| Seven Songs by Franz Liszt Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schott
Baritone; String Quartet (Score & Parts) SKU: HL.49044628 Complied and...(+)
Baritone; String Quartet
(Score & Parts) SKU:
HL.49044628
Complied and
transcribed for Baritone
and String Quartet by
Aribert Reimann.
Composed by Aribert
Reimann and Franz Liszt.
Arranged by Aribert
Reimann. This edition:
Saddle stitching. Sheet
music. Vocal. Classical.
Score and parts. Composed
1860-1880. 76 pages.
Duration 20'. Schott
Music #ED 21885.
Published by Schott Music
(HL.49044628). ISBN
9790001198493. UPC:
841886022027.
9.25x12.0x0.212 inches.
German. Aribert
Reimann's idea to arrange
the lieder of Franz Liszt
for baritone and string
quartet goes back to his
collaboration with
Dietrich Fischer-Dieskau,
recording some of these
lieder for the German
broadcasting company
formerly known as Sender
Freies Berlin (SFB).
Since then, Reimann has
continued to be
fascinated by Liszt's
thrilling harmony and
unconventional treatment
of the voice. Here, he
has compiled a cycle
containing seven lieder
from Liszt's middle and
late periods, arranged so
that each song is the
logical continuation of
its predecessor. Liszt's
fundamental harmony has
been retained, but the
registers have been
altered to such an extent
that they appear in a
completely new light. $74.00 - Voir plus => Acheter | | |
| Franz Liszt - Csardas Obstinee Violoncelle, Piano EMB (Editio Musica Budapest)
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment SKU:
HL.50512037 Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037). ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky. The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+. $27.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Franz Liszt : Two Elegies, No. 1 (S. 130) and No. 2 (S. 131) Violoncelle, Piano IMC (International Music Co.)
Composed by Franz Liszt (1811- 1886). Edited by Daniel Morganstern. For cello...(+)
Composed by Franz Liszt
(1811-
1886). Edited by Daniel
Morganstern. For cello
and
piano accompaniment.
Score and
part. Published by
International Music
Company
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Franz Liszt - Pieces for Violoncello Violoncelle, Piano [Conducteur et Parties séparées] EMB (Editio Musica Budapest)
By Franz Liszt (1811-1886). Edited by ÌrpÌÁd Pejtsik and . For Cello, Piano...(+)
By Franz Liszt
(1811-1886). Edited by
ÌrpÌÁd Pejtsik and .
For Cello, Piano
Accompaniment (Score and
Parts). EMB. 84 pages.
Editio Musica Budapest
#Z14768. Published by
Editio Musica Budapest
$44.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Csardas obstinee Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU:
BT.EMBZ14779 Composed
by Franz Liszt. Book
Only. Composed 2011. 16
pages. Editio Musica
Budapest #EMBZ14779.
Published by Editio
Musica Budapest
(BT.EMBZ14779).
The arranger of
this work (a well-known
Hungarian composer living
in Romania) writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstiné' is
closer in meaning to
stubborn. There is just a
shade of difference, but
to me it is important,
because the latter
suggests the description
of a type of behaviour,
the emotional state of a
dancer's inner frame of
mind abstracted into
movements, expressed in
dance movements, and this
is a fascinating
interpretation. The
demonstration ofstubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán
Kocsis played the piece
in Transylvania. At that
time, I asked the
composer, Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartókian false
relations that keep
recurring in the work,
the B-E flat-G, etc. That
foreshadows Debussy,
creating harmonic thrills
that, when I hear the
work, keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the cello.
The arranger of
this work, the well-known
Romania-based Hungarian
composer Cs ky
Boldizsár writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinateone, may refer
to its ostinato
character, this is close
to Liszt's programme
concept, but the French
word 'obstiné' is
closer in meaning to
stubborn. There is just a
shade of difference, but
to me it is important,
because the
lattersuggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of
stubbornresistance ,
defiance to the point of
exhaustion, was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán
Kocsis played the piece
here in Transylvania
(Romania).
Der
Bearbeiter des Werkes,
der renommierte
ungarische Komponist aus
Rumänien, schreibt:
Dieses Stück reizte
immer schon meine
Phantasie, sogar in
vielerlei Hinsicht. Als
erstes sein Name. Der
deutsche Titel
‚Hartnäckiger'
kann auf den ihm
innewohnenden ostinativen
Charakter hinweisen, was
der Liszt'schen
Programm-Konzeption
näher kommt, das
französische
,obstiné' steht jedoch
eher dem Wort
‚dickköpfig'
nah. Das sind nur
geringfügige
Unterschiede, mir ist das
dennoch wichtig, weil aus
Letzterem die Darstellung
eines Verhaltens, der in
Tanzgesten
ausgedrückte, zur
Bewegung abstrahierte
innere emotionale Zustand
eines Tänzers
durchscheint, und das ist
eine überaus
beeindruckendeErklärun
g. Die Demonstration des
bis zur Erschöpfung
reichenden Trotzes, der
störrischen Kraft
erscheint bei Liszt
selten. Der zweite
Aspekt: Zu Beginn der
70er Jahre spielte bei
uns Zoltán Kocsis das
Stück. Schon damals
(und seitdem) frage ich
den Komponisten:. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pieces for Violoncello Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU:
BT.EMBZ14768 Composed
by Franz Liszt. Book
Only. Composed 2011. 76
pages. Editio Musica
Budapest #EMBZ14768.
Published by Editio
Musica Budapest
(BT.EMBZ14768).
Not many people
know that Franz Liszt
arranged some of his
piano pieces for the
cello, with piano
accompaniment, and that
these versions of the
works appeared in print
during the maestro's
lifetime. Ãrpád
Pejtsik selected two of
these for this volume
compiled to mark Liszt's
jubilee: Elegies I and
II. The other
compositions by Liszt
that appear in the
collection were likewise
originally works for
piano: the Ave Maria and
Cantique d'amour (pieces
from the Harmonies
poétiques et
religieuses cycle) were
transcribed by a pupil of
Liszt, Robert Pflughaupt
the cello version,
transposed into G major,
of the E Major
Consolation is by Jules
de Swert, solo cellist in
the Weimar orchestraof
those days that of the
Angelus (the opening
piece in Volume 3 of the
cycle entitled Years of
Pilgrimage ) is by Lothar
Windsperger, a German
composer who lived at the
turn of the 19th-20th
century. The Valse
oubliée No. 1 was
transcribed by Liszt s
virtuoso piano pupil
Ferruccio Busoni
Notturno, which became
famous as the third piece
in the Liebesträume
series, is a transposed
version of the original
song ( O lieb, so lang du
lieben kannst ) made by
the editor of this
volume.
Not many
people know that Ferenc
Liszt arranged some of
his piano pieces for the
cello, with piano
accompaniment, and this
version of the works
appeared in print during
the maestro's lifetime.
Ãrpád Pejtsik
selected two of these
forthis volume compiled
to mark Liszt's jubilee:
Elegy I and
Elegy II. The
other compositions by
Liszt that appear in the
collection were likewise
originally works for
piano: the Ave
Maria and Cantique
d'amour(pieces from
the Harmonies
poétiques et
religieuses cycle) were
transcribed by a pupil of
Liszt, Robert Pflughaupt;
the cello version,
transposed into G major,
of the E major
Consolation is by
Jules de Swert, solo
cellistin the Weimar
orchestra of those days;
that of the
Angelus (the
opening piece in Volume 3
of the cycle entitled
Years of Pilgrimage) is
by Lothar Windsperger, a
German composer who lived
at the turn of the
19th-20thcentury.
Nur Wenigen ist bekannt,
dass Liszt einige seiner
Klavierstücke auch
für Violoncello mit
Klavierbegleitung
bearbeitet hatte, und
dass diese Version der
Werke noch zu Lebzeiten
des Komponisten in Druck
erschien. In diesem Band
nahm Ãrpád Pejtsik
zwei dieser Stücke,
die I. und II. Elegie
auf. Die anderen
Liszt-Kompositionen in
der Sammlung sind auch
ursprünglich
Klavierwerke: der
Bearbeiter ist beim Ave
Maria und Cantique
d'amour (Stücke aus
dem Zyklus Harmonies
poétiques et
religieuses) der
Liszt-Schüler Robert
Pflughaupt. Von Jules de
Swert, der damals
Solocellist des Weimarer
Orchesters war, wurde die
in G-Dur transponierte
Violoncelloversion der
E-Dur Consolation, und
vonLothar Windsperger,
dem an der Wende zum 20.
Jahrhundert lebenden
deutschen Komponisten,
das Angelus (das
Eröffnungsstück des
III. Bandes des Zyklus
Pilgerjahre)
bearbeitet. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christ is Born S. 32/3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music, Quatuor String Quartet: 2 Violins 1 Alto 1 Cello - Grade 2 SKU...(+)
Chamber Music, Quatuor
String Quartet: 2 Violins
1 Alto 1 Cello - Grade 2
SKU: FL.FX074410
Composed by Franz Liszt.
Arranged by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074410.
Published by FLEX
Editions (FL.FX074410).
Instruments:Str
ing Quartet: 2 Violins 1
Alto 1 Cello; Difficuly
Level: Grade 2; Duration:
0 mn 35 s; Musical Style:
Classical; Category:
Arrangement; Composer:
Franz LISZT; Arranger:
Eric VIRETON. $10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Christ is Born S. 32/3 4 Violoncelles [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music, Quatuor Cello Quartet: 4 Cellos - Grade 2 SKU: FL.FX074408 ...(+)
Chamber Music, Quatuor
Cello Quartet: 4 Cellos -
Grade 2 SKU:
FL.FX074408 Composed
by Franz Liszt. Arranged
by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074408.
Published by FLEX
Editions (FL.FX074408).
Instruments:Cel
lo Quartet: 4 Cellos;
Difficuly Level: Grade 2;
Duration: 0 mn 35 s;
Musical Style: Classical;
Category: Arrangement;
Composer: Franz LISZT;
Arranger: Eric
VIRETON. $10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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