PARTITIONS GRATUITES : 1 PIANO 6 MAINS
- String Quintet.

Composed by Robert Schumann. 5 or More; Masterworks; Solo Small Ensembles; String Quintet (Piano Quintet). Kalmus Edition. Masterwork; Romantic. Book. 108 pages. Kalmus Classic Edition #00-K09652. Published by Kalmus Classic Edition

Composed by Alexander Borodin (1833-1887). 5 or More; Masterworks; Solo Small Ensembles; String Quintet (Piano Quintet). Kalmus Edition. Masterwork; Romantic. Book. 92 pages. Kalmus Classic Edition #00-K09658. Published by Kalmus Classic Edition

(For Piano and String Quartet). By Peter Schickele. For piano and string quartet. Score and parts. Standard notation

By Various. Arranged by Daniel Kelley. Piano quintet, strings and piano. For Violin, Viola, Cello, Piano. Quintet, quartet. Rags and Waltzes. Intermediate/Advanced. Set of 5 parts. Published by Last Resort Music Publishing

Composed by Johannes Brahms (1833-1897). For piano quintet (2 violins, viola, cello, piano) and piano quartet (violin, viola, cello, piano). Book; Masterworks; String Quintet (Piano Quintet). Dover Edition. Classical Period. Full score (separate performance parts are not available with this edition). Full score notation. 298 pages. Published by Dover Publications

By Douglas Briley. For Piano and String Quartet. Sheet Music. Wedding. Level: Intermediate. Duration 4 minutes. Published by Jabez Press.

For Piano Quintet. Composed by Tobias Picker. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and parts, Softcover. Composed 2010. 30088. 178 pages. Duration 30'. Helicon Music #ED30088. Published by Helicon Music (HL.49019333).

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.11441123S

Composed by Samuel Adler. Score. With Standard notation. Theodore Presser Company #114-41123S. Published by Theodore Presser Company (PR.11441123S).

UPC: 680160016303. 8.5 x 11 inches.

The Quintet for Piano and String Quartet was written for the American String Quartet in the summer of 2000. It is in one movement but has two distinct parts. The first is a slow movement characterized by dotted rhythms. It is a fantasy with some long flowing lines interrupted by short fragments usually in the piano. After a rather agitated section in 6/8 time, this section comes to a quiet close on a G-sharp major chord. The second section of this thirteen-minute work is marked Fast and Energetic. It begins with chords that recur throughout the movement and after two measures a long main theme is introduced which is developed and altered during the rest of the fast portion of the work. One could call this second part a sort of rondo form since this long lyrical theme returns always after contrasts. When it does return, it is treated often by means of imitation, but at the climax returns played in unison by the strings while the piano renders an energetic sixteenth note background. The work ends on an E-flat major chord though the piece is certainly not in any one key, but rather features quick modulations. One might call this non-tonal music which nevertheless always feels like it has a tonal center. --Samuel Adler.