornelius.

Mezzo-soprano voice solo (baritone voice), SATB choir, [organ] - Level 2

SKU: CA.4049610

Aus: Weihnachtslieder. Composed by Peter Cornelius. Arranged by Hans Georg Pfluger. German title: Drei Kon'Ge Wandern. Sacred vocal music, Christmas Carols, Epiphany. Full score. Composed 1856. Op. 8, No. 1. Duration 2 minutes. Carus Verlag #CV 40.496/10. Published by Carus Verlag (CA.4049610).

ISBN 9790007070656. Key: G major. Language: German. Text: Cornelius, Peter / Nicolai, Philipp. Text: Peter Cornelius, Phillipp Nicolai.

With the chorale Wie schon leuchtet der Morgenstern in a choral setting under the soprano solo.

SSATB Choir, Piano

SKU: CA.924400

Composed by Peter Cornelius. Arranged by Denis Rouger. Secular choral music. Separate edition with CD. Lieder, Secular choral music. Full score. Op. 15, No. 1. Duration 2 minutes. Carus Verlag #CV 09.244/00. Published by Carus Verlag (CA.924400).

ISBN 9790007244392. Key: B flat major. Language: German. Text: Cornelius, Peter.

Sei mein! was written and composed by Peter Cornelius in 1865 for his future wife Bertha Jung. The composer set the poem in short rhyming lines using the scheme aaabcccb, recounting with loving humor what his beloved means to him. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).