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| The Real Book - Volume 2
Bass Clef Instruments [Fake Book]
Hal Leonard
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Size...(+)
Bass Clef Edition. By
Various. Fake Book
(Includes melody line and
chords). Size 9x11
inches. Published by Hal
Leonard.
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Bluegrass Picker's Tune Book [Partition]
Mel Bay
By Richard Matteson, Jr. For Fretted. Tune book. Bluegrass. Level: Beginning. Bo...(+)
By Richard Matteson, Jr.
For Fretted. Tune book.
Bluegrass. Level:
Beginning. Book. Size
8.75x11.75. 248 pages.
Published by Mel Bay
Publications, Inc.
(1)$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Messa da Requiem
Contre Basse - Intermédiaire/avancé
Barenreiter
Double bass - Level 4 SKU: BA.BA07590-85 Composed by Giuseppe Verdi. Edit...(+)
Double bass - Level 4
SKU: BA.BA07590-85
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 20 pages.
Baerenreiter Verlag
#BA07590_85. Published by
Baerenreiter Verlag
(BA.BA07590-85). ISBN
9790006541652. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta. For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | | |
| Prelude a lapres-midi dun faune for Orchestra
Contre Basse
Barenreiter
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85). ISBN
9790006541256. 32.5 x
25.5 cm
inches. Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed. Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work. * Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | | |
| Duetto for cello and double bass
Violoncelle, Contrebasse (duo)
Yorke Edition
Trombone, Cello SKU: BT.YE0001 Composed by Gioachino Rossini. Book Only. ...(+)
Trombone, Cello SKU:
BT.YE0001 Composed by
Gioachino Rossini. Book
Only. Yorke Edition
#YE0001. Published by
Yorke Edition
(BT.YE0001). It
was a chance visit to a
second hand bookshop in
Nottingham that set me on
the trail of Rossini's
now well-known Duetto for
cello and double bass.
But the story begins
earlier than that. In the
1960s I was studying the
double bass at the Royal
College of Music with
Adrian Beers, who was at
that time principal of
the English Chamber
Orchestra, on the front
desk of the Philharmonia
Orchestra, and a member
of the Melos Ensemble of
London (then one of the
leading ensembles of the
world). I was working on
the 'Dragonetti
Concerto', as most young
players do, and I wanted
to find out a bit about
it. My teacher said he
thought the autograph
manuscript might be in
the British Library,which
was all the encouragement
I needed to secure a pass
to the Reading Room so I
could go and see for
myself.
There,
sure enough, I found a
large collection of
Dragonetti's autograph
manuscripts, together
with other bound volumes
relating to his life. The
papers had been lovingly
collated and annotated by
Vincent Novello, one of
Dragonetti's closest
friends, then deposited
in the library before his
departure to Italy in
1848, two years after
Dragonetti's death. One
of the volumes included a
lot of letters about
various engagements and
music festivals, copies
of orders for strings
Dragonetti wanted from
Italy, details about
paintings he wanted to
buy, and numerous
invitations to private
functions. The manuscript
of the 'Dragonetti
Concerto', of course,
wasn't among the papers
â?? we now know it to
have been written by
Edouard Nanny a century
or so later.
One name that
came up regularly in the
documents was that of Sir
George Smart. Smart had
been a violinist in
Salomon's orchestra and
had played for Haydn at
his London concerts in
the 1790s. As a child he
had learnt much about
music from his father,
who had in turn been
present at many of
Handel's rehearsals when
he was preparing some of
his major works for the
first time. Smart was
also a fine keyboard
player, becoming organist
of the Chapel Royal in
1822. As a conductor. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
|
We Found Love
