| The First-Year Cello Method Violoncelle [Partition] - Débutant Novello & Co Ltd.
By L. Burrowes; A.W. Benoy. For Cello. Sheet Music. 32 pages. Published by Novel...(+)
By L. Burrowes; A.W.
Benoy. For Cello. Sheet
Music. 32 pages.
Published by Novello and
Co Ltd.
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| First String Quartet Playing Vn 2 Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Schott
String quartet (V2) - intermediate to advanced SKU: HL.49006699 Origin...(+)
String quartet (V2) -
intermediate to advanced
SKU: HL.49006699
Original movement from
300 years ago. Edited
by Helmut W. May. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 24 pages. Schott
Music #ED 6838-12.
Published by Schott Music
(HL.49006699). ISBN
9790001072441.
9.0x12.0x0.068
inches. Den
wachsenden Trend zur
Kammermusik vor allem
junger Spieler kommt
diese Sammlung einzelner
leichter Quartettsatze
aus Vorklassik, Klassik,
Romantik und neuerer
Musik entgegen. Partitur
und Stimmen enthalten
Spielhilfen. Eine
nutzliche Ausgabe fur den
Kammermusikunterricht. $9.99 - Voir plus => Acheter | | |
| First String Quartet Playing Set Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Schott
String quartet (ST/KPL) - intermediate to advanced SKU: HL.49006697 Or...(+)
String quartet (ST/KPL) -
intermediate to advanced
SKU: HL.49006697
Original movement from
300 years ago. Edited
by Helmut W. May. Sheet
music. Edition Schott.
Classical. Set of Parts.
88 pages. Schott Music
#ED 6838-10. Published by
Schott Music
(HL.49006697). ISBN
9790001072427.
9.0x12.0x0.289
inches. Den
wachsenden Trend zur
Kammermusik vor allem
junger Spieler kommt
diese Sammlung einzelner
leichter Quartettsatze
aus Vorklassik, Klassik,
Romantik und neuerer
Musik entgegen. Partitur
und Stimmen enthalten
Spielhilfen. Eine
nutzliche Ausgabe fur den
Kammermusikunterricht. $33.00 - Voir plus => Acheter | | |
| First String Quartet Playing Viola Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Schott
String quartet (VA) - intermediate to advanced SKU: HL.49006700 Origin...(+)
String quartet (VA) -
intermediate to advanced
SKU: HL.49006700
Original movement from
300 years ago. Edited
by Helmut W. May. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 24 pages. Schott
Music #ED 6838-13.
Published by Schott Music
(HL.49006700). ISBN
9790001072458.
9.0x12.0x0.063
inches. Den
wachsenden Trend zur
Kammermusik vor allem
junger Spieler kommt
diese Sammlung einzelner
leichter Quartettsatze
aus Vorklassik, Klassik,
Romantik und neuerer
Musik entgegen. Partitur
und Stimmen enthalten
Spielhilfen. Eine
nutzliche Ausgabe fur den
Kammermusikunterricht. $9.99 - Voir plus => Acheter | | |
| First String Quartet Playing Vn 1 Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Schott
String quartet (V1) - intermediate to advanced SKU: HL.49006698 Origin...(+)
String quartet (V1) -
intermediate to advanced
SKU: HL.49006698
Original movement from
300 hundred years
ago. Edited by Helmut
W. May. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Individual
part. 24 pages. Schott
Music #ED 6838-11.
Published by Schott Music
(HL.49006698). ISBN
9790001072434.
9.0x12.0x0.068
inches. Den
wachsenden Trend zur
Kammermusik vor allem
junger Spieler kommt
diese Sammlung einzelner
leichter Quartettsatze
aus Vorklassik, Klassik,
Romantik und neuerer
Musik entgegen. Partitur
und Stimmen enthalten
Spielhilfen. Eine
nutzliche Ausgabe fur den
Kammermusikunterricht. $9.99 - Voir plus => Acheter | | |
| From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano SKU:
CF.BF141 Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584. The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ensembles For Cello Volume 1
Ensemble de Violoncelles [Partition] Alfred Publishing
By Rick Mooney. Edited by Judi Gowe. Suzuki method (Cello). 28 pages. Published ...(+)
By Rick Mooney. Edited by
Judi Gowe. Suzuki method
(Cello). 28 pages.
Published by Alfred
Publishing.
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mary's Lullaby - Cello Violoncelle, Piano Jackman Music Corporation
Cello and piano - Medium-easy / medium acc. SKU: JK.09193 Composed by Ger...(+)
Cello and piano -
Medium-easy / medium acc.
SKU: JK.09193
Composed by German Folk
Tune. Arranged by Richard
W. Smith. Difficulty Easy
Medium, Instrumental
Cello, Piano Choir,
Seasonal Music Christmas,
Christmas, Jesus Christ -
Birth. Christian,
Inspirational. Jackman
Music Corporation #09193.
Published by Jackman
Music Corporation
(JK.09193). Isaiah
9:6, Luke 2:7-19, Matthew
2:1-2. Delightful
Christmas instrumental
arrangement for cello
solo with piano
accompaniment. Compose
r: German Folk Tune
Arranger: Richard W.
Smith Difficulty:
Medium-easy / medium
acc. Reference: Isaiah
9:6, Luke 2:7-19, Matthew
2:1-2. $3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |