PARTITIONS GRATUITES : VIOLONCELLE
Niveau Intermédiaire: Grade 3-5 - Funeral Music

String Quartet - Grade 3.5

SKU: AP.36-52703558

Composed by Lynne Latham. Arranged by Catherine McMichael. Performance Music Ensemble; String Quartet. Ludwig Masters. Wedding. Score. Latham Music Enterprises #36-52703558. Published by Latham Music Enterprises (AP.36-52703558).

ISBN 9781628760330. UPC: 660355067679. English.

Don't let this title fool you...this collection of ten meditative preludes is useful for more than just weddings.  For service introits, communion gatherings, memorials, funerals or prayer interludes these lovely settings will find a way to your folder throughout the year in church or concert venues.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

String Quartet String Orchestra - Grade 3.5

SKU: AP.36-52703557

Composed by Lynne Latham. Arranged by Catherine McMichael. Performance Music Ensemble; Quartet; String Quartet. Ludwig Masters. Wedding. Score. Latham Music Enterprises #36-52703557. Published by Latham Music Enterprises (AP.36-52703557).

ISBN 9781628760323. UPC: 746241208552. English.

Don't let this title fool you...this collection of ten meditative preludes is useful for more than just weddings.  For service introits, communion gatherings, memorials, funerals or prayer interludes these lovely settings will find a way to your folder throughout the year in church or concert venues.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

String Quartet - Grade 4

SKU: HL.14001159

Composed by Bent Sorensen. Music Sales America. Classical. Studyscore. Composed 2005. 28 pages. Edition Wilhelm Hansen #WH30120B. Published by Edition Wilhelm Hansen (HL.14001159).

ISBN 9788759805527. UPC: 888680792657. 8.25x11.75x0.106 inches.

Study score to Bent Sorensen's Adieu for String Quartet. The slow choral-like music which initiates Adieu was the result of an image or almost a dream that I had. Without being able to explain why, I imagined a procession of people, maybe medieval monks, wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads, something like a funeral procession. The title Adieu is partly a comment on this funeral procession, but also used because the piece is split up by three slow-ascending glissandi, a kind of farewell glissandi which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral and the agitating figures in the first half of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and final glissando is intense and agitating, and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow, so slow in fact that it is very quickly able to become extremely fast again. Bent Sorensen.

String quartet (double bass ad libitum) - intermediate

SKU: HL.49018965

Double Bass Part. Composed by Ludwig van Beethoven and Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. 8 pages. Duration 13'. Schott Music #ED20713-15. Published by Schott Music (HL.49018965).

ISBN 9790001175791.

What do Beethoven and the children's song Fuchs Du hast die Gans gestohlen have in common? Nothing, strictly speaking. Although the song was written as early as 1824 (and theoretically, Beethoven could have known it), it has not left deep marks on his oeuvre. But what if he had known it? Wolfgang Birtel pursued this question and, in reply to it, conceived a symphony for string quartet: behind each movement is an original symphony by Beethoven (spiced with quotes from other works). The children's song appears as the main theme in the final movement of Symphony No. 1, in the famous funeral march of Eroica, fate knocks at the door (of the goose house) in remembrance of Symphony No. 5, and the work ends with Ode to the Roast Goose (Symphony No. 9). A funny and cleverly arranged collage, a performing and listening pleasure in the footsteps of Beethoven.