| Three Spirituals for String Trio Trio à Cordes: violon, alto, violoncelle [Conducteur et Parties séparées] Theodore Presser Co.
By Spiritual. Arranged by Adolphus Hailstork. For string trio (violin, viola, ce...(+)
By Spiritual. Arranged by
Adolphus Hailstork. For
string trio (violin,
viola, cello).
Traditional. Score and
parts. Standard notation.
24 pages. Duration 9
minutes. Published by
Theodore Presser Company
$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 3 - Piano Trio (Violin, Cello and Piano - Set of 3 Parts) Piano Trio: piano, violon, violoncelle - Intermédiaire/avancé Last Resort Music Publishing
(Sacred Music, Spirituals, Traditional Jewish Music). By Various. Arranged by Da...(+)
(Sacred Music,
Spirituals, Traditional
Jewish Music). By
Various. Arranged by
Daniel Kelley. Piano
trio. For Violin, Flute,
Oboe, Cello, Bassoon,
Piano. Music for Three
series. Sacred /
Spirituals.
Intermediate/Advanced.
Set of 3 parts. Published
by Last
$57.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 3 - String Trio or Wind Trio (2 Violins and Cello Set of 3 Parts) Trio à Cordes: 2 violons, violoncelle Last Resort Music Publishing
(Sacred Music, Spirituals, Traditional Jewish Music). Composed by Various. Arran...(+)
(Sacred Music,
Spirituals, Traditional
Jewish Music). Composed
by Various. Arranged by
Daniel Kelley. String
trio, mixed trio, wind
trio. For Trio - Violin,
Flute Oboe, Cello or
Bassoon. Music for Three
series. Sacred /
Spirituals.
Intermediate/Advanced.
Set of 3 parts. Published
by Last Resort Music
Publishing
$52.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spirituals Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Uetz Music
| | |
| From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano SKU:
CF.BF141 Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584. The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sacred Duets for All Violoncelle [Partition] Alfred Publishing
(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For C...(+)
(From the Renaissance to
the Romantic Periods).
Arranged by William
Ryden. For Cello/Bass.
Mixed Instruments -
Flexible Instrumentation.
Sacred Instrumental
Ensembles for All. 24
pages. Published by
Alfred Publishing.
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music String Quartet SKU: PR.11441655S Balm in Gilead. Com...(+)
Chamber Music String
Quartet SKU:
PR.11441655S Balm
in Gilead. Composed
by Adolphus Hailstork.
Full score. With Standard
notation. 28 pages.
Duration 15 minutes.
Theodore Presser Company
#114-41655S. Published by
Theodore Presser Company
(PR.11441655S). UPC:
680160624003. 9 x 12
inches. ?The
spiritual allusion does
not appear until the last
movement, which is based
on There is a Balm in
Gilead, yet even in the
first movement, marked
Moderato sostenuto,
Hailstork's original
theme has certain
spiritual-like qualities.
(Lynn Rene Bayley, Art
Music Lounge) String
Quartet No. 3 has been
included in the Ambrosia
Quartet recording
Adolphus Hailstork: Swing
Low, Sweet Chariot
(CD-Albany Records #TROY
1680). $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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