|
| The Real Book - Volume IV
Bass Clef Instruments
Hal Leonard
(Bass Clef Edition). By Various. By Various. For Bass Clef Instruments. Fake Boo...(+)
(Bass Clef Edition). By
Various. By Various. For
Bass Clef Instruments.
Fake Book. Softcover. 464
pages. Published by Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Real Book - Volume 2
Bass Clef Instruments [Fake Book]
Hal Leonard
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Size...(+)
Bass Clef Edition. By
Various. Fake Book
(Includes melody line and
chords). Size 9x11
inches. Published by Hal
Leonard.
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Pelléas et Mélisande, op. 80 N 142b
Barenreiter
Double bass (double bass) SKU: BA.BA07895-85 Suite for Orchestra. ...(+)
Double bass (double bass)
SKU: BA.BA07895-85
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. Opus
80. 4 pages. Duration 39
minutes. Baerenreiter
Verlag #BA07895_85.
Published by Baerenreiter
Verlag (BA.BA07895-85).
ISBN 9790006564293.
32.5 x 25.5 cm
inches. Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition
*
Based on Gabriel Faure
The Complete Works
*
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | | |
| Messa da Requiem
Contre Basse - Intermédiaire/avancé
Barenreiter
Double bass - Level 4 SKU: BA.BA07590-85 Composed by Giuseppe Verdi. Edit...(+)
Double bass - Level 4
SKU: BA.BA07590-85
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 20 pages.
Baerenreiter Verlag
#BA07590_85. Published by
Baerenreiter Verlag
(BA.BA07590-85). ISBN
9790006541652. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta. For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | | |
| Symphony in G Major, Opus 88, No. 8
Contre Basse
Barenreiter
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85). ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major. Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | | |
| Psalm "Non nobis Domine"/"Nicht unserm Namen, Herr" MWV A 9 / op. 31 (double bass part)
Contre Basse
Barenreiter
Double bass SKU: BA.BA09079-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double bass SKU:
BA.BA09079-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_85. Published by
Baerenreiter Verlag
(BA.BA09079-85). ISBN
9790006531431. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy. Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | | |
| A Midsummer Nights Dream op. 21
Contre Basse
Barenreiter
Double bass SKU: BA.BA09056-85 Concert Overture. Composed by Felix...(+)
Double bass SKU:
BA.BA09056-85
Concert Overture.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 21. 5
pages. Duration 12
minutes. Baerenreiter
Verlag #BA09056_85.
Published by Baerenreiter
Verlag (BA.BA09056-85).
ISBN 9790006523191.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | | |
| Break with hungry men thy bread, BWV 39
Barenreiter
Bassi (cello, double bass, bassoon) (Basses (Violoncello, Double bass, Bassoon))...(+)
Bassi (cello, double
bass, bassoon) (Basses
(Violoncello, Double
bass, Bassoon)) SKU:
BA.BA10039-82
Cantata for the First
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
James Webster, Robert
Freeman, and Walther
Durr. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. BWV 39. 10
pages. Baerenreiter
Verlag #BA10039_82.
Published by Baerenreiter
Verlag (BA.BA10039-82).
ISBN 9790006541430.
32.5 x 25.5 cm
inches. Partitur
siehe TP 1039.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions
- With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm
- With
cues, rehearsal letters,
and page turns where
players need them
-
Clearly presented divisi
passages so that players
know exactly what they
have to play
-
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
| | |
|
Why Not Me
