PARTITIONS GRATUITES : VIOLONCELLE
- Lost! - Flute

Requiem Trio. By Brotons Salvador. For violin, cello, piano. Chamber Music. The Requiem Trio was commissioned by the New York based Damocles Trio, and was written during the Summer of 2004. When I was thinking about the message of this new Trio, the catastrophic images of the New York terrorist attack on September 11, 2001 came to mind. I therefore decided to write a Trio as a tribute to the city of New York and to all the people that lost their lives on that tragic day. The four movements of the piece have titles taken from parts of the Requiem mass. Duration 20 minutes. Published by Brotons and Mercadal (Spanish import).

String Quartet

SKU: AY.PCMP102

Composed by Sonny Burnette. Ensembles - Chamber Music. Pine Castle Music Publishing #PCMP102. Published by Pine Castle Music Publishing (AY.PCMP102).

ISBN 9790302118770.

Gers hwin... Lost in Tunisia is a jazz-oriented composition that makes use of exotic scale patterns as well as Gershwinian blues motifs. Vacillating between the two genres, the piece attempts to meld them into a unique stylistic composite.

(Cello). For Cello. Book; CD; Play-Along; String Series. Ultimate Pop Instrumental Solos Series. Movie. Grade 2; Grade 3. 84 pages. Published by Alfred Music Publishing

For Cello. By Various. Instrumental Folio. Pop, Standards. Softcover. 122 pages. Published by Hal Leonard

By Bohuslav Martinu (1890-1959). Miniature score for string trio (violin, viola, and cello). 35 pages. Published by Praha (Czech import).

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Cloth bund. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05258. Published by Baerenreiter Verlag (BA.BA05258).

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Paperback. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05257. Published by Baerenreiter Verlag

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.