| This present moment used to be the unimaginable future... Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
Composed by Christian Mason. World premiere: Paris, Cite de la musique, Januar...(+)
Composed by Christian
Mason.
World premiere: Paris,
Cite
de la musique, January
14,
2020. Breitkopf and
Haertel
#EB 9377. Published by
Breitkopf and Haertel
$46.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Vapors Alto seul Theodore Presser Co.
Composed by David Leisner (1953-). Sws. Duration 10 minutes. Theodore Presse...(+)
Composed by David Leisner
(1953-). Sws. Duration 10
minutes. Theodore Presser
Company #144-40721.
Published by Theodore
Presser Company
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bent Sorensen: Adieu For String Quartet Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Wilhelm Hansen
String Quartet - Grade 4 SKU: HL.14001159 Composed by Bent Sorensen. Musi...(+)
String Quartet - Grade 4
SKU: HL.14001159
Composed by Bent
Sorensen. Music Sales
America. Classical.
Studyscore. Composed
2005. 28 pages. Edition
Wilhelm Hansen #WH30120B.
Published by Edition
Wilhelm Hansen
(HL.14001159). ISBN
9788759805527. UPC:
888680792657.
8.25x11.75x0.106
inches. Study score
to Bent Sorensen's Adieu
for String Quartet. The
slow choral-like music
which initiates Adieu was
the result of an image or
almost a dream that I
had. Without being able
to explain why, I
imagined a procession of
people, maybe medieval
monks, wearing large gray
mantles with
Ku-Klux-Klan-like white
cowls on their heads,
something like a funeral
procession. The title
Adieu is partly a comment
on this funeral
procession, but also used
because the piece is
split up by three
slow-ascending glissandi,
a kind of farewell
glissandi which removes
the intervening music.
The first absorbing
glissando is soft and
removes both the slow
funeral choral and the
agitating figures in the
first half of the piece.
The second glissando is
given only to the cello
and crawls out from the
elegiac melodies in the
middle part. The third
and final glissando is
intense and agitating,
and prepares the way for
the end of the piece.
This end primarily deals
with the relationship
fast - slow. This
relationship is turned
topsy turvy: the music
gets faster and faster
until it is so fast that
it suddenly becomes slow,
so slow in fact that it
is very quickly able to
become extremely fast
again. Bent Sorensen. $18.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Learn to Play a Stringed Instrument, Book 1 Alto seul [Partition] Alfred Publishing
By Ralph Matesky. For Viola. String Orchestra Method/Supplement. Book. 48 pages....(+)
By Ralph Matesky. For
Viola. String Orchestra
Method/Supplement. Book.
48 pages. Published by
Alfred Publishing.
$6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sorensen String Quartet No 3 Quatuor à cordes: 2 violons, alto, violoncelle Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet
No.3 'Angel's Music' by
Bent Sorensen (1988)
Premiered by the Arditti
String Quartet at the
Danish Radio Concert Hall
16 November 1988. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angels Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on Angels
Music was started in
Rome, where I spent the
autumn of 1987 staying at
The Danish Academy.
Whether this stay has
influenced the quartet or
not is impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part ofthe
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of Angels
Music is divided into
three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the small
cells into the general
pattern.'
$58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Le Monde de l'Alto Volume 2 Alto seul [Partition + Accès audio] Educatieve Muziek en Media
Viola SKU: BT.EMM121-034 Méthode complète pour l'apprentissage i...(+)
Viola SKU:
BT.EMM121-034
Méthode complète
pour l'apprentissage
individuel et en
groupe. Composed by
Nico Dezaire, Jean
Castelain. Method. Book
with Online Audio.
Composed 2021. 84 pages.
Educatieve Muziek en
Media #EMM121-034.
Published by Educatieve
Muziek en Media
(BT.EMM121-034).
French. DestinÃ
© aux élèves
partir de sept ans
environ, Le Monde de
l'Alto peut être
utilisé pour les
leçons individuelles
et en groupe. Le
présent ouvrage
s’accompagne
d’un site web
où se trouvent de
nombreux fichiers MP3 et
PDF ainsi que des
vidéos. Tous les
exercices de cette
méthode sont
expliqués en détail
et sont augmentés de
photos et de vidéos
très clairs,
particulièrement
utiles pour assurer la
bonne compréhension
des élèves (et des
parents) pour le travail
la maison. Avec Le
Monde de l'Alto, les
leçons peuvent être
personnalisées, car
presque toutes les
méthodes didactiques
sont employées. Chaque
élève peut donc
bénéficier
d’un enseignement
« sur mesure ».
Cet ouvrage comprend :
• Des exercices
d’imitation («
Jeu du perroquet » en
cours et la maison).
• Des exercices
techniques d’abord
expliqués par un texte
et des images (photos et
vidéos) et, plus tard,
en notation musicale.
• Des morceaux
jouer
l’oreille.
• Des morceaux en
notation musicale (
partir du milieu du
volume 1 environ).
• Des morceaux en
notation musicale (le
volume 2 contient un plus
grand nombre de pièces
du répertoire).
• Des exercices
d’improvisation
pour stimuler
l’imagination en
matière de sons et de
créativité.
• Des explications
sur le solfège en
général et les
techniques de jeu.
• Des morceaux
notés en tablature.
• Des jeux de
questions-réponses
portant sur les
éléments déj
appris. • Des
« bons points »
sous forme
d’autocollants
apposer aux exercices
correctement
exécutés.
Cette méthode offre de
nombreuses
possibilités pour
jouer plusieurs. Pour
toutes les pièces, des
partitions pour deux
altos et accompagnement
au piano sont
téléchargeables sur
le site web. Le
Monde de l'Alto est
attrayant, contemporain
et complet un must pour
l’enseignement de
l'alto au XXIe siècle
! $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Technique Takes Off! for Viola Alto seul Faber Music Limited
Technique Takes Off! for Viola by Mary Cohen. For Viola. Book; String - Viola St...(+)
Technique Takes Off! for
Viola by Mary Cohen. For
Viola. Book; String -
Viola Studies or
Collection; Technique
Musicianship. Faber
Edition. Published by
Faber Music
(1)$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tuvan Songbook Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.EB-9244 Set of Parts. Composed ...(+)
String Quartet
(2vl,va,vc) SKU:
BR.EB-9244 Set of
Parts. Composed by
Christian Mason. Chamber
music; stapled. Edition
Breitkopf. World premiere
of the original version:
London, May 10, 2016World
premiere of the string
orchestra version:
Clermont-Ferrand, October
8, 2020. New music
(post-2000). Set of
parts. Composed
2016/2020. 92 pages.
Duration 19'. Breitkopf
and Haertel #EB 9244.
Published by Breitkopf
and Haertel (BR.EB-9244).
ISBN 9790004185445. 9
x 12 inches. It was
the practice of Khoomii
(throat singing) -
following several
workshops with Michael
Ormiston - that first
attracted me to Tuvan
music. Composing this
Songbook, the first in a
series commissioned by
the Ligeti Quartet, I
took the chance to
reflect on compositional
questions around
transcription and
arrangement of existing
music, and frequently
found myself asking:
where is the boundary
between the source
material and the new
substance? Of course the
relationship varies from
piece to piece, and
moment to moment:
sometimes we seem to
glimpse the pure source,
but most of the time
there are differing
degrees of distance,
working towards or away
from it. This new version
for string orchestra
corresponds closely to
the original quartet
version, with an
additional part for
double basses.The
traditional Tuvan songs
that I have transcribed
and recomposed are all
known to me from the Ay
Kherel CD The Music of
Tuva: Throat Singing and
Instruments from Central
Asia (2004, Arc Music).
According to the notes
from that CD, this is
what the songs are
about:1. Dyngylday: If
you have come on a horse
in blue, it doesn't mean
that you are the best. My
heart tells me something
else: my sweetheart
doesn't have such a
beautiful horse, but he
is my darling.An
alternative
interpretation from Alash
Ensemble
(alashensemble.com): The
word dyngylday is a
nonsense term with no
translation. The song
makes good-humored fun of
somebody for being a
good-for-nothing.2. Eki
Attar (The Best Steeds):
The horse is the basis of
our life. It is a magic
creature. Even its step
is full of music and
rhythm. You may not be a
horse rider, but when you
hear this song you will
always remember horses.3.
Kuda Yry: This wedding
song glorifies the
strength of the groom and
the beauty of his
Horse.4. Ezir-Kara
('Black Eagle'): This was
the name of a horse, who
became a legend through
his remarkable strength
and speed.It is not just
overtones that abound
here: there are galloping
rhythms aplenty, and
though I am no horse
rider I tried to keep the
horses galloping in my
imagination while
composing these
pieces.Christian Mason
(with quotes from Ay
Kherel and Alash
Ensemble)
World
premiere of the original
version: London/UK, May
10, 2016, World premiere
of the string orchestra
version:
Clermont-Ferrand/France,
October 8, 2020. $92.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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