| Progressive Quartets for Strings - Bass 4 Contrebasses [Partition] Carl Fischer
32 Quartets That Can Be Played by Any Combination of String Instruments. Compose...(+)
32 Quartets That Can Be
Played by Any Combination
of String Instruments.
Composed by Bernard De La
Monnoye, Christopf Von
Gluck, etc., J. Spilman,
Spiritual American, Willy
Geisler, Stephen Foster
(1826-1864), Edvard Grieg
(1843-1907), Engelbert
Humperdinck (1854-1921),
French carol,
Traditional, English Folk
Song, American Folk Hymn,
Henry Carey, and
Catalonian Carol.
Arranged by Doris Gazda.
SWS. Back To School.
Book. With Standard
notation. Carl Fischer
Music #BF72. Published by
Carl Fischer Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonatas In Canon For Two Bass Instruments 2 Contrebasses (duo) Yorke Edition
2 Bass Instruments SKU: BT.YE0006 2 Bass Instruments. Composed by ...(+)
2 Bass Instruments
SKU: BT.YE0006
2 Bass
Instruments. Composed
by Georg Philipp
Telemann. Book Only. 20
pages. Yorke Edition
#YE0006. Published by
Yorke Edition
(BT.YE0006).
'Six sonatas
now in one volume. Most
useful teaching material
for any intermediate
pupils.' Making Music.
Can be played with cello,
bassoon, etc. Grade: 4
- 5. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Classical Tunes for Two Basses, Volume 2 2 Contrebasses (duo) Greenblatt and Seay
Arranged by Deborah Greenblatt. Bass Duet. For 2 double basses. Tunes for Two. C...(+)
Arranged by Deborah
Greenblatt. Bass Duet.
For 2 double basses.
Tunes for Two. Classical.
Tune book. Standard
Notation. 66 pages.
Published by Greenblatt
and Seay
$15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Together Apart/Apart Together [Conducteur] Music Sales
Saxophone, Accordion, Double Bass SKU: HL.14033723 Composed by Karsten Fu...(+)
Saxophone, Accordion,
Double Bass SKU:
HL.14033723 Composed
by Karsten Fundal. Music
Sales America. Classical.
Score. 15 pages. Music
Sales #KP01526. Published
by Music Sales
(HL.14033723). ISBN
9788759891322.
Danish. Together
Apart/Apart Together for
Saxophone, Accordion and
Double Bass was composed
by Karsten Fundal in
2004. Written for and
commissioned by Poing.
Programme note: This
piece is the 3rd in a row
of pieces, which
concentrates on a
rhythmical relationship
that continues to puzzle
me. It is actually two
relationships embedded.
The 1st is a pattern that
is very inspired by the
composer Per Norgard, who
in the beginning of the
90's got very preoccupied
with the idea that you
can have rhythms that
never meet. This happens
if you start a rhythm,
like a quintuplet, on the
beat and one, like a
triplet, off beat. This
can, with different
rhythms, give very
intricate interwoven
patterns, that gives the
illusion that they are
not cyclic. In my case I
use the two ratio five to
seven, in the described
way. This rythms have the
strange property that if
you take each 5th note of
the seven and each 7 note
of the five you get a
ratio almost identical:
49:50. This is very
intriguing, as you can
use the possibility of
letting them be equal or
the possibility of
letting them interfere.
In the first case you get
an interlocking rhythm
which is smooth: an equal
rhythmic pattern. In the
second case you get a
similar situation, but
where one of them is one
short after 50 of the
other ones, which results
in a disturbing almost
equality, but not quite.
Therefore the title:
because when I use the
unequal rhythm I put the
two layers in a similar
tone register, or a
similar way of playing,
and when I use the equal
one I put them a part
tone wise speaking. This
is a very technical
description, but it is
very hard to put it in
more wide terms, but you
might compare it with
driving in a train and
looking at two fence rows
behind each other: if the
poles are placed exactly
halfway between each
other you will experience
an illusion of a fast
jump if there is enough
distance between them, as
a result of the
perspective. If they are
placed in a way that
there are almost the same
numbers of poles, like
49:50, you will
experience a very complex
pattern, which seems
unpredictable. But of
course when using it in
music the whole thing is
somewhat different, but
even then it gives an
idea of my preoccupation.
What also intrigues me is
that the relations are
very hard to use in a
musical way, and that is
also quire a challenge.'
Finally I have to say
that I enjoyed very much
writing for Poing, as
these crazy guys are
capable of doing almost
anything you want in an
nearly literal sense. -
Karsten Fundal summer
2004. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Quantz Duets - Bass A Bass B (2 books) 2 Contrebasses (duo) [Set de Parties séparées] Greenblatt and Seay
Arranged by Deborah Greenblatt. String Duo. For bass 1, bass 2. This edition: sp...(+)
Arranged by Deborah
Greenblatt. String Duo.
For bass 1, bass 2. This
edition: spiral-bound.
Set of parts. Published
by Greenblatt and Seay
$15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Not-Doings of an Insomniac Contre Basse Chester
Double Bass SKU: HL.50602262 Partita for Double Bass and Poetry Reader...(+)
Double Bass SKU:
HL.50602262
Partita for Double
Bass and Poetry
Reader. Composed by
Philip Glass.
Instrumental. Classical.
Softcover. Composed 2019.
16 pages. Chester Music
#DU11203. Published by
Chester Music
(HL.50602262). ISBN
9781540092182. UPC:
888680987596.
9.0x12.0x0.07
inches. The
Not-Doings of an
Insomniac - Partita for
Solo Double Bass with
spoken texts - was
premiered by Robert Black
at the International
Society of Bassist
Convention at the Griffin
Concert Hall in Fort
Collins, Colorado. The
Not-Doings of an
Insomniac developed as a
result of Philip Glass's
frequent travels to
unfamiliar cities and
different time-zones,
changes that often bring
on bouts of insomnia.
While on a trip in Europe
in 2015, Glass decided to
turn these redundant
waking hours into
something useful, and one
of the results is this
Partita for Solo Double
Bass, written for Robert
Black of Bang on a Can
All-Stars fame. The piece
is written in seven
movements, each with its
own title: Not Dreaming,
Tasting, Smelling,
Hearing, Seeing, Touching
respectively, and
finishing with Not
Beginning. Not Ending.
What raises this set into
something atmospheric and
theatrical are the poems
in between each movement.
These are by Glass's
friends or associates,
and the texts by Lou
Reed, John Cale, Laurie
Anderson, Yoko Ono, David
Byrne, Leonard Cohen,
Patti Smith and Arthur
Russell are read on the
recording of this work by
Robert Black. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade E Major Op. 22 B 52 Contre Basse G. Henle
Double Bass SKU: HL.51483307 For String Orchestra Double Bass Part...(+)
Double Bass SKU:
HL.51483307 For
String Orchestra Double
Bass Part. Composed
by Antonin Dvorá,
Antonin Dvorak, and k.
Edited by Peter Jost.
Henle Music Folios.
Classical. Softcover. 12
pages. G. Henle #HN3307.
Published by G. Henle
(HL.51483307). UPC:
196288206828.
9.25x12.0x0.062
inches. The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most
beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Heinz Holliger : Preludio e Fuga (a 4 Voci) Contre Basse Schott
(Double Bass Solos in Viennese tuning). By Heinz Holliger (1939-2002). For Doubl...(+)
(Double Bass Solos in
Viennese tuning). By
Heinz Holliger
(1939-2002). For Double
Bass. String Solo.
Softcover. 46 pages.
Schott Music #KBB15.
Published by Schott Music
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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