PARTITIONS GRATUITES : PIANO
- classical guitar. 

Composed by Anton Diabelli (1781-1858). Classical Guitar Ensemble; Masterworks. Kalmus Edition. Classical Period. Set of performance parts (includes separate pull-out guitar solo part). With solo part and piano accompaniment. 52 pages. Kalmus Classic Edition #00-K04845. Published by Kalmus Classic Edition

Composed by Wilhelm Neuland. Score and part(s). With Standard notation. 32 pages. Chanterelle #ZECH 545. Published by Chanterelle

Composed by Ferdinando Carulli (1770-1841). With Standard notation. 64 pages. Chanterelle #ZECH 2709. Published by Chanterelle

Composed by Claude Gagnon. Arranged by Johanne Hebert. Published by Les Productions d'OZ (DZ.DZ-1249).

by J.S. Weiss arranged by Alice Artzt. For classic guitar. Chanterelle. Classic, classics. Level: Intermediate. Book. Duets. Size 9x12. 24 pages. Published by Chanterelle.

By MKTO. For Piano/Vocal/Guitar. Piano Vocal. 12 pages. Published by Hal Leonard

Guitar

SKU: UT.CH-322

Composed by Giovanni Scapecchi. Edited by Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Score and Parts. Ut Orpheus #CH 322. Published by Ut Orpheus (UT.CH-322).

ISBN 9790215326309. 9 x 12 inches.

I am delighted to include in this series â?? so far almost totally made up of pieces written for me â?? this piece for guitar and piano composed by Giovanni Scapecchi and dedicated to the duo made up of my former student Raffaello Ravasio, who edited the fingering of the guitar part, and of Samuele Amidei. I am also particularly delighted because this piece was commissioned by the Duo Ravasio-Amidei as part of their full project in homage to Mario Castelnuovo-Tedesco on the fiftieth anniversary of his death.
In this composition, there are many references to the figure and work of Mario Castelnuovo-Tedesco. First of all the duo guitar-piano is the same as in Fantasia Op. 145 by Castelnuovo-Tedesco (written for Andrés Segovia and Paquita Madrigueira), the most famous piece of the twentieth century composed for this formation. The piece by Giovanni Scapecchi, in the form of a Suite of dances, refers explicitly to the one by the famous dedicatee by means of some references which appear in the Sarabanda and in the Giga. The Crete mentioned in the title are, of course, the famous Senese clays which, with their colours and shapes, make up a remarkable part of the Tuscan landscape. Furthermore, profound meanings are attributed by Giovanni Scapecchi to the earth which makes up the clays (like Castelnuovo-Tedesco, he is a native of Tuscany, where he still lives). The Composer recalls first of all that the book of Genesis tells us that the first man was taken from the earth (there is therefore this primordial connection between man and earth). Moreover, the historic man, Mario Castelnuovo-Tedesco, honoured here, maintained a deep relationship with his homeland â?? despite the dramatic separation due to the enforced exile to the USA, which took place in 1939 following the racial laws. Stylistically, I then found a further link between this piece and its dedicatee â?? who was influenced in his early works by musical Impressionism â?? in a certain French atmosphere running through the Suite.
(Piero Bonaguri).

Guitar and Piano

SKU: IS.GP14011EM

Composed by Antonio Vivaldi. Arranged by Victor Van Puijenbroeck. Plucked - Guitar. Metropolis Music Publishers #GP14011EM. Published by Metropolis Music Publishers (IS.GP14011EM).

ISBN 9790365000746.

Ital ian composer Antonio Vivaldi (1678 - 1741) is considered one of the most prolific composers in all of classical music. During his lifetime, he composed more than 500 concertos, of which approximately 350 of them were for violin. Four works by Vivaldi were known to have been composed for solo lute, including this Concerto in D Major, F.XII n.15 in three movements: Allegro giusto, Largo, and Allegro. In this edition, Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto).