| Together Apart/Apart Together [Conducteur] Music Sales
Saxophone, Accordion, Double Bass SKU: HL.14033723 Composed by Karsten Fu...(+)
Saxophone, Accordion,
Double Bass SKU:
HL.14033723 Composed
by Karsten Fundal. Music
Sales America. Classical.
Score. 15 pages. Music
Sales #KP01526. Published
by Music Sales
(HL.14033723). ISBN
9788759891322.
Danish. Together
Apart/Apart Together for
Saxophone, Accordion and
Double Bass was composed
by Karsten Fundal in
2004. Written for and
commissioned by Poing.
Programme note: This
piece is the 3rd in a row
of pieces, which
concentrates on a
rhythmical relationship
that continues to puzzle
me. It is actually two
relationships embedded.
The 1st is a pattern that
is very inspired by the
composer Per Norgard, who
in the beginning of the
90's got very preoccupied
with the idea that you
can have rhythms that
never meet. This happens
if you start a rhythm,
like a quintuplet, on the
beat and one, like a
triplet, off beat. This
can, with different
rhythms, give very
intricate interwoven
patterns, that gives the
illusion that they are
not cyclic. In my case I
use the two ratio five to
seven, in the described
way. This rythms have the
strange property that if
you take each 5th note of
the seven and each 7 note
of the five you get a
ratio almost identical:
49:50. This is very
intriguing, as you can
use the possibility of
letting them be equal or
the possibility of
letting them interfere.
In the first case you get
an interlocking rhythm
which is smooth: an equal
rhythmic pattern. In the
second case you get a
similar situation, but
where one of them is one
short after 50 of the
other ones, which results
in a disturbing almost
equality, but not quite.
Therefore the title:
because when I use the
unequal rhythm I put the
two layers in a similar
tone register, or a
similar way of playing,
and when I use the equal
one I put them a part
tone wise speaking. This
is a very technical
description, but it is
very hard to put it in
more wide terms, but you
might compare it with
driving in a train and
looking at two fence rows
behind each other: if the
poles are placed exactly
halfway between each
other you will experience
an illusion of a fast
jump if there is enough
distance between them, as
a result of the
perspective. If they are
placed in a way that
there are almost the same
numbers of poles, like
49:50, you will
experience a very complex
pattern, which seems
unpredictable. But of
course when using it in
music the whole thing is
somewhat different, but
even then it gives an
idea of my preoccupation.
What also intrigues me is
that the relations are
very hard to use in a
musical way, and that is
also quire a challenge.'
Finally I have to say
that I enjoyed very much
writing for Poing, as
these crazy guys are
capable of doing almost
anything you want in an
nearly literal sense. -
Karsten Fundal summer
2004. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Duetto for cello and double bass Violoncelle, Contrebasse (duo) Yorke Edition
Trombone, Cello SKU: BT.YE0001 Composed by Gioachino Rossini. Book Only. ...(+)
Trombone, Cello SKU:
BT.YE0001 Composed by
Gioachino Rossini. Book
Only. Yorke Edition
#YE0001. Published by
Yorke Edition
(BT.YE0001). It
was a chance visit to a
second hand bookshop in
Nottingham that set me on
the trail of Rossini's
now well-known Duetto for
cello and double bass.
But the story begins
earlier than that. In the
1960s I was studying the
double bass at the Royal
College of Music with
Adrian Beers, who was at
that time principal of
the English Chamber
Orchestra, on the front
desk of the Philharmonia
Orchestra, and a member
of the Melos Ensemble of
London (then one of the
leading ensembles of the
world). I was working on
the 'Dragonetti
Concerto', as most young
players do, and I wanted
to find out a bit about
it. My teacher said he
thought the autograph
manuscript might be in
the British Library,which
was all the encouragement
I needed to secure a pass
to the Reading Room so I
could go and see for
myself.
There,
sure enough, I found a
large collection of
Dragonetti's autograph
manuscripts, together
with other bound volumes
relating to his life. The
papers had been lovingly
collated and annotated by
Vincent Novello, one of
Dragonetti's closest
friends, then deposited
in the library before his
departure to Italy in
1848, two years after
Dragonetti's death. One
of the volumes included a
lot of letters about
various engagements and
music festivals, copies
of orders for strings
Dragonetti wanted from
Italy, details about
paintings he wanted to
buy, and numerous
invitations to private
functions. The manuscript
of the 'Dragonetti
Concerto', of course,
wasn't among the papers
â?? we now know it to
have been written by
Edouard Nanny a century
or so later.
One name that
came up regularly in the
documents was that of Sir
George Smart. Smart had
been a violinist in
Salomon's orchestra and
had played for Haydn at
his London concerts in
the 1790s. As a child he
had learnt much about
music from his father,
who had in turn been
present at many of
Handel's rehearsals when
he was preparing some of
his major works for the
first time. Smart was
also a fine keyboard
player, becoming organist
of the Chapel Royal in
1822. As a conductor. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Not-Doings of an Insomniac Contre Basse Chester
Double Bass SKU: HL.50602262 Partita for Double Bass and Poetry Reader...(+)
Double Bass SKU:
HL.50602262
Partita for Double
Bass and Poetry
Reader. Composed by
Philip Glass.
Instrumental. Classical.
Softcover. Composed 2019.
16 pages. Chester Music
#DU11203. Published by
Chester Music
(HL.50602262). ISBN
9781540092182. UPC:
888680987596.
9.0x12.0x0.07
inches. The
Not-Doings of an
Insomniac - Partita for
Solo Double Bass with
spoken texts - was
premiered by Robert Black
at the International
Society of Bassist
Convention at the Griffin
Concert Hall in Fort
Collins, Colorado. The
Not-Doings of an
Insomniac developed as a
result of Philip Glass's
frequent travels to
unfamiliar cities and
different time-zones,
changes that often bring
on bouts of insomnia.
While on a trip in Europe
in 2015, Glass decided to
turn these redundant
waking hours into
something useful, and one
of the results is this
Partita for Solo Double
Bass, written for Robert
Black of Bang on a Can
All-Stars fame. The piece
is written in seven
movements, each with its
own title: Not Dreaming,
Tasting, Smelling,
Hearing, Seeing, Touching
respectively, and
finishing with Not
Beginning. Not Ending.
What raises this set into
something atmospheric and
theatrical are the poems
in between each movement.
These are by Glass's
friends or associates,
and the texts by Lou
Reed, John Cale, Laurie
Anderson, Yoko Ono, David
Byrne, Leonard Cohen,
Patti Smith and Arthur
Russell are read on the
recording of this work by
Robert Black. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Double Bass Concerto Op. 3 Contrebasse, Piano (duo) G. Henle
Double Bass and Piano Reduction. Composed by Serge Koussevitzky (1874-1951). ...(+)
Double Bass and Piano
Reduction. Composed by
Serge
Koussevitzky (1874-1951).
Edited by ckler and
Tobias
Glö. Henle Music Folios.
Classical. Softcover. 88
pages. G. Henle #HN1451.
Published by G. Henle
$28.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Divertimento for two Horns, two Violins, Viola and Bass in B-flat major K. 287 (271b, 271 H) "Zweite Lodronische Nachtmusik" [Conducteur] Barenreiter
2 horn,2 violins,viola,Basso (Horns (2), Violins (2), Viola, Basso) SKU: BA.B...(+)
2 horn,2
violins,viola,Basso
(Horns (2), Violins (2),
Viola, Basso) SKU:
BA.BA08809 Composed
by Wolfgang Amadeus
Mozart. Edited by Albert
Dunning. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. KV 287 (271b, 271
H). Baerenreiter Verlag
#BA08809_00. Published by
Baerenreiter Verlag
(BA.BA08809). ISBN
9790006568970. 31 x 24.3
cm inches. Key: B-flat
major. Preface: Gudula
Schutz. Mozart
composed his two
â??Lodron Serenadesâ?
for open-air performances
on the name day of
Countess Antonia Lodron
in June 1776 and 1777.
Their bright â??al
frescoâ? character is
immediately recognisable.
Alfred Einstein
considered these two
divertimentos to be
â??among the purest,
gayest, most satisfying,
and most perfect that
ever assumed musical
formâ?.
For
both works Mozart chose
an ensemble of two horns,
two violins, viola and
bass instruments.
However, the second
Lodron Serenade, the
Divertimento in B-flat
major K. 287, stands out
from this sextet format
by assigning a remarkably
virtuosic solo role to
the first violin, from
the richly diverse
opening movement to the
finale with its almost
ironic recitative and an
exhilarating passage on
the folk song
â??Dâ??Bäurin hat
dâ??Katz verlornâ?.
Mozart himself played
first violin in the 1777
performance. Later he
wrote, â??They all
opened their eyes! I
played as though I were
the finest fiddler in all
Europeâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$33.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lobgesang / Hymn of Praise, op. 52 MWV A 18 Contre Basse Barenreiter
Double Bass SKU: BA.BA09092-85 A Symphony-Cantata after Texts from the...(+)
Double Bass SKU:
BA.BA09092-85 A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
52, MWV A 18. 21 pages.
Baerenreiter Verlag
#BA09092_85. Published by
Baerenreiter Verlag
(BA.BA09092-85). ISBN
9790006565856. 32.5 x
25.5 cm inches. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles Henry.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$13.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Serenade E Major Op. 22 B 52 Contre Basse G. Henle
Double Bass SKU: HL.51483307 For String Orchestra Double Bass Part...(+)
Double Bass SKU:
HL.51483307 For
String Orchestra Double
Bass Part. Composed
by Antonin Dvorá,
Antonin Dvorak, and k.
Edited by Peter Jost.
Henle Music Folios.
Classical. Softcover. 12
pages. G. Henle #HN3307.
Published by G. Henle
(HL.51483307). UPC:
196288206828.
9.25x12.0x0.062
inches. The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most
beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Golliwogg's Cakewalk Contrebasse, Piano (duo) Schott
From Children's Corner. Composed by Claude Debussy (1862-1918). Edited ...(+)
From Children's
Corner.
Composed by Claude
Debussy
(1862-1918). Edited by
Wolfang Birtel. Arranged
by
Wolfgang Birtel,
Charlotte
Mohrs. This edition:
Saddle
stitching. Sheet music.
Edition Schott - Single
Edition. Classical.
Softcover. 16 pages.
Schott
Music #ED0 9975.
Published by
Schott Music
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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