| Piano Quintet in A Major Op. 81 Piano Quintette: piano, 2 violons, alto, violoncelle G. Henle
Composed by Antoní, k, and n Dvorá. Edited by Dominik Rahmer. ...(+)
Composed by
Antoní, k, and n
Dvorá. Edited by
Dominik
Rahmer. Henle Music
Folios.
Classical. Softcover. G.
Henle #HN1233. Published
by
G. Henle
$40.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Venezuelan Treasures for the Piano, Vol. 3 Piano seul Clifton Edition
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8 SKU:
ST.C463 Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463). ISBN
9790570814633. This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
Aliseo
was originally written
for the film â??Aire
libreâ? (1995), by
Luis Armando Roche. It
contains elements of
diverse types of
Venezuelan joropo. In the
film, the character of
Aliseo Carvallo is played
by the composer himself
who performs this piece
on a harpsichord to
welcome scientists
Alexander von Humboldt
and Aimé Bonpland one
day at the turn of the
1800â??s, as a sample of
the new music from the
South American land. It
presents the refinement
of the late European
classical era in fusion
with Venezuelan folk
music. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Forty Songs (High)
Piano, Voix IMC (International Music Co.)
Complete in One Volume. By Henry Purcell. Voice and piano. Published by Internat...(+)
Complete in One Volume.
By Henry Purcell. Voice
and piano. Published by
International Music Co.
(3)$36.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Forty Songs (Low)
Piano, Voix IMC (International Music Co.)
Forty Songs. Complete in One Volume. By Henry Purcell. Voice and piano. Publishe...(+)
Forty Songs. Complete in
One Volume. By Henry
Purcell. Voice and piano.
Published by
International Music Co.
(3)$34.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seven Days Piano seul Schott
Piano (Piano Solo) SKU: HL.49046935 Solo Piano. Composed by Gregor...(+)
Piano (Piano Solo)
SKU: HL.49046935
Solo Piano.
Composed by Gregory
Spears. Piano Solo.
Classical. Softcover. 98
pages. Duration 6180
seconds. Schott Music
#ED30418. Published by
Schott Music
(HL.49046935). ISBN
9781705169353. UPC:
842819116837.
9.25x12.0x0.5
inches. SEVEN DAYS
is a cycle for solo piano
in 21 movements, most
lasting between three and
seven minutes,
distributed in the form
of a custom app produced
by the 92Y and released
during their Fall 2021
season. Using the app on
their phones, listeners
are asked to listen to
three movements a day
according to an
approximate schedule -
one movement in the
morning, one in the
afternoon, and another
sometime in the evening -
for seven days. The music
is performed by Pedja
Muzijevic and presented
alongside paintings by
Gloria Maximo. (Please
visit 92Y.org for
information on how to
download the Seven Days
app.) The work is
designed as a listening
experience that tunes us
into the passing of time,
connecting us both to the
present moment as well as
the cycle of the week.
The experience invites
music to inhabit and
structure our everyday -
to find us where we are
in the world. The
morning-afternoonevening
schedule is meant to
focus participants on the
dawn-to-dusk cycle as
well as to create a
communal listening
ritual. It is also an
experiment in large-scale
form, designed to draw
attention to musical
material developing
across a week-long
expanse, interspersed
with vast silences. SEVEN
DAYS was shaped by a year
spent in relative
isolation due to the
pandemic. While it is a
work composed during a
time of quarantine, it
will be experienced first
by an audience in the
process of returning to a
more normal world. In
that sense, it is an
artwork born out of a
year of relatively
cloistered existence that
seeks to preserve aspects
of that experience as we
move forward. The piece
was also inspired by the
work of Morton Feldman
and Chantal Akerman,
whose large-scale works
consider time, process,
and stillness. Their art
struck me with a fresh
relevance during the
silent stretches of the
pandemic year 2020. It
was also a year in which
writings about time,
penned by contemplatives
like Henry David Thoreau
and Thomas Merton, held
new weight. All of this
in turnresonated with
Gloria Maximo's profound
paintings, which I've
long admired. SEVEN DAYS
is an artwork we are
invited to do - using
music to point our
attention to the present
moment, the everyday, and
the seemingly mundane. It
is a piece listeners are
also asked to live within
as it unfolds over a week
rather than to witness it
live. The key players
here are time and the
listener's own
surroundings, starring
together alongside music
and art in a wordless
drama. -Gregory
Spears. $105.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rondo in C Major, Op. 51, No. 1 Piano seul G. Henle
For Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Joanna Co...(+)
For Piano. Composed by
Ludwig van Beethoven
(1770-
1827). Edited by Joanna
Cobb
Biermann. Henle Music
Folios. Softcover. G.
Henle
#HN1456. Published by G.
Henle
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scherzi Piano seul G. Henle
Paperbound Piano (Piano solo) - L7, L8 SKU: HL.51480886 Piano. Com...(+)
Paperbound Piano (Piano
solo) - L7, L8 SKU:
HL.51480886
Piano. Composed by
Frederic Chopin. Edited
by Norbert Mü and
llemann. Arranged by
Hans-Martin Theopold.
Sheet Music. Paperbound.
Henle Music Folios.
Revised edition of HN
279. Detailed critical
commentary available for
download free-of-charge.
Classical. Softcover. 128
pages. G. Henle #HN886.
Published by G. Henle
(HL.51480886). ISBN
9790201808864. UPC:
888680924942.
9.25x12.25x0.399
inches. Frédé
ric Chopin's 4 Scherzi
are high points in the
Romantic piano
repertoire. Chopin here
takes a traditional genre
and fills it with
radically new content.
They are wild, demonic in
tone, and there is little
about them that is
joke-like, despite the
original meaning of their
title. Referring to the
1st Scherzo, Robert
Schumann asked:
“how should
seriousness be attired,
when even a 'joke' is
veiled in black?â€
Now that the Scherzi nos.
1-4 have been published
in revised stand-alone
editions, G. Henle
Publishers is now
offering all four in
paperback and hardback,
in an edition that
reflects the current
state of Chopin research.
Both the footnotes and
the extensive Critical
Report on the Internet
offer detailed
information on the
familiar topic of
“Chopin
variants†and on
all the textual problems
they raise. This is
Chopin in top form!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$25.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Myrthen, Op. 25 Voix haute, Piano G. Henle
Vocal Ensemble Piano Accompaniment; Vocal (High Voice) SKU: HL.51480551 <...(+)
Vocal Ensemble Piano
Accompaniment; Vocal
(High Voice) SKU:
HL.51480551 Song
Cycle Original Keys for
High Voice. Composed
by Robert Schumann.
Edited by Kazuko Ozawa.
Sheet Music. Paperbound.
Henle Music Folios.
Original Keys for High
Voice. Classical.
Softcover. 80 pages. G.
Henle #HN551. Published
by G. Henle
(HL.51480551). ISBN
9790201805511. UPC:
888680950781.
8.25x11.75x0.295
inches. 1840 was
Schumann's famous
“year of
song†that brought
forth over 100 lieder.
They included Myrthen op.
25, which he dedicated
“to his dear
bride,†Clara
Wieck-Schumann. Besides
famous songs such as
“Widmung,â€
“Lotosblumeâ€
and
“Nussbaum†to
texts by German poets,
the collection also saw
Schumann venture further
afield, whether to the
Scottish Highlands with
settings of Robert Burns
or to Italy for the
“Venetian
Songs†of Thomas
Moore. Schumann
specialist Kazuko Ozawa
has examined the first
edition of 1840 and all
the manuscript sources.
Among the dedicatory
autograph copies she has
also discovered
interesting early
versions of individual
songs that are here
published in an appendix.
Our Urtext edition is
rounded off with an
extensive history of how
Myrthen was composed.
This volume is a
superlative addition to
G. Henle VerlagÂ’s
series of Robert
Schumann's song
cycles.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$28.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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