PARTITIONS GRATUITES : ALTO
- LouD Music

Score and Parts

SKU: HL.14041698

Violin, Viola and Cello. Composed by Kaija Saariaho. Music Sales America. Softcover. Chester Music #CH76219. Published by Chester Music (HL.14041698).

UPC: 884088676483. 8.5x11.0x0.21 inches.

String Quartet

SKU: SU.81001265

For String Quartet. Composed by Michael Gordon. Chamber Music, String Quartet/Quintet. Score & Parts. Subito Music Corporation #81001265. Published by Subito Music Corporation (SU.81001265).

String quartet Duration: 10' Composed: 2010 Published by: Red Poppy Ltd.

Chamber Music String Quartet

SKU: CF.BE11F

Composed by Jason Eckardt. Full score. 78 pages. Duration 16 minutes. Carl Fischer Music #BE11F. Published by Carl Fischer Music (CF.BE11F).

ISBN 9780825888595. UPC: 798408088590. 8.5 x 11 inches.

Beginning in the 1950s, the CIA became very interested in psychological research beingconducted on the effects of sensory deprivation on humans. The research, that suggestedrapid regression in those tested, provided a framework for sections of what would later beknown as the KUBARK manual, the first a series of US-government documents thatprovided techniques for interrogating detainees. These methods involved radicallyaltering a detainee’s sense of time and environment.Among these techniques, some developed independently of the manuals by interrogators,were the manipulation of light and sound. In order to weaken the resolve of a detaineeand prolong “capture shock,” complete sensory deprivation followed by blasts of light ornoise, or very loud music, proved effective. So much so that variations and combinationsof these techniques were widely used by the United States as well as both its allies andenemies in Vietnam, Latin America, Northern Ireland, and the Middle East.Though the idea of sound as a weapon is at least as old as the account of Joshua’s siegeof Jericho, it was only recently deemed “inhuman and degrading” for the purposes ofinterrogation by the European Court of Human Rights in the 1978 case “Ireland v. theUnited Kingdom.”.
Accid entals apply only to the notes they precede with the exception of tied or consecutively repeated notes.Tempi are consistent throughout the meter changes (Le., ~'=),)=)l, etc.).Grace notes are always to be played as fast as possible. Each grace note in a group should be of the same duration. Gracenotes curtail the previous measured note's duration with the exception noted below.Approximate duration: 16 minutes.

(Viola). Arranged by Victor LÌ_pez. For Viola. A and C Partbook; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Solo--A, Duet--B/C/D, Trio--C, Quartet--D. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing

Viola Viola. Composed by Howard Shore. Arranged by Bill Galliford. Play-Along; String Series. Pop Instrumental Solo Series. Movie. Book and CD. 44 pages. Alfred Music #00-42618. Published by Alfred Music

Chamber Music, Trio Viola Trio: 3 Violas - Grade 2

SKU: FL.FX074348

Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Eric Vireton. Arrangement. Classical. Score and Set of Parts. FLEX Editions #FX074348. Published by FLEX Editions (FL.FX074348).

Instruments:Vio la Trio: 3 Violas; Difficuly Level: Grade 2; Duration: 1 mn 30 s; Musical Style: Classical; Category: Arrangement; Composer: Nikolai RIMSKI-KORSAKOV; Arranger: Eric VIRETON.

Trombone, String Quartet

SKU: HL.14023162

Composed by Bent Sorensen. Music Sales America. Classical. Score. 28 pages. Music Sales #KP01123. Published by Music Sales (HL.14023162).

ISBN 9788759860960. Danish.

Nocturnal (1998-2001) for Trombone and String Quartet was composed by Bent Sorensen . Progamme note: The two movements of Nocturnal were written with a gab of three years. The last movement, which bears the title The Wings of Night, was commisioned by Warsaw Autumn in 1998, while the first movement - Mondnacht - was commisioned for Ultima Festival in Oslo in 2001. Despite the three years gab, these are not two separate pieces which have been linked together. The sketches for the first movement were begun immediately after the first performance of the second movement in Warsaw 1998. As the title suggests, there is a nocturnal atmosphere in the work. In the first movement weare perhaps in a park and notice the shadows of the clouds passing the bright moon. In the short second movement we are perhaps with Shakespeare's Juliet, calling for love, calling for the night: Come night, come Romeo, come, thou day in night, For thou wilt lie upon the wings of night Whither than snow upon a raven's back. ...perhaps we are elsewhere - at night! Nocturnal was written for Christian Lindberg and the Arditti Quartet and premiered in Oslo in 2001.