| Progressive Trios for Strings Alto seul [Partition] Carl Fischer
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be
Played by Any Combination
of String Instruments).
By Doris Gazda. Arranged
by Doris Gazda. For
Viola. Book. 48 pages.
Published by Carl Fischer
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Best of the Beatles for Viola
Alto seul [Partition] Hal Leonard
Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Publishe...(+)
Performed by The Beatles.
Chart. Softcover. Size
9x12 inches. 94 pages.
Published by Hal Leonard
Corporation.
(1)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Big Book of Christmas Songs for Viola Alto seul Hal Leonard
By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published...(+)
By Various Composers.
Instrumental Folio. Size
9x12 inches. 146 pages.
Published by Hal Leonard.
(3)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Top Christian Hits Instrumental Solos for Strings (Viola) Alto seul [Partition + CD] - Facile Alfred Publishing
Viola. Arranged by Various. Book; CD; Play-Along; String Series; Worship Resou...(+)
Viola. Arranged by
Various.
Book; CD; Play-Along;
String
Series; Worship
Resources.
Instrumental Solo Series.
Contemporary Christian;
Pop;
Sacred. 32 pages.
Published
by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hugh Wood: String Quartet No.4 Op.34 (Score And Parts) Quatuor à cordes: 2 violons, alto, violoncelle Chester
String Quartet SKU: HL.14036341 Composed by Hugh Wood. Music Sales Americ...(+)
String Quartet SKU:
HL.14036341 Composed
by Hugh Wood. Music Sales
America. Classical. Set.
Composed 2001. Chester
Music #CH60931. Published
by Chester Music
(HL.14036341). ISBN
9780711955080. Comm
issioned by the BBC and
premiered by the
Chilingirian String
Quartet. Quoting Wood: In
my Second and Third
Quartets I attempted
sectional, agglutinative
forms: in my Fourth I
return to the
conventional four
movement form of my First
Quartet of 1962. Both
works build up (as in the
19th century symphony) to
the Finale, thus making
it the most substantial
movement, which provides
a climax to the work. The
First Movement has, in
both works, only the
status of an
Introduction. But there
the consciously willed
resemblances end. This
Introduction follows the
Second Quartet to a
certain extent, in that
it provides a sort of
'cauldron', from which
elements to be used later
can all be plucked. Its
opening will reappear at
various points throughout
the work, most completely
at a climatic point of
the Finale (bar 110).
Subsequent material will
be more fully worked out
in the second movement, a
large Scherzo. The
Introduction concludes
with an unusually placed
violin cadenza (itself a
rare feature in a string
quartet, the idea lifted
from Elliott Carter's
First Quartet) of which
the opening is to
reappear halfway through
the Finale. The Scherzo
(which follows attacca)
does not have at its
centre a discretely
characterized Trio: a
figure in double-stops
like a distant fanfare
supplies the necessary
contrast of a second
idea. The Slow Movement
has a secondary idea
first heard on the cello
and marked appassionato:
an agitato middle section
recalls the opening of
the work, but in a
formulation which will be
found closely to
anticipate its
reappearance in the
Finale. The Finale is
planned on a broad scale.
Only after a fully worked
exposition of both
primary and secondary
material does the opening
of the whole work return,
now in a greatly extended
form. Then, at bar 140,
the tune of the violin
cadenza is first
harmonized in fanfare
style on the upper
instruments, then
presented as a chorale on
the lower ones, with a
rushing semiquaver
accompaniment above. This
climatic activity mounts
to the very end. The work
is dedicated to the
Chilingirian Quartet, old
friends over many years.
Score available
separately: SOS04044. $83.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2500 Composed by Hanspeter Kyburz. ...(+)
String Quartet
(2vl,va,vc) SKU:
BR.KM-2500 Composed
by Hanspeter Kyburz.
Chamber music; stapled.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
Berlin, (Festspiele),
September 9, 2004
(Quatuor Diotima)
Music post-1945; New
music (post-2000). Score
and parts. Composed
2003/2004. 118 pages.
Duration 20'. Breitkopf
and Haertel #KM 2500.
Published by Breitkopf
and Haertel (BR.KM-2500).
ISBN 9790004502730. 9
x 12
inches. Hanspeter
Kyburz works with three
fundamental formative
principles in his String
Quartet. Soloistic,
polyphonic and
integratively i.e.
homogeneously structured
tutti runs alternate with
one another, whereby the
form does not follow a
fixed pattern.
Multifaceted
correspondences and
motivic relationships
result from the interplay
of the individual
sections. The work was
given its much-applauded
first performance on 9
September 2004 at the
Berliner Festwochen. The
composer radically
revised his quartet after
the first performances.
From January 2005
onwards, all concerts
featuring the work will
be based on this new
version.
World
premiere: Berlin,
(Festspiele), September
9, 2004 (Quatuor
Diotima). $78.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Strata XI Quatuor à cordes: 2 violons, alto, violoncelle Zen-On
Score String Quartet SKU: HL.49045762 String Quartet Score. Compos...(+)
Score String Quartet
SKU: HL.49045762
String Quartet
Score. Composed by
Shin-Ichiro Ikebe. String
Ensemble. Classical.
Softcover. 28 pages.
Duration 600 seconds.
Zen-On #ZN590228.
Published by Zen-On
(HL.49045762). ISBN
9784115902282.
8.25x11.75x0.1
inches. This is the
eleventh work in my
chamber music series,
STRATA, and my fourth
string quartet following
STRATA I, V, and IX. This
series started in 1988
based on the idea of
regarding registers as
strata (the plural form
of stratum), from which
the title in derived.
While I continue to write
pieces, however, the
initial concept changed
in various aspects. This
time, I returned to the
original idea To put it
simply, I restarted from
STRATA I. I used the same
instruments and stared at
strara created by the
four string parts. That
became the act of
composing STRATA XI. The
work doesn't have
'development' in the
general sense but
represents a panorama of
strata. It consists of
four movements
(fast-slow-fast-slow). In
fact, before writing the
STRATA series, I wrote a
long string quartet when
I was a student, but I
didn't include it in my
list of works. Anyway,
the thought of writing
string quartet has never
disappeared from me. It
alays weighs heavily on
my mind. Shin-Ichiro
Ikebe.
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