| Habits of a Successful String Musician - Bass Contre Basse GIA Publications
(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time).
Composed by Scott Rush.
For double bass. Habits
of a Successful Musician.
Music Education - Band
Method. Method book. 72
pages. Published by GIA
Publications
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonate A Yorke Edition
Very little is known about the two sonatas which appear here in their origina...(+)
Very little is known
about the two sonatas
which appear here in
their original keys. They
were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
Thesonatas
are both inscribed on the
title page Sonata
à Violone Solo.
Col Basso per l'Organo, o
Cembalo. A third sonata
bears the words Sonata
à Violino e
Violoncino … di
Giovannino del
Violone.Giovannino(=Littl
e, or Young John) must
have been a performer,
and although the third
sonata has been copied by
a different hand, it is
conceivable that
Giovannino is a
connecting link between
the three. He cannot,
however, beassumed to be
their
author.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the
Violoncino(=Little
Violone, or Violoncello)
must have been smaller.
The word 'Violone' was
also used as a collective
term embracing all
members of the Viol
family, which means that
the sonatas might well
have been written for a
tenor or abass Viol, and
not necessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the
intendedharmony. (The use
of a Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It isopen to
debate whether a Violone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenthcentury
traditions that
$8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| New Directions for Strings (Double Bass A Position Book I) Contre Basse [Partition + CD] FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for double bass. Series:
New Directions for
Strings. 56 pages.
Published by The FJH
Music Company Inc.
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| SCHUBERT Piano Quintet in A major, op. 114, D667 'Forellen-Quintett' or 'Trout Quintet' (minus double bass)
Contre Basse [Partition + CD] Music Minus One
For Double Bass. Contains a high-quality printed music score with informative li...(+)
For Double Bass. Contains
a high-quality printed
music score with
informative liner notes,
and compact disc (with
accompaniments only),
voluminously indexed for
ease of practice.
Published by Music Minus
One.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hommage A Vivaldi - Double Bass And Piano Contre Basse Leduc, Alphonse
Double Bass SKU: HL.48183601 Composed by Christian Gouinguené. Ledu...(+)
Double Bass SKU:
HL.48183601 Composed
by Christian
Gouinguené. Leduc.
Softcover. 4 pages.
Alphonse Leduc #AL25773.
Published by Alphonse
Leduc (HL.48183601).
UPC: 888680952891.
9.0x12.0x0.06
inches. Christian
Gouinguene: Hommage A
Vivaldi - Double Bass And
Piano. $14.20 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Habits of a Successful Beginner Band Musician - String Bass GIA Publications
SKU: GI.G-10159 A Comprehensive Method Book for Year One and Beyond(+)
SKU: GI.G-10159
A Comprehensive Method
Book for Year One and
Beyond. Composed by
Scott Rush & Brian
Gencarelli. Habits. Music
Education. 56 pages. GIA
Publications #10159.
Published by GIA
Publications
(GI.G-10159). ISBN
9781622777099. NOW
AVAILABLE! Habits of a
Successful Beginner Band
Musician is a
field-tested, vital,
and—most
important—musical
collection of 225
sequenced exercises for
the beginning band
student. The
book’s
cutting-edge online
component,
Habits Universal,
features a backend
gradebook that allows
students to submit video
recordings of their
performances as a primary
source of assessment.
This gradebook is
compatible with
PowerSchool, Canvas,
Google Classroom,
Brightspace, Edmodo,
Schoology, and many other
platforms! In addition,
Habits Universal features
supplemental rhythm
vocabulary sheets,
accompaniment tracks,
video start-up clinics,
as well as a professional
video coach for each
exercise in the book.
What makes Habits of a
Successful Beginner Band
Musician unique? Features
include:Â Teacher tips
for each exercise in the
book. Diatonic
solfege that begins on
the first day of
instruction. Initial
exercises on the
mouthpiece, mouthpiece
and barrel, reed, bocal
and reed, or headjoint
prior to playing the
first notes in the book.
Sequential rhythm charts
embedded in the book.
These same rhythms are
then presented with
pitches for a seamless
transfer to the music
students are
performing. Technique
and skill-building
exercises embedded within
the method, which helps
to prepare students for
future Habits
exercises. The
introduction of the key
of Concert C, which
results in students
playing the pitches B, E,
and A more often (as
opposed to the typical
emphasis on B-flat,
E-flat, and A-flat). The
introduction of five
keys: Concert B-flat,
E-flat, A-flat, C, and F.
The Concert G scale is
also provided in the back
of the book. Left (L)
and right (R) indicators
for woodwinds along with
appropriate chromatic
alternate fingering
indicators. Shaded
boxes around first-time
challenges in the student
books. A thorough
explanation of (T:1) for
trombones and rules for
when to use it.Â
Rhythm vocabulary that
progresses through
quarters, eighths, dotted
rhythms, sixteenths, and
an eighth and two
sixteenths. The
sequential introduction
of the one-handed
breakdown of a percussion
rudiment before
introducing the rudiment
itself. The use of
the “enharmonic
ladder†and the
“call-and-response
game†to learn
enharmonic notes. A
thorough explanation of
and markings for the
“F dilemmaâ€
on oboe. An explanation
of appropriate flicking
on bassoon. Two pages
of slow “clarinets
only†work that
focuses on going over the
break and throat
tones. . $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adagio in A major Deutscher Verlag für Musik
Double bass and 1 other inst. SKU: BR.DV-8109 Composed by Johann Matthias...(+)
Double bass and 1 other
inst. SKU:
BR.DV-8109 Composed
by Johann Matthias
Sperger. Solo
instruments; stapled.
Deutscher Verlag.
Sperger, musician at the
Mecklenburg court in
Ludwigslust, achieved
fame above all with his
works for double bass.
Thematically, the A major
Adagio closely recalls
Anton Franz Hoffmeister?s
Double Bass Concerto No.
3. Classical period.
Piano reduction. 12
pages. Deutscher Verlag
fur Musik #DV 8109.
Published by Deutscher
Verlag fur Musik
(BR.DV-8109). ISBN
9790200482898. 10 x 13
inches. Johann
Matthias Sperger, no
doubt the leading double
bass player of his time,
was born on 23 March 1750
in the Lower Austrian
town of Feldsberg (today
Valtice, Czech Republic).
After studying in Vienna
and occupying various
posts in Pressburg and
Eberau, he was hired by
Grand Duke Friedrich
Franz I of
Mecklenburg-Schwerin for
the Duke's court ensemble
in Ludwigslust. There
Sperger died on 13 May
1812, a highly esteemed
man. His extensive
compositional oeuvre
(which includes 45
symphonies, chamher
works, church music and
concertos) found its
climax in his works for
double bass solo. His 18
concertos, sonatas and
chamber works for various
instrumental comhinations
off er the soloist
gratifying musical tasks
both from a musical as
well as a technical point
of view. The Adagio for
Double Bass and String
Quartet was composed
around 1796/97, no doubt
for the composer's own
use. The autograph
belongs to the
Landesbibliothek
Mecklenburg-Vorpommern
(class. no. Mus. 5179).
The work is based on
thematic material from
the second movement of
Anton Franz Hoffmeister's
Double Bass Concerto No.
3. The relationship
between the two works and
the mutual influence of
both composers is plainly
visible.In order to allow
a performance of this
charming little work
without a string quartet,
we are also offering a
version with piano
accompaniment (DVfM 8109)
as well. Since the
original solo part was
written for a double bass
tuned in thirds and a
fourth (Viennese tuning:
A-D-F sharp-A), it was
necessary to arrange the
enclosed for the solo
tuning customary today: F
sharp-B-E-A. The editor
and publisher wish to
thank the
Landesbibliothek
Mecklenburg-Vorpommern
for its permission to
print this first edition.
Klaus Trumpf, Munich,
Spring 1997 Klaus
Trumpf
Sperger,
musician at the
Mecklenburg court in
Ludwigslust, achieved
fame above all with his
works for double bass.
Thematically, the A major
Adagio closely recalls
Anton Franz Hoffmeister's
Double Bass Concerto No.
3. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Improvisor's Bass Method
Contre Basse [Partition] Sher Music Company
By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with in...(+)
By Chuck Sher . For Bass.
A complete method book,
over 200 pages, filled
with information and
exercises on all aspects
of bass playing, for both
acoustic and electric
bass. Method. Published
by Sher Music Company.
(1)$34.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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