Traditional 2 VOIX
Niveau Débutant, Initiation: Grade 1

SATB choir, piano accompaniment - Beginning

SKU: GI.WJMS1180

Composed by Traditional Spiritual/arr. Patrick Dupre Quigley. Arranged by Patrick Quigley. Ordinary Time 23 A. Jo-Michael Scheibe Choral Series. Classical. Octavo. 12 pages. Walton Music #WJMS1180. Published by Walton Music (GI.WJMS1180).

UPC: 785147011668. English. Text source: Traditional spiritual. Traditional Spiritual.

This beautiful arrangement marries the traditional African-American Spiritual melody of Steal Away with a quasi-improvisational ostinato accompaniment. Suitable for both church and concert, this will be a wonderful addition to your choral library. Jo-Michael Scheibe Choral Series. Listen to the music and follow the score in this preview video.

SATB with voice solo, piano accompaniment - Beginning

SKU: GI.WJMS1181

Composed by Traditional Spiritual/arr. Patrick Dupre Quigley. Arranged by Patrick Quigley. Church, Concert, School. Jo-Michael Scheibe Choral Series. Classical. Octavo. 8 pages. Walton Music #WJMS1181. Published by Walton Music (GI.WJMS1181).

UPC: 785147020363. English. Text source: Traditional spiritual. Traditional Spiritual.

Were You There? is a meditation for baritone and chorus written for American baritone Charles Wesley Evans. The piano accompaniment is a transcription of an improvisation by Patrick Dupré Quigley. Stunning in its sophisticated simplicity, this will work beautifully for both church choirs and concerts. Jo-Michael Scheibe Choral Series.

SATB choir & organ (SATB) - Very Easy

SKU: OU.9780193416543

Composed by Various. Sacred choral - mixed voices. The Cambridge Singers Hymn Series. Vocal score. 4 pages. Duration 3.5'. Oxford University Press #9780193416543. Published by Oxford University Press (OU.9780193416543).

ISBN 9780193416543.

For SATB and organ In this arrangement of the hymn tune St Clement, traditional verses alternate with those newly arranged by John Rutter. The piece is part of a wider collection of hymn arrangements, which have been recorded by the Cambridge Singers on the Collegium CD Sing, ye heavens (COLCD 126).

About Cambridge Singers Hymn Series

The Cambridge Singers Hymns is a series of new hymn arrangements by John rutter, recorded under his direction by the Cambridge Singers. the aim of the series is to present some of the finest traditional hymns in new, practical versions which refresh old favorites and introduce welsome variety and interest to the familiar routine of Sunday hymn-singing.

Unison choir - Beginning

SKU: GI.G-RA461

Dutch traditional tune. Arranged by Martin How. Royal School of Church Music. Sacred. Octavo. 4 pages. GIA Publications #RA461. Published by GIA Publications (GI.G-RA461).

English. Text by L. Hensley.

Music Source: Dutch traditional tune.

A cappella,SATB choir - Beginning

SKU: GI.G-005751

Arranged by Richard Hillert. Advent 3 Year A, Advent 4 Year C, Advent 3 Year B, Advent 4 Year B. Includes Trumpet. Tune Name: Traditional Polish Carol. Sacred. Octavo. GIA Publications #005751. Published by GIA Publications (GI.G-005751).

UPC: 641151057514.

Three traditional Polish carols carefully translated and expertly set for SATB chorus. Perfect as pre-service Christmas music or concert repertoire.

SATB choir - Beginning

SKU: GI.G-RA442

Composed by Traditional Spiritual. Arranged by John Barnard. Royal School of Church Music. Sacred. Octavo. 8 pages. GIA Publications #RA442. Published by GIA Publications (GI.G-RA442).

English. Text by Traditional Spiritual.

SAB choir, assembly, piano accompaniment, violin, guitar - Beginning

SKU: GI.G-9464

Arranged by Tony Alonso S.J. All Saints, Peter and Paul Vigil, Peter and Paul. Celebration Series. Tune Name: Foundation. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9464. Published by GIA Publications (GI.G-9464).

UPC: 785147946403. English. Text Source: John Rippon',s A Selection of Hymns, 1787, alt. Scripture: 2 Peter 1:4.

From the Revival collection (octavo packet G-9405, spiral-bound G-9538), this arrangement uses the traditional tune FOUNDATION. The accompaniment has a folk quality that is both compelling and comforting. For added texture (as with all of the pieces in Revival), the final stanza of this hymn can be sung in unison, and includes an alternate harmonization of the accompaniment with a soprano descant.