André Caplet (1878 - 1925) France André Caplet, né au Havre le 23 novembre 1878 et mort à Neuilly-sur-Seine le 22 avril 1925, est un compositeur et chef d'orchestre français.
André Caplet était un violoniste brillant. Comme Claude Debussy en 1884, il remporta le prix de Rome en 1901 (devant Maurice Ravel) avec une cantate intitulée Myrrha, ce qui fut à l’origine de leur amitié et de leur collaboration. Il quitta Rome et la Villa Médicis pour gagner l'Allemagne où il apprit la direction d'orchestre. Il composa des œuvres vocales et religieuses, telles que la Messe des petits de Saint-Eustache-la-Forêt (1919), Pie Jesu (1919) et Le Miroir de Jésus (1923). Également chef d'orchestre, il créa le Martyre de Saint-Sébastien de Debussy en 1911. Il dirigea également à l'opéra de Boston de 1910 à 1914.
En 1914, nommé chef de l'orchestre de l'Opéra de Paris et, bien qu'exempté du service militaire, Caplet s’engage au moment de la déclaration de la Première Guerre mondiale. Gazé, sa santé l'empêchant de continuer sa carrière de chef d'orchestre alors qu'il était considéré comme l'un des meilleurs de son époque au niveau international, il se consacre ensuite essentiellement à l'orchestration (La Boîte à joujoux, Jet d'eau, Clair de lune de Claude Debussy) et à la composition avec une dominante religieuse (Messe à trois voix, La Part à Dieu, Le Miroir de Jésus : Mystères du Rosaire). Il est également l'auteur de Légende, qui comporte une partie significative de saxophone.
Ses œuvres instrumentales ont mis en musique des thèmes populaires persans, Salammbô de Flaubert (1902), le Conte fantastique d'après Le Masque de la Mort Rouge d’Edgar Allan Poe et la Suite persane pour double quintette à vent.
Il a épousé Geneviève Perruchon le 4 juin 1919, dont il a eu un fils, Pierre, né le 20 octobre 1920. Il a été l’amant d’Isadora Duncan.
« Hier, pour la première fois, j’ai entendu deux mélodies d’André Caplet sur des vers de Georges Jean-Aubry [...] Ce Caplet est un artiste. Il sait trouver l’atmosphère sonore et, avec une jolie sensibilité, a le sens des proportions ; ce qui est beaucoup plus rare qu’on ne le croit, à notre époque de musique bâclée, ou hermétique comme un bouchon ! »
— Claude Debussy, 1908 (Retracter) ... (lire la suite)
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Debussy, Claude: Images, Volume I 1 Piano, 4 mains [Partition] Alfred Publishing
Debussy, Claude (1862 - 1918), transcr. Caplet. For Piano. Piano Duet (One Piano...(+)
Debussy, Claude (1862 -
1918), transcr. Caplet.
For Piano. Piano Duet
(One Piano, Four Hands).
Masterwork. 80 pages.
Published by Alfred
Publishing.
$11.95 - Voir plus => Acheter Délais: 4 to 6 weeks
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 Piano seul - Avancé Musik Fabrik
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence From
Robert Orledge's
notes: My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively). For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars. It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912. So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
$48.69 - Voir plus => Acheter Délais: 4 to 6 weeks
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 Piano seul Musik Fabrik
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
$48.69 - Voir plus => Acheter Délais: 4 to 6 weeks
Divertissements: N. 2 A L'espagnole Piano seul Durand
Piano (Piano) SKU: HL.50574175 Composed by Andre Caplet. Editions Durand....(+)
Piano (Piano)
SKU:
HL.50574175
Composed
by Andre Caplet. Editions
Durand. Score Only.
Composed 2001. Editions
Durand #DF10784.
Published by Editions
Durand (HL.50574175).
$7.00 - Voir plus => Acheter Délais: 2 to 3 weeks
Sonnet (Ronsard) Doux fut le trait Piano, Voix Durand
Voice and piano. By Andre Caplet. Editions Durand. 4 pages. Published by Edition...(+)
Voice and piano. By Andre
Caplet. Editions Durand.
4 pages. Published by
Editions Durand.
$6.95 - Voir plus => Acheter Délais: 24 hours - In Stock
Berceuse Chant/piano Piano, Voix Durand
Vocal and Piano SKU: HL.50565340 Composed by André and Andre Caplet...(+)
Vocal and Piano
SKU:
HL.50565340
Composed
by André and Andre
Caplet. MGB. Classical.
Score Only. Composed
2001. Editions Durand
#DF959002. Published by
Editions Durand
(HL.50565340).
$6.95 - Voir plus => Acheter Délais: 2 to 3 weeks
3 Fables de Jean de la Fontaine Piano, Voix Durand
(Voice and Piano) SKU: HL.50560302 Mezzo-soprano . Composed by Andr...(+)
(Voice and Piano)
SKU:
HL.50560302
Mezzo-soprano .
Composed by André
and Andre Caplet. This
edition: DF0985400.
Editions Durand.
Classical. Book only. 24
pages. Editions Durand
#DF0985400. Published by
Editions Durand
(HL.50560302).
UPC:
073999769777.
8.5x11.5x0.099
inches.
$18.95 - Voir plus => Acheter Délais: 3 to 5 business days
Les Prieres Piano, Voix Durand
SKU: HL.50561056 Voice and Piano . Composed by André and Andr...(+)
SKU: HL.50561056
Voice and Piano .
Composed by André
and Andre Caplet. This
edition: DF0957800.
Editions Durand.
Classical. 8 pages.
Editions Durand
#DF0957800. Published by
Editions Durand
(HL.50561056).
UPC: 0.
10.5x13.5x0.026
inches.
$12.95 - Voir plus => Acheter Délais: 3 to 5 business days
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