PARTITIONS GRATUITES : VIOLONCELLE
- PASS ME NOT

SKU: PR.11441825S

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

SKU: PR.114418250

UPC: 680160640959. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Drivers License is the debut single by the young American singer Olivia Rodrigo. The song, a power ballad inspired by heartbreak, received critical acclaim upon its release, with reviewers lauding Rodrigos song writing skills and singing voice. Arranger Anthony Gröger did not fail to notice this mega hit, taking the beautiful ballad and creating an intense and passionate arrangement for string quartet.

Driver s License is de debuutsingle van de jonge Amerikaanse zangeres Olivia Rodrigo. Het nummer, een powerballad ge nspireerd door liefdesverdriet, kreeg meteen al bij de release lovende kritieken, met name voor Rodrigoâ??s songwriting en zang. Ook Anthony Gröger is deze megahit niet ontgaan. Hij maakte van deze prachtige ballad een intens en passievol arrangement voor strijkkwartet.

Drivers License ist die Debütsingle der jungen amerikanischen Sängerin Olivia Rodrigo. Dieses Lied, eine von Herzschmerz inspirierte Power-Ballade, erhielt gleich nach der Veröffentlichung hervorragende Kritiken, insbesondere für Rodrigos Songwriting-Fähigkeite n und ihre Singstimme. Anthony Gröger hat diesen Megahit sogleich aufgegriffen. Er schuf aus der wunderschönen Ballade ein intensives und leidenschaftliches Arrangement für Streichquartett.

< i>Drivers License est le premier titre de la jeune chanteuse américaine Olivia Rodrigo. Cette chanson, une power ballad inspirée par un chagrin dâ??amour, a été encensée par la critique dès sa sortie, particulièrement pour lâ??habileté de Rodrigo en tant que parolière et pour sa voix. Anthony Gröger nâ??a pas manqué de prêter attention ce méga-succès. Il a pris cette belle ballade et en a créé un arrangement intense et passionné pour quatuor cordes.

SKU: HL.14023162

ISBN 9788759860960. Danish.

Nocturnal (1998-2001) for Trombone and String Quartet was composed by Bent Sorensen . Progamme note: The two movements of Nocturnal were written with a gab of three years. The last movement, which bears the title The Wings of Night, was commisioned by Warsaw Autumn in 1998, while the first movement - Mondnacht - was commisioned for Ultima Festival in Oslo in 2001. Despite the three years gab, these are not two separate pieces which have been linked together. The sketches for the first movement were begun immediately after the first performance of the second movement in Warsaw 1998. As the title suggests, there is a nocturnal atmosphere in the work. In the first movement weare perhaps in a park and notice the shadows of the clouds passing the bright moon. In the short second movement we are perhaps with Shakespeare's Juliet, calling for love, calling for the night: Come night, come Romeo, come, thou day in night, For thou wilt lie upon the wings of night Whither than snow upon a raven's back. ...perhaps we are elsewhere - at night! Nocturnal was written for Christian Lindberg and the Arditti Quartet and premiered in Oslo in 2001.

SKU: HL.49047040

ISBN 9783795711436. UPC: 196288116332. 9.0x12.0x0.535 inches.

This volume from the popular Cellissimo series contains 30 entertaining recital pieces, mostly from the Romantic period. In additionto three original serenades by Jacques Offenbach, Nikolai Rimsky-Korsakov and the French composer Mel Bonis, the volume contains beautiful character pieces, mostly one-movement forms such as berceuse, elegy, humoresque, meditation, melody, nocturne, romance, tarantella, valse de concert and much more . Expressive lyrical pieces are represented as well as cheerful and virtuoso works. In addition to original works, there are numerous arrangements of popular works, including Schumann's Traumerei, Grieg's Anitras Tanz, Fauré's Après un rêve, Elgar's Salut d'amour or Rachmaninoff's Vocalise - all pieces that are well suited as concert and encore pieces . The volume also contains rarities and new discoveries, including original works by cello virtuosos such as Dotzauer, Offenbach, Goltermann, van Goens and Trowell, as well as works by composers Mel Bonis, Juliette Dantin, Ethel Harraden and Claudine Smidt. The level of difficulty is demanding and is aimed at advanced cellists. Many pieces use the 5th-7th position, others have passages in a simple thumb position, sometimes also with high harmonics. They are therefore very good practice examples for advanced users who want to apply sophisticated techniques to beautiful examples of literature. Last but not least, the requirements for expression and design offer plenty of room for cellist and musical development.