| String Quartet No. 5 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.144404550 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.144404550 Composed
by Sydney F. Hodkinson.
Set of Score and Parts.
With Standard notation.
Composed 2002.
53+20+16+16+16 pages.
Duration 22 minutes.
Theodore Presser Company
#144-40455. Published by
Theodore Presser Company
(PR.144404550). UPC:
680160030859. After
finishing a serious
woodwind quintet in the
fall of 2001 [Tela
Lacerata], I found, in
the ensuing months, that
its cinders/ashes were
still impregnating my
eardrums. Therefore, when
I set out to write the
present string piece, I
realized that the musical
veins of the quartet,
like related cousins,
were sharing the same
blood as the earlier wind
composition. The
resultant Fifth Quartet
evolved into two large,
extended movements, each
one containing seven
parts that are played
without pause. As the
list of the various
sub-sections clearly
indicates, the formal
structure of the
movements appear to be
identical: each with
three main parts
enveloped by interludes,
plus an introduction and
coda. However, the
principal segments of the
first (slow) movement
gradually decrease in
length, while those of
the second (fast)
movement increase. In
addition, there is a
goodly amount of sonic
material stolen from the
first movement which
reappears -- stitched
together in a new guise
-- into the world of the
second. for example, the
bulk of Parts B and C of
Movement II are lifted
bodily, although
elaborately modified,
from their first
appearances in the
Introduction and Part A
of the fist movement.
This offers, I suppose at
least a hint of a
traditional
recapitulation. As was
true in the earlier
woodwind piece -- both
harmonically and
melodically -- the
embryonic growth of the
musical fabric (primarily
the tritone and perfect
fifth) is omnipresent,
almost obsessively,
throughout the course of
the whole work. These two
intervals, not unlike
plasticine, habitually
transform themselves into
the scales, chords, and
melodic lines that
pervade the texture of
the quartet. Owing to the
largely unrelieved
dramatic flow, the
shifting speed, and the
often fervent intensity,
the quartet places
considerable demands on
the dexterity,
virtuosity, and stamina
of the four performers.
String Quartet No. 5 is
approximately 22 minutes
in duration and
affectionately dedicated
to my violinist wife
Elizabeth, as a gift for
our 47 years together. It
was commissioned by the
Corigliano String
Quartet, New York, NY. --
Sydney Hodkinson. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 5 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.14440455S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440455S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation. 53
pages. Duration 22
minutes. Theodore Presser
Company #144-40455S.
Published by Theodore
Presser Company
(PR.14440455S). UPC:
680160030873. After
finishing a serious
woodwind quintet in the
fall of 2001 [Tela
Lacerata], I found, in
the ensuing months, that
its cinders/ashes were
still impregnating my
eardrums. Therefore, when
I set out to write the
present string piece, I
realized that the musical
veins of the quartet,
like related cousins,
were sharing the same
blood as the earlier wind
composition. The
resultant Fifth Quartet
evolved into two large,
extended movements, each
one containing seven
parts that are played
without pause. As the
list of the various
sub-sections clearly
indicates, the formal
structure of the
movements appear to be
identical: each with
three main parts
enveloped by interludes,
plus an introduction and
coda. However, the
principal segments of the
first (slow) movement
gradually decrease in
length, while those of
the second (fast)
movement increase. In
addition, there is a
goodly amount of sonic
material stolen from the
first movement which
reappears -- stitched
together in a new guise
-- into the world of the
second. for example, the
bulk of Parts B and C of
Movement II are lifted
bodily, although
elaborately modified,
from their first
appearances in the
Introduction and Part A
of the fist movement.
This offers, I suppose at
least a hint of a
traditional
recapitulation. As was
true in the earlier
woodwind piece -- both
harmonically and
melodically -- the
embryonic growth of the
musical fabric (primarily
the tritone and perfect
fifth) is omnipresent,
almost obsessively,
throughout the course of
the whole work. These two
intervals, not unlike
plasticine, habitually
transform themselves into
the scales, chords, and
melodic lines that
pervade the texture of
the quartet. Owing to the
largely unrelieved
dramatic flow, the
shifting speed, and the
often fervent intensity,
the quartet places
considerable demands on
the dexterity,
virtuosity, and stamina
of the four performers.
String Quartet No. 5 is
approximately 22 minutes
in duration and
affectionately dedicated
to my violinist wife
Elizabeth, as a gift for
our 47 years together. It
was commissioned by the
Corigliano String
Quartet, New York, NY. --
Sydney Hodkinson. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Everlasting Voices Violoncelle, Piano Carl Fischer
Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9625 ...(+)
Choral Cello, Piano, alto
1, alto 2, soprano 1,
soprano 2 SKU:
CF.CM9625 Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats. The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Essential Songs for Cello Violoncelle [Partition] Hal Leonard
| | |
| All In One String Quartets Nos. 12, 13 & 14 Score Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Wilhelm Hansen
String Quartet - Grade 5 SKU: HL.14042989 Composed by Pelle Gudmundsen-ho...(+)
String Quartet - Grade 5
SKU: HL.14042989
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Softcover.
Composed 2014. Edition
Wilhelm Hansen #WH31937.
Published by Edition
Wilhelm Hansen
(HL.14042989). ISBN
9788759829240.
English. All In One for
3 String Quartets was
composed by Pelle
Gudmundsen-Holmgreen
in 2013 (String Quartet
No.12,13 and 14 played
simultaneously).
Gudmundsen
-Holmgreen has written a
collection of three new
string quartets: String
Quartet no. 12,
‘Each in
Each’; String
Quartet no. 13,
‘Mutual
Ordering’, and
String Quartet no. 14,
‘Well-Tuned
Sounds’. Each
quartet can be played on
its own; they can also
played simultaneously in
any combination. When all
three quartets are played
together, as they are
tonight, the combined
work is titled All in
One. About this
collection,
Gudmundsen-Holmgreenwrite
s:
'Some
years ago Kronos and the
vocal group Theatre of
Voices performed three
new pieces, which I had
written for the two
groups: one for Theatre
of Voices (Green), and
two for Kronos (New
Ground and No Ground).
They were played and sung
by each group
independently – but
also both groups together
concurrently, on top of
each other, as a final
gesture. The combined
pieces were called New
Ground Green and No
Ground
Green.
'David liked the idea
(and the result) of pairs
of quartets that could be
played both independently
and simultaneously, and
asked me if the vocal
quartet could be
transformed into a string
quartet. It could not. He
then asked me to repeat
the whole set-up with a
new pair of quartets,
adding also some
percussion instruments,
as was the case with
Green for Theatre of
Voices. Of course this
was tempting. Furthermore
David asked me to make
one of the two new
quartets a little easier
to play. 'I began to
work. The Kronos part of
the pair of quartets
turned out to be tough to
play, as David puts it.
Unfortunately the
‘easier’ one
was tough to play also!
So I had to write one
more, which was then a
little easier still (but
still not easy).
'The three new works can
be played separately and
on top of each other in
many different
combinations, resulting
in different kinds
of. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 101 Hit Songs (Cello) Violoncelle Hal Leonard
For Cello. By Various. Instrumental Folio. Softcover. 160 pages. Published by...(+)
For Cello. By Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Die Teufelsbrucke / The Devil's Bridge Piano Trio: piano, violon, violoncelle Kunzelmann
Piano Quartets. Score and parts. Edition Kunzelmann #GM1943. Published by Ed...(+)
Piano Quartets. Score and
parts. Edition Kunzelmann
#GM1943. Published by
Edition
Kunzelmann
$51.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Violoncello Music for Beginners 2 Violoncelle, Piano - Facile EMB (Editio Musica Budapest)
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French. The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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