PARTITIONS GRATUITES : COR (F) ET ORGUE
- Johann Sebastian Bach

By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Double Brass Quintet. Brass Ensemble - Quintet; Masterworks. Eighth Note Publications. Baroque. Duration 00:09:32. Published by Eighth Note Publications

By Johann Sebastian Bach. For solo horn in F. Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 256)
Level: 5-6.

For Horn in F. Composed by O. Blume, Johann Sebastian Bach (1685-1750), Muzio Clementi (1752-1832), Wolfgang Amadeus Mozart (1756-1791), Larry Clark, Jacques Fereol Mazas (1782-1849), Giuseppe Gariboldi, and Ernesto Kohler (1849-1907). Arranged by Larry Clark. SWS. Back To School. Softcover. With Standard notation. Carl Fischer Music #WF108. Published by Carl Fischer Music

By Johann Sebastian Bach (1685-1750). Arranged by John Anthony Lennon. For Brass Quintet. Baroque. Moderately Advanced. Score and parts. Published by Cherry Classics

(from Orchestral Suite No. 3). By Johann Sebastian Bach (1685-1750). Arranged by Ziek. For Brass Quintet. 2 Bb Trumpet, Horn in F, Trombone and Tuba. Grade 4. Score and parts. Published by Kendor Music Inc

By Johann Sebastian Bach. Arranged by Thomas. Brass Quartet. For 2 Trumpets, Horn (alternate Trombone part included) and Trombone. Festive Brass Series. Published by Music Express.

Instrumental Play-Along® for Horn. Composed by Johann Sebastian Bach (1685-1750). Instrumental Play-Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

2 horns

SKU: M7.AHW-411

Eleven Duets for Horn. Composed by Johann Sebastian Bach and Ludwig van Beethoven. Arranged by Carmelo Barranco. Sheet music. Performance score. 27 pages. Charles Colin Corp. #AHW 411. Published by Charles Colin Corp. (M7.AHW-411).

These duets are wonderful in every way! Mr Barranco has chosen excellent musical selections which are so playable and attractive for the horn. He has adhered to the original musical notation as much as possible while ensuring beautiful, fluid, interesting and eminently playable lines for both players. The range is excellent - neither too high nor too low - and the lines are close enough to each other to make a very pleasant and satisfying playing and listening experience. The phrasing and articulations work so well for horn players but are also pleasing to the listener who may know the original work.