PARTITIONS GRATUITES : PIANO
- Violin

Composed by Antonin Dvorak (1841-1904). Edited by Antonin Pokorny / Karel Solc. For violin and piano. Stapled. Level 3. Performance score, part(s). Text Language: English/Czech/German. Opus 75. Published by Baerenreiter Verlag

By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. For Piano/Violin/Violoncello (Solo Piano/Solo Violin/Solo Violoncello/Flute/2 Oboes/2 Clarinets/2 Bassoons/2 Horns/2 Clarions/Timpani/2 Violins/Viola/Violoncello /Contrabass). This edition: Paperback, Urtext edition. Piano reduction, Set of parts. Opus 56. 91/44/19/19 pages. Duration 35'. Published by Baerenreiter Verlag

(Violin Concerto No. 4 in D Minor, Opus 31 and 2nd Movement). Composed by Zakhar Bron. For violin and piano. Saddle-stitched. Advanced. Book/DVD Set. 36 pages. Published by AMA Verlag

By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. For violin, horn (viola, cello), piano. This edition: Stapled, Urtext edition. Performance score, Set of parts. Text Language: German/English. Opus 40. 54/11/11/11/11 pages. Published by Baerenreiter Verlag

For 2 Violins, Violoncello and Piano (Harpsichord) - Score with Parts. By Franz Joseph Haydn. Edited by H. Walter. This edition: HN453. Piano Quartets. Henle Music Folios. Pages: Score = VI and 57 * Vl I Part = 12 * Vl II Part = 12 * Vc Part = 12. Urtext edition without fingering-paper bound. 100 pages. Published by G. Henle.

SKU: M7.EDA-49

Composed by Krzysztof Meyer. CD. Duration 64'. Eda records #EDA 49. Published by eda records (M7.EDA-49).

UPC: 840387100494.

Kolja Lessing dedicates this recording to Krzysztof Meyer on the occasion of the composer's eightieth birthday in 2023. Meyer, one of the most important Polish composers of his generation, taught for many years as professor of composition at the Cologne College of Music and numbers among the important bridge-builders between Polish and German cultural life. As a pupil of Krzysztof Penderecki and Nadia Boulanger, he remarkably manages to integrate important communicative elements into an avant-garde musical language of great suggestive power and narrative charm. In the works written over a period of more than 40 years, Meyer proves himself to be an expert with profound knowledge of the technical possibilities of the violin. Kolja Lessing and Rainer Maria Klaas's interpretations, developed with the composer, captivate by means of their authenticity, by dint of their deep understanding of a music that is both expressive and euphonious, and through which a distinguished, deeply humanistic personality speaks.

By Franz Joseph Haydn. Edited by Hermann. For violin, violoncello, piano. (Hob.XV:1,9-11,13,18,19,2 1,23,31). Published by C.F. Peters.

By Robert Schumann. Edited by Doerffel. For violin, violoncello, piano. Op.88. Published by C.F. Peters.