PARTITIONS GRATUITES : CHANT - CHORALE
- EUPHONIUM

For Baritone and Piano. By Thomas Pasatieri. For Baritone/Euphonium Solo, Piano. Premiered January 17, 1999 by Thomas Hampson, baritone, and Craig Rutenberg, piano. Pierpont Morgan Library, New York City. Piano/Vocal Score. Composed 1998. 12 pages. Published by Theodore Presser Company.

Band Bass, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal and more. - Grade 2.5

SKU: CF.YPS223

Composed by Traditional Christmas Songs. Arranged by Russell Robinson Michael J. Miller. Folio. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+4+1+2+6+24 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #YPS223. Published by Carl Fischer Music (CF.YPS223).

ISBN 9781491156643. UPC: 680160915187. 9 x 12 inches.

Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation.   Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) mf f ff mp mf f   p mp mf     Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.
Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)mffffmpmff pmpmf   Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.

Band Bass, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal and more. - Grade 2.5

SKU: CF.YPS223F

Composed by Russell Robinson Michael J. Miller. Sws. Yps. Full score. 24+22 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #YPS223F. Published by Carl Fischer Music (CF.YPS223F).

ISBN 9781491156650. UPC: 680160915194. 9 x 12 inches.

Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation.   Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) F f ff P F f   p P F     Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.
Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)FfffPFf pPF à ‚ Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Snare Drum, Timpani and more.

SKU: CF.J763

Critical Edition for Band. Composed by William Steffe. Arranged by Justin P. Tokke Peter J. Wilhousky. Carl Fischer Classic Band Editions. Set of Score and Parts. With Standard notation. 1+8+8+1+1+2+2+1+8+8+8+4+4 +4+4+4+8+8+8+4+4+2+2+6+6+ 6+4+4+8+1+9+2+28 pages. Duration 5:21. Carl Fischer Music #J763. Published by Carl Fischer Music (CF.J763).

ISBN 9781491146248. UPC: 680160903740. 9 x 12 inches. Key: Bb major. Text: Julia Ward Howe. Julia Ward Howe.

Made popular by the Mormon Tabernacle Choir's Grammy winning performance in 1959, Peter Wilhousky's famous arrangement of Battle Hymn of the Republic has remained a staple to this day. In this Critical Edition for Band edited by Justin P. Tokke, a new arrangement has been crafted based on Wilhousky's original orchestral scoring. To enhance playability, generous cross-cuing and doubling of the choral parts have been applied in cases where the band version is played without voices. This new arrangement ensures complete compatibility with both the choral and orchestral versions, with matching measure numbers and rehearsal marks, and comes complete with a full score and parts produced with modern engraving standards. This exciting edition is ready to continue Wilhousky's legacy and hopes to inspire future collaboration and new performance opportunities.

SATB choir, hymnal style (C bass)

SKU: LP.OR-5013

This edition: Loose-Leaf. Songbook. Multicultural and Sacred. Part book. Published by Lillenas Publishing Company (LP.OR-5013).

UPC: 765762139404.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Book 13 includes parts for a variety of bass instruments: cello, string bass, bass trombone, tuba, baritone (euphonium) treble or bass clef, ba.

By John Leavitt. For SAB Chorus, Organ accompaniment, and Oboe/ C Instrument. Choral. Sacred. Level: easy. 8 pages. Published by GIA Publications.

Festival Part - Level 3

SKU: HP.1892FP

Arranged by Kevin McChesney. Handbell Parts. Hope Publishing Company #1892FP. Published by Hope Publishing Company (HP.1892FP).

UPC: 763628418922.

Belov ed French carol This Kevin McChesney setting is an uplifting arrangement reflecting the Easter text Now the Green Blade Riseth. NOEL N OUVELET- The choral setting of the beloved French Carol, NOEL N OUVELET, includes both the words to the original Christmas carol, Sing We Now of Christmas and J. M. C. Crum's words for Easter. The handbell setting uses 3-5 octaves of bells and has driving rhythmic energy provided by the use of mallets. The Orchestral Parts consist of: Flutes, Oboes, Clarinets in B-flat, Bassoons, Horns in F, Trumpets in B-flat, Tombone, Tuba, Timpani, Percussion, Tubular Bells, Handbells, Violin I & II, Viola, Violoncello & Double Bass. The Band Orchestration consists of parts for: Flutes, Oboes, Clarinet in B-flat, Bass Clarinet in B-flat, Alto Saxophone, Tenor Saxophones, Baritone Saxophone, Bassoons, Horns in F, Trumpets in B-flat, Trombone, Euphonium, Tuba, Timpani, Percussion, Tubular Bells & Handbells.