| Life in Wayang (Score and parts) Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schirmer
| | |
| Cello Repertoire Level 4 Violoncelle - Facile The Frederick Harris Music Company
Cello - Early Intermediate SKU: FH.VC4 Cello Series, 2013 Edition....(+)
Cello - Early
Intermediate SKU:
FH.VC4 Cello
Series, 2013 Edition.
Composed by The Royal
Conservatory. Cello
Series, 2013 Edition.
Book/CD. The Frederick
Harris Music Company
#VC4. Published by The
Frederick Harris Music
Company (FH.VC4). ISBN
978-1-55440-540-4.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Concertos,
Sonatas, and
Suites: Sonata in D
Major - Caldara, Antonio
arr. Gyoergy Orban -
First Movement:
Adagio - Second
Movement:
Allegro Sonatina in D
Minor, WoO 43a -
Beethoven, Ludwig
van Sonatina in G
Minor - Matz, Rudolf -
Second Movement Sonata
in F Major, op. 1, no. 1
- Marcello,
Benedetto - Third
Movement: Largo -
Fourth Movement:
Allegro Concertino No.
3 in A Major - Breval,
Jean-Baptiste arr. L.-R.
Feuillard Concert
Repertoire: The Easy
Winners - Joplin, Scott
arr. Forrest
Kinney Orientale, op.
50, no. 9 - Cui,
Cesar Bonjour
tristesse - Hart,
Paul Hip Hip Bourree -
Jacobson,
Julian Elfentanz -
Jenkinson, Ezra arr.
Carey Cheney Chanson
de matin, op. 15, no. 2 -
Elgar, Edward Cello
Sonata in G Minor, op. 65
- Chopin, Frederic -
Third Movement:
Largo The Swan Sees
his Reflection - Forsyth,
Malcolm Spanish Dance
- Adorian, Andrew Baby
Blackbird, Fly Now -
Silverman, Adam
B. Unaccompanied
Repertoire: Suite for
Violoncello (Lights and
Shadows) - Matz,
Rudolf - Second
Movement: Cantabile -
Eighth Movement: Finale
giocoso Ricercar No. 1
- Gabrielli,
Domenico Suite NO. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - Seventh
Movement: Gigue. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cello Repertoire Level 7 Violoncelle - Intermédiaire The Frederick Harris Music Company
Cello - Late Intermediate SKU: FH.VC7 Cello Series, 2013 Edition. ...(+)
Cello - Late Intermediate
SKU: FH.VC7
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC7. Published
by The Frederick Harris
Music Company (FH.VC7).
ISBN
978-1-55440-543-5.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Level
7: Il barbiere di
Siviglia: Overture -
Rossini,
Gioachino Carmen:
Prelude to act 1 - Bizet,
Georges Coriolan
Overture, op. 62 -
Beethoven, Ludwig
van Symphony No. 94
(Surprise), Hob. I:94:
I,IV - Haydn, Franz
Joseph Ruslan and
Ludmilla: Overture -
Glinka, Mikhail Peer
Gynt Suite No. 1, op. 46:
I,III,IV - Grieg,
Edvard Level
8: Incidental Music to
A Midsummer Night's
Dream, op. 61: I -
Mendelssohn,
Felix Symphony No. 8,
op. 88: I,IV - Dvorak,
Antonin The
Nutcracker, op. 71:
Russian Dance, Waltz of
the Flowers, Pas de deux
- Tchaikovsky, Pyotr
Il'yich Symphony No. 8
(Unfinished), D 759: I,II
- Schubert, Franz Die
Zauberfloete, K 620:
Overture - Mozart,
Wolfgang
Amadeus Symphony No.
40, K 550: I,IV - Mozart,
Wolfgang Amadeus Level
9: Symphony No. 9, op.
125: II,IV - Beethoven,
Ludwig van Symphony
No. 8, op. 93: III -
Beethoven, Ludwig
van Serenade for
Strings, op. 22: III,IV,V
- Dvorak,
Antonin Piano Concerto
No. 2, op. 83: III -
Brahms,
Johannes Serenade for
Strings, op. 48:
I,II,III,IV -
Tchaikovsky, Pyotr
Il'yich Symphony No. 4
(Italian), op. 90: I,IV -
Mendelssohn,
Felix Symphony No. 3,
op. 90: III,IV - Brahms,
Johannes Symphony No.
35 (Haffner), K 385: I,IV
- Mozart, Wolfgang Le
nozze di Figaro, K 492:
Overture - Mozart,
Wolfgang Amadeus Level
10: Group
1: Variations on an
Original Theme (Enigma),
op. 36: Variation 12 -
Elgar, Edvard Dichter
und Bauer: Overture -
Suppe, Franz von Messa
da Requiem: III - Verdi,
Giuseppe Guillame
Tell: Overture - Rossini,
Gioachino Group
2: Symphonie
fantastique: II,III,V -
Berlioz,
Hector Symphony No. 4,
op. 36: I,II,IV -
Tchaikovsky, Pyotr
Il'yich Symphony No.
5, op. 67: I,II,III -
Beethoven, Ludwig
van Symphony No. 4,
op. 98: I,II,III,IV -
Brahms,
Johannes Symphony No.
6 (Pathetique), op. 74:
I,II - Tchaikovsky, Pyotr
Il'yich Symphony No.
2, op. 73: I,II,IV -
Brahms,
Johannes Associate: Group 1: Symphony No.
5, op. 100: I,II,III,IV -
Prokofiev, Sergei La
mer: I,II - Debussy,
Claude The Bartered
Bride: Overture -
Smetana,
Bed_ich Symphony No.
5, op. 47: I,II,III -
Shostakovich,
Dmitri Group
2: Matthaus-Passion,
BWV: Komm, suesses Kreutz
- Bach, Johann
Sebastian Don Juan,
op. 20 - Strauss,
Richard Ein
Heldenleben, op. 40 -
Strauss,
Richard Verklaerte
Nach1, op. 4 -
Schoenberg, Arnold. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 4 "chaconne" - Score And Parts Quatuor à cordes: 2 violons, alto, violoncelle Schott
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet SKU:
HL.49045639
Chaconne. Composed
by Fred Lerdahl. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed 2016.
108 pages. Duration 990
seconds. Schott Music #ED
30174. Published by
Schott Music
(HL.49045639). ISBN
9781540004796. UPC:
888680710774.
9.5x12.0x0.37
inches. Chaconne
(2016), for string
quartet, was commissioned
by the Daedalus Quartet
to celebrate its 15th
anniversary. The
commission was supported
by New Music USA, made
possible by annual
program support and/or
endowment gifts from
Pennsylvania Council on
the Arts, Helen F.
Whitaker Fund, and Aaron
Copland Fund for Music.My
music has a substantial
history with Daedalus. I
composed the Third String
Quartet (2008) for them,
and subsequently they
performed my three string
quartets on several
occasions and recorded
them brilliantly on
Bridge Records (Bridge
9352: Music of Fred
Lerdahl, vol. 3).
Chaconne is in one
movement lasting 19
minutes. It is
effectively my fourth
string quartet. Quartets
1-3 form a unified cycle
lasting 70 minutes. When
I finished the cycle, I
thought I would never
write again for the
medium; yet I could not
resist the opportunity of
working again with
Daedalus. The issue was
how to compose another
string quartet unrelated
to the earlier cycle. The
solution came from my
solo cello piece There
and Back Again (2010),
which was based on a
four-bar variation
pattern from a
17th-century chaconne.
Unlike the asymmetrical
phrases and expanding
variations of much of my
music, the chaconne form
requires symmetrical
phrases and strictly
periodic variations. I
wished to work again with
these symmetries but on a
larger scale. Chaconne
also differs in character
and expression from the
three-quartet cycle. The
cycle is inward and
intense, a kind of
psychological excavation.
Chaconne is, for the most
part, transparent and
playful. Many of its
textures emerge from
little canons, not
completely unlike the
rounds that children
sing. Any composer who
writes in chaconne form
(one thinks above all of
the last movement of
Bach's D minor violin
partita and the finale of
Brahms's Fourth Symphony)
is confronted with the
challenge of how to
create a larger form out
of a constantly repeating
pattern.My Chaconne grows
from paired
antecedent-consequent
phrases, each variation
lasting eight bars. The
50 variations group into
three large rotations,
forming three arcs of
tension and relaxation,
with subtle parallel
connections across the
rotations.
Notwithstanding my
attraction to chaconne
form, I purposefully
disguised its symmetries
and periodicities in
order to build an overall
dramatic shape. Fred
Lerdahl. $118.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cello Repertoire Level 6 Violoncelle - Intermédiaire The Frederick Harris Music Company
Cello - Intermediate SKU: FH.VC6 Cello Series, 2013 Edition. Compo...(+)
Cello - Intermediate
SKU: FH.VC6
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC6. Published
by The Frederick Harris
Music Company (FH.VC6).
ISBN
978-1-55440-542-8.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Concertos:<
br>Concerto No. 4 in G
Major, op. 65 -
Goltermann, Georg arr.
Leo Schulz - First
Movement:
Allegro Concertino No.
1 in C Major, op. 7 -
Klengel, Julius -
First Movement:
Allegro Concerto No. 1
in A Minor, RV 422 -
Vivaldi, Antonio arr.
Eberhard Wenzel -
Second Movement: Largo
cantabile Sonatas and
Suites: Sonata in D
Minor, op. 8, no. 9 - De
Fesch, Willem arr. Jason
Noble - First
Movement: Siciliano -
Second Movement:
Allemande Sonata in G
Minor, RV 42 - Vivaldi,
Antonio - First
Movement: Preludio -
Second Movement:
Allemanda Sinfonia in
F Major - Pergolesi,
Giovanni Battista arr.
Joseph Schmid - Third
Movement: Adagio -
Fourth Movement:
Presto Concert
Repertoire: Lied ohne
Worte, op. 109 -
Mendelssohn,
Felix Cantillation -
Ethridge,
Jean Supplication -
Bloch, Ernest Romanze
- Reger, Max La
Provencale - Marais,
Marin arr. May
Mukle Gavotte, op. 67,
no. 2 - Popper,
David Serenade
espagnole, op. 20, no. 2
- Glazunov, Aleksandr
arr. M.P.
Belaieff Andaluza
(Playera) - Granados,
Enrique arr. Manuel
Calvo Apparition -
Rathburn,
Eldon Siciliana -
Piazzolla,
Astor Unaccompanied
Repertoire: Suite No.
5 in C Minor, BWV 1011 -
Bach, Johann
Sebastian - Seventh
Movement: Gigue Suite
No. 2 in D Minor, BWV
1008 - Bach, Johann
Sebastian - Third
Movement:
Courante Suite No. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - First
Movement: Prelude I
Dropped My Ice Cream Cone
- Laut, Edward Ballad
- Laut, Edward. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No.2: The Gathering Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Promethean Editions
Chamber Music string quartet SKU: PO.PE107S Composed by Christos Hatzis. ...(+)
Chamber Music string
quartet SKU:
PO.PE107S Composed by
Christos Hatzis. This
edition: softcover. Sws.
Full score. Promethean
Editions #PE107S.
Published by Promethean
Editions (PO.PE107S).
ISBN
9781877654123. Stri
ng Quartet No.2: The
Gathering was
commissioned by and
dedicated to the renowned
St. Lawrence String
Quartet, who have
performed the work
extensively and recorded
by EMI Classics. At
nearly 40 minutes in
duration this is one of
Hatzis monumental works
and showcases his
eclectic style. It draws
influence from a variety
of sources including
elements of American
minimalism of the 1960s,
Brazilian tango, and
dance music of the
Balkans and Middle East.
This is a standout work
that is sure to enhance
the repertoire of
professional string
quartets. String Quartet
No.2: The Gathering is
published in celebration
of Hatzis' 60th birthday.
it is now available for
purchase as a study score
and/or performance set
(parts only). $51.25 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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