| Vapors Alto seul Theodore Presser Co.
Composed by David Leisner (1953-). Sws. Duration 10 minutes. Theodore Presse...(+)
Composed by David Leisner
(1953-). Sws. Duration 10
minutes. Theodore Presser
Company #144-40721.
Published by Theodore
Presser Company
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Conductor's Craft - Viola GIA Publications
SKU: GI.G-10605 An Advanced Orchestral Conducting Workshop. Compos...(+)
SKU: GI.G-10605
An Advanced Orchestral
Conducting Workshop.
Composed by David Itkin.
Music Education. 62
pages. GIA Publications
#10605. Published by GIA
Publications
(GI.G-10605). ISBN
9781622776160. This
advanced orchestral
conducting resource
features concise
discussions of advanced
technical and
interpretive issues for
44 major orchestral works
that all conductors will
perform during their
careers. The brief
discussions that precede
each score cover the full
range of issues
encountered in real
conducting situations,
and the accompanying
online videos show
Maestro Itkin
demonstrating the
techniques for each
excerpt. All music
examples have been
faithfully reproduced
from original scores, and
Maestro Itkin has also
arranged each excerpt for
string quintet, ideal for
the conducting class
setting. With nearly a
thousand performances to
his credit, acclaimed
conductor David Itkin
shares the knowledge he
has acquired over his
decades in the
profession. The
Conductorââ¬â¢
s Craft is for both
up-and-coming conductors
and seasoned
professionals alike,
equally beneficial for
personal study or for use
in a classroom or
ensemble setting.
ÃÂ This volume is a
real breakthrough aid for
anyone studying or
teaching conducting at
any level. Written by
David Itkin, a most
distinguished and
experienced conductor and
teacher, it concentrates
on all the vital
techniques in the
teaching of the craft.
The accompanying video
recordings also make this
volume unique. This
addition to the material
for teaching conducting
is truly revolutionary,
and the selection of
examples gets
successfully to the point
of each subject
discussed.
ââ¬âSamuel
Adler ÃÂ ÃÂ
Composer, conductor,
author ÃÂ ÃÂ
Professor Emeritus, The
Juilliard School, Eastman
School of Music The
Conductorââ¬â¢
s Craft outlines a
detailed plan and method
for executing conductor
training in advanced
conducting studios.
Itkinââ¬â¢s
book is also an excellent
reference for any teacher
who instructs advanced
students in a collegiate
orchestral conducting
program, as well as for
up-and-coming
professionals who are
studying for a career in
the field. Perhaps most
important, an individual
conductor can manage
their own self-study with
Maestro
Itkinââ¬â¢s
clear statements and
explanations of the
technical issues
presented with each
excerpt. This book gives
individual
conductorââ¬â¢
s freedom to explore
choices and alternatives
to fix tricky passages in
the provided musical
examples. I love the book
and will be using it in
my studio.
ââ¬âJulius P.
Williams ÃÂ
ÃÂ Artistic
director and conductor,
Berklee Contemporary
Symphony Orchestra
ÃÂ ÃÂ
President of the
International Conductors
Guild How refreshing to
review a conducting book
that deals with
specificity of gesture as
it relates to the music
rather than mere
concepts. Bravo to
Maestro David Itkin for
holding the aspiring
conductor to task on
issues of score study,
execution, and style!
ââ¬âMark
Gibson ÃÂ ÃÂ
Director of Orchestral
Studies,
College-Conservatory of
Music, University of
Cincinnati ÃÂ
ÃÂ Author of The
Beat Stops Here. $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All In One String Quartets Nos. 12, 13 & 14 Score Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Wilhelm Hansen
String Quartet - Grade 5 SKU: HL.14042989 Composed by Pelle Gudmundsen-ho...(+)
String Quartet - Grade 5
SKU: HL.14042989
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Softcover.
Composed 2014. Edition
Wilhelm Hansen #WH31937.
Published by Edition
Wilhelm Hansen
(HL.14042989). ISBN
9788759829240.
English. All In One for
3 String Quartets was
composed by Pelle
Gudmundsen-Holmgreen
in 2013 (String Quartet
No.12,13 and 14 played
simultaneously).
Gudmundsen
-Holmgreen has written a
collection of three new
string quartets: String
Quartet no. 12,
‘Each in
Each’; String
Quartet no. 13,
‘Mutual
Ordering’, and
String Quartet no. 14,
‘Well-Tuned
Sounds’. Each
quartet can be played on
its own; they can also
played simultaneously in
any combination. When all
three quartets are played
together, as they are
tonight, the combined
work is titled All in
One. About this
collection,
Gudmundsen-Holmgreenwrite
s:
'Some
years ago Kronos and the
vocal group Theatre of
Voices performed three
new pieces, which I had
written for the two
groups: one for Theatre
of Voices (Green), and
two for Kronos (New
Ground and No Ground).
They were played and sung
by each group
independently – but
also both groups together
concurrently, on top of
each other, as a final
gesture. The combined
pieces were called New
Ground Green and No
Ground
Green.
'David liked the idea
(and the result) of pairs
of quartets that could be
played both independently
and simultaneously, and
asked me if the vocal
quartet could be
transformed into a string
quartet. It could not. He
then asked me to repeat
the whole set-up with a
new pair of quartets,
adding also some
percussion instruments,
as was the case with
Green for Theatre of
Voices. Of course this
was tempting. Furthermore
David asked me to make
one of the two new
quartets a little easier
to play. 'I began to
work. The Kronos part of
the pair of quartets
turned out to be tough to
play, as David puts it.
Unfortunately the
‘easier’ one
was tough to play also!
So I had to write one
more, which was then a
little easier still (but
still not easy).
'The three new works can
be played separately and
on top of each other in
many different
combinations, resulting
in different kinds
of. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.114410380 Composed by Lowell Lieberm...(+)
Chamber Music String
Quartet SKU:
PR.114410380 Composed
by Lowell Liebermann.
Saddle, Tape Junction.
Set of Score and Parts.
With Standard notation.
Composed 1998. Opus 60.
48 + 92 pages. Duration
30 minutes. Theodore
Presser Company
#114-41038. Published by
Theodore Presser Company
(PR.114410380). UPC:
680160015160. 9.5 x 13
inches. My second
String Quartet was
written twenty years
after the first, Opus 4
from 1978. The First
Quartet is an obsessively
contrapuntal work in one
movement, which was no
doubt influenced by my
studies with David
Diamond. I had always
intended to return to the
medium once I left the
astringency of my earlier
style, but it was only
when the National
Federation of Music Clubs
commissioned a major
chamber work, with
unspecified
instrumentation, to
celebrate their 100th
Anniversary that I was
enabled to do so. The
Second Quartet is in four
movements: Moderato,
Allegro isterico, an
Andante theme with 11
variations, and the
closing Allegro, which
then returns to the tempo
of the first movement. An
audience member at the
premiere told me that she
heard echoes of recent
tragic events such as the
Oklahoma bombing in this
work. While I had no such
programmatic intent while
writing the quartet, it
was not an entirely
incorrect assessment of
the work's intended
emotional impact. The
quartet is pervaded by a
sense of seriousness,
even mournfulness. The
second movement's scherzo
is an aggressively
animated piece of musical
machinery. The third
movement's Variations
unfold into a greater
variety of moods than the
others - but the moments
of lyricism are countered
by aggressive or ironic
outbursts. The final
movement's attempt at
triumph quickly subsides
into a return of the
first movement, before
being transformed onto a
sense of resignation and
acceptance as the
chromaticism of the
opening theme is
transformed into a pure
and diatonic C-Major. The
work received its world
premiere by the Shanghai
Quartet at the 100th
Anniversary Congress of
the National Federation
of Music Clubs at the
Congress Hotel in Chicago
on August 19th
1998. My second String
Quartet was written
twenty years after the
first, Opus 4 from
1978. The First
Quartet is an obsessively
contrapuntal work in one
movement, which was no
doubt influenced by my
studies with David
Diamond. I had always
intended to return to the
medium once I left the
astringency of my earlier
style, but it was only
when the National
Federation of Music Clubs
commissioned a major
chamber work, with
unspecified
instrumentation, to
celebrate their 100th
Anniversary that I was
enabled to do so.The
Second Quartet is in four
movements:Â Moderato,
Allegro isterico, an
Andante theme with 11
variations, and the
closing Allegro, which
then returns to the tempo
of the first movement.An
audience member at the
premiere told me that she
heard echoes of recent
tragic events such as the
Oklahoma bombing in this
work. While I had no
such programmatic intent
while writing the
quartet, it was not an
entirely incorrect
assessment of the
work’s intended
emotional impact. The
quartet is pervaded by a
sense of seriousness,
even mournfulness.Â
The second
movement’s scherzo
is an aggressively
animated piece of musical
machinery. The third
movement’s
Variations unfold into a
greater variety of moods
than the others –
but the moments of
lyricism are countered by
aggressive or ironic
outbursts. The final
movement’s attempt
at triumph quickly
subsides into a return of
the first movement,
before being transformed
onto a sense of
resignation and
acceptance as the
chromaticism of the
opening theme is
transformed into a pure
and diatonic C-Major.The
work received its world
premiere by the Shanghai
Quartet at the 100th
Anniversary Congress of
the National Federation
of Music Clubs at the
Congress Hotel in Chicago
on August 19th 1998. $185.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Third Face Quatuor à cordes: 2 violons, alto, violoncelle - Avancé Theodore Presser Co.
Chamber Music String Quartet - Advanced SKU: PR.144405300 Composed by Dav...(+)
Chamber Music String
Quartet - Advanced
SKU: PR.144405300
Composed by David Felder.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1988. 24+8+8+8+8
pages. Theodore Presser
Company #144-40530.
Published by Theodore
Presser Company
(PR.144405300). UPC:
680160584789. 9.5 x 13
inches. Featured on
the Bridge Records CD
Music of David Felder, as
recorded by the Arditti
String Quartet. Felder's
Third Face was given its
first performance by the
Arditti, at the 1988
Buffalo new music
festival. I was struck by
it then; after further
hearings of it I admire
it even more. It is
lucid, but with a
controlled wildness in
its making. Written for
virtuosi, it challenges
them by presenting its
fierce, fertile ideas
with almost reckless
rhythmic and dynamic
exuberance. (Andrew
Porter, The New Yorker)
For advanced performers.
Duration: 11'. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Third Face Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] - Avancé Theodore Presser Co.
String quartet String Quartet - Advanced SKU: PR.14440530S Composed by Da...(+)
String quartet String
Quartet - Advanced
SKU: PR.14440530S
Composed by David Felder.
144-40530. Contemporary.
Full score (study). With
Standard notation.
Composed 1988. 24 pages.
Theodore Presser Company
#144-40530S. Published by
Theodore Presser Company
(PR.14440530S). UPC:
680160584796. 9.5 x 13
inches. Featured on
the Bridge Records CD
Music of David Felder, as
recorded by the Arditti
String Quartet. Felder's
Third Face was given its
first performance by the
Arditti, at the 1988
Buffalo new music
festival. I was struck by
it then; after further
hearings of it I admire
it even more. It is
lucid, but with a
controlled wildness in
its making. Written for
virtuosi, it challenges
them by presenting its
fierce, fertile ideas
with almost reckless
rhythmic and dynamic
exuberance. (Andrew
Porter, The New Yorker)
For advanced performers.
Duration: 11'. $37.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Violin To Viola, From Alto seul Rubank Publications
From Violin to Viola. (A Transitional Method). By Harvey S. Whistler. String Met...(+)
From Violin to Viola. (A
Transitional Method). By
Harvey S. Whistler.
String Method. 48 pages.
Rubank Publications
#RUBL132. Published by
Rubank Publications
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gran Torso Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet
(2vl,va,vc) SKU:
BR.KM-2261 Music
for String Quartet.
Composed by Helmut
Lachenmann. This edition:
2 Violins, Viola, Cello.
Chamber music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Bremen
(pro musica nova), May 6,
1972Have a look into KM
2261. Music post-1945;
New music (post-2000).
Set of parts. Composed
1971/78/88. 112 pages.
Duration 23'. Breitkopf
and Haertel #KM 2261.
Published by Breitkopf
and Haertel (BR.KM-2261).
ISBN 9790004501658.
16.5 x 11.5
inches. Gran Torso,
for string quartet, was
composed in 1971 and
revised in 1978. It
belongs to a series of
works, including Air,
Kontrakadenz, Pression
and Klangschatten, whose
concept of material
attempts to free itself
from convention. That is,
instead of using the
sound itself as a point
of departure, structural
and formal hierarchies
are derived from the
mechanical and physical
conditions present during
the process of sound
production. It is clear
that such a radical break
with tradition is not
easily achieved: the
instrument, the given
means, the resonating
body itself (as the
embodiment of convention)
all work against such
attempts (with the
extended performance
techniques representing
only the tip of the
iceberg of deep-seated
contradictions where the
bourgeois artist is
concerned). Implicit in
such a challenge,
however, is a claim to
aesthetic pregnance: an
offer, if one would have
it, of uncomprosing
beauty.(Helmut
Lachenmann,
1978)CDs/LPs:Berner
StreichquartettCD col
legno 0647 277Berner
StreichquartettLP col
legno 5504Societa
Cameristica ItalianaLP
ABT ERZ 1003Arditti
String QuartetCD KAIROS,
0012662KAIstadler
quartettCD NEOS 10806The
JACK QuartetCD mode
267Stadler Quartett, Rg.
Caroline SiegersDVD NEOS
51001Bibliography:Alberma
n, David: Abnormal
Playing Techniques in the
String Quartets of Helmut
Lachenmann, in: Helmut
Lachenmann Music with
matches, hrsg. von Dan
Albertson, Contemporary
Music Review 24 (2005),
Vol. 1, pp.
39-51.Dulaney, Maxwell:
Continuing the Tradition
Untraditionally: Helmut
Lachenmann's
Restructuring of Musical
Dialectic through an
Analysis of his Three
String Quartets, and an
Original Composition,
Harmonic Concerto, Diss.
Brandeis University, MI
2013.Egger, Elisabeth:
Kontinuitat, Verdichtung,
Synchronizitat. Zu den
grossformalen Funktionen
des gepressten
Bogenstrichs in Helmut
Lachenmanns
Streichquartetten, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 155-171.Hermann,
Matthias: Helmut
Lachenmann - Gran Torso,
in: Analyse Musik XX.
Jahrhundert (2).
Postserielle Konzepte
Klangflachen Aleatorik (=
Materialien zur
Musiktheorie 4),
Saarbrucken: Pfau 2002,
pp. 134-152.Hiekel, Jorn
Peter: Die
Streichquartett Gran
Torso und Grido von
Helmut Lachenmann, in:
Lucerne Festival, Sommer
2005 Neuland,
Konzertprogramm 6, pp.
65-69.Houben, Eva-Maria:
Helmut Lachenmann: Gran
Torso ..., in: dies.,
Musikalische Praxis als
Lebensform (= Musik und
Klangkultur 27),
Bielefeld: Transcript
2018, S. 208-212Lehmann,
Harry: Erhabenheit -
Ereignis - Ambivalenz.
Zur Asthetik der Neuen
Musik, in: Neue
Zeitschrift fur Musik 176
(2015), Heft 5, pp.
22-27.Mosch, Ulrich:
Kunst als Medium der
Ungeborgenheit.
Streichquartette und
soziale Funktion des
Komponierens bei Helmut
Lachenmann, in:
Positionen 81 (November
2009), pp. 37-39.ders.:
Was heisst Interpretation
bei Helmut Lachenmanns
Streichquartett ,,Gran
Torso?, in: Wessen
Klange? Uber Autorschaft
in neue Musik, hrsg. Von
Hermann Danuser und
Matthias Kassel (=
Veroffentlichungen der
Paul Sacher Stiftung 12),
Mainz u.a.: Schott 2017,
S. 163-186Nonnenmann,
Rainer: Werke als
Schlussel zu Werken? Zur
umstrittenen Kategorie
,,Schlusselwerke der
neuen Musik, in:
MusikTexte, Heft 147
(November 2015), pp.
35-46.Stork, Astrid:
Materialbegriff und
Strukturdenken.
Untersuchungen zu den
Streichquartetten von
Helmut Lachenmann,
Magisterarbeit
Ruhr-Universitat Bochum
1992Tsao, Ming: Helmut
Lachenmann's Sound Types,
in: Perspectives of New
Music 52 (2014), Heft 1,
pp. 217-238.Velazquez,
Rossana Lara: Composicion
y escucha burguesa:
Principios de continuidad
y ruptura en el cuarteto
Gran Torso de Helmut
Lachenmann, Diss.
Universidad Nacional
Autonoma de Mexico
2011.Zenck, Martin: Die
mehrfache Codierung der
Figur: Ihr defigurativer
und torsohafter Modus bei
Johann Sebastian Bach,
Helmut Lachenmann und
Auguste Rodin, in: de
figura. Rhetorik Bewegung
Gestalt, Text und Bild,
hrsg. von Gabriele
Brandstetter und Sibylle
Peters, Munchen 2003, pp.
265-288.
World
premiere: Bremen (pro
musica nova), May 6,
1972. $132.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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