PARTITIONS GRATUITES : FLûTE ET QUATUOR à CORDES
- Choir

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Composed by Marten Jansson (1965-). In a folder. Set of parts. 11/11/11/11/8 pages pages. Published by Baerenreiter Verlag (BA.BA7420-22).

(Piano Trio). By Peteris Vasks (1946-). For Cello, Piano/Keyboard, Violin, Piano Trio (Score and Parts). Ensemble. Softcover. 50 pages. Schott Music #ED21375. Published by Schott Music

Cello

SKU: CA.3910214

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Choral collections for Coro SAM, Choral collections for women's choir; Stuttgart Urtext Edition: Telemann-Archiv. German title: Biblische Spruche 2. Sacred, Motets, Psalms, German; Choral Collections, SAM Choir, Choral Collections, Women's Choir, Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during church year: Special Days, End of the church year, Easter and Eastertide. Single Part, Cello. 16 pages. Carus Verlag #CV 39.102/14. Published by Carus Verlag (CA.3910214).

ISBN 9790007055073.

Scor e available separately - see item CA.3910200.

Cello

SKU: CA.3910114

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Choral collections for Coro SAM, Choral collections for women's choir; Stuttgart Urtext Edition: Telemann-Archiv. German title: Biblische Spruche 1. Sacred, Motets, Psalms, German; Choral Collections, SAM Choir, Choral Collections, Women's Choir, Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during church year: Special Days, Holy Week, Easter and Eastertide, Ascension, Reformati. Single Part, Cello. 16 pages. Carus Verlag #CV 39.101/14. Published by Carus Verlag (CA.3910114).

ISBN 9790007055028.

Scor e available separately - see item CA.3910100.

Cello Choir

SKU: SU.60000490

For Cello Choir. Composed by John Heiss. Strings, 2 or more Cellos, Strings, Cello. Set of Parts. Subito Music Corporation #60000490. Published by Subito Music Corporation (SU.60000490).

Set includes 20 copies Cello Choir (5 - 40 or more) Duration: 12' Composed: 1990 Published by: J.B. Elkus Music.

Score and Parts String Quartet (Score & Parts) - intermediate

SKU: HL.49046017

Version for String Quartet Score and Parts. Composed by Peteris Vasks. This edition: Saddle stitching. Sheet music. String Ensemble. Classical. Softcover. Composed 2013/2016. 16 pages. Duration 360 seconds. Schott Music #ED22723. Published by Schott Music (HL.49046017).

ISBN 9790001164726. UPC: 840126929102. 9.0x12.0x0.063 inches.

Mother Teresa was happy to surprise her interlocutors by handing them a small card instead of a traditional business card, on which a short text was to be read, beginning with the line “The fruit of silence is prayer.” In 2013, Peteris Vasks set this peace prayer of Mother Teresa on behalf of the Schleswig-Holstein Music Festival for mixed choir a cappella in the form of a dense elegiac sound stream. The versions for piano quintet and string quartet now make this musical expression of Mother Teresa's words accessible to two traditional genres of chamber music without the help of a choir.

(For Solo (Unison Choir) and String quartet (Organ)). By Jehan-Ariste Alain (1911-1940). Mass. For solo or unison choir and 4 strings. Score. 18 pages. Published by Doblinger Music Publishers