PARTITIONS GRATUITES : VIOLONCELLE
- From France

Cello

SKU: FZ.5962

Serie II - France 1800-1860. Edited by Philippe Muller. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5962).

ISBN 9790230659628. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. BREVAL J. B. - BAILLOT, LEVASSEUR, CASTE et BAUDIOT. Table of contents: Breval J. B. : Traite du violoncelle - 1804. Baillot, Levasseur, Catel et Baudiot: Methode de violoncelle - 1805. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the cello.

Cello

SKU: FZ.5967

Serie II - France 1800-1860. Edited by Philippe Muller. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5967).

ISBN 9790230659673. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. HUS-DESFORGES - MIME J. A. - ROMBERG B. H. - BERLIOZ H. - ANSPACH et MINE J. A. - CHEVILLARD A. Table of contents: Hus-Desforges: Methode de violoncelle - av. 1838. Mine J. A. : Methode de basse ou violoncelle - c. 1840. Romberg B. H. : Methode de violoncelle - c. 1840. Berlioz H. : Grand Traite d'instrumentation - 1844. Anspach et Mine J. A. : Methode elementaire et facile - c. 1845. Chevillard A. : Methode complete de violoncelle - c. 1850. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the cello.

Cello

SKU: FZ.5966

Serie II - France 1800-1860. Edited by Philippe Muller. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5966).

ISBN 9790230659666. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. STIASTNY B. - DEPAS E. - DOTZAUER J. J. F. Table of contents: Stiastny B. : Methode pour le violoncelle - 1832. Depas E. : Methode elementaire pour violoncelle - s. d. Dotzauer J. J. F. : Methode de violoncelle - 1838. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the cello.

Cello

SKU: HL.14033877

By Paul Tortelier. By Paul Tortelier. Music Sales America. Classical. Book [Softcover]. Composed 2002. 44 pages. Chester Music #CH55049. Published by Chester Music (HL.14033877).

ISBN 9780711953116. 8.25x11.75x0.14 inches.

Tortelier's Cello Book Two covers twelve more Classical and folk pieces arranged for Cello in first position, with accompaniment for second Cello or Piano. Contains classics from masters like Bach, Mozart, andSchubert, and traditional tunes from France, Norway, and Israel. Edited and arranged by the French cellist and composer Paul Tortelier.

(Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hogwood). Composed by Francesco Geminiani (1687-1762). Edited by Christopher Hogwood. For Violoncello and Basso Continuo; Violin and Basso Continuo. Opera Omnia - Vol. 5. Early Music. Critical commentary. Op. 5 (H. 103-108, H. 109-114). 152 pages. Published by Ut Orpheus

String Quartet (2vl,va,vc)

SKU: BR.EB-9244

Set of Parts. Composed by Christian Mason. Chamber music; stapled. Edition Breitkopf. World premiere of the original version: London, May 10, 2016World premiere of the string orchestra version: Clermont-Ferrand, October 8, 2020. New music (post-2000). Set of parts. Composed 2016/2020. 92 pages. Duration 19'. Breitkopf and Haertel #EB 9244. Published by Breitkopf and Haertel (BR.EB-9244).

ISBN 9790004185445. 9 x 12 inches.

It was the practice of Khoomii (throat singing) - following several workshops with Michael Ormiston - that first attracted me to Tuvan music. Composing this Songbook, the first in a series commissioned by the Ligeti Quartet, I took the chance to reflect on compositional questions around transcription and arrangement of existing music, and frequently found myself asking: where is the boundary between the source material and the new substance? Of course the relationship varies from piece to piece, and moment to moment: sometimes we seem to glimpse the pure source, but most of the time there are differing degrees of distance, working towards or away from it. This new version for string orchestra corresponds closely to the original quartet version, with an additional part for double basses.The traditional Tuvan songs that I have transcribed and recomposed are all known to me from the Ay Kherel CD The Music of Tuva: Throat Singing and Instruments from Central Asia (2004, Arc Music). According to the notes from that CD, this is what the songs are about:1. Dyngylday: If you have come on a horse in blue, it doesn't mean that you are the best. My heart tells me something else: my sweetheart doesn't have such a beautiful horse, but he is my darling.An alternative interpretation from Alash Ensemble (alashensemble.com): The word dyngylday is a nonsense term with no translation. The song makes good-humored fun of somebody for being a good-for-nothing.2. Eki Attar (The Best Steeds): The horse is the basis of our life. It is a magic creature. Even its step is full of music and rhythm. You may not be a horse rider, but when you hear this song you will always remember horses.3. Kuda Yry: This wedding song glorifies the strength of the groom and the beauty of his Horse.4. Ezir-Kara ('Black Eagle'): This was the name of a horse, who became a legend through his remarkable strength and speed.It is not just overtones that abound here: there are galloping rhythms aplenty, and though I am no horse rider I tried to keep the horses galloping in my imagination while composing these pieces.Christian Mason (with quotes from Ay Kherel and Alash Ensemble)

World premiere of the original version: London/UK, May 10, 2016, World premiere of the string orchestra version: Clermont-Ferrand/France, October 8, 2020.