VIOLON
ENFANTS

A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. American English translation: Kurt Sassmannshaus; Illustrations: Charlotte Panowsky. For Violin. Take advantage of our exclusive introductory offer now and save 25% off the regular price - this special price is available for a limited time only. Baerenreiter's Sassmannshaus. Original German title: Fruher Anfang auf der Geige - Band 2; Eine Violinschule fur Kinder. Instructional Method. Method book. Text language: English. 64 pages. Published by Baerenreiter Verlag (German import).

(Very First Pieces with Piano Accompaniment). Arranged by Paul de Keyser. For Violin. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Elementary. 24 pages. Published by Faber Music

34 Famous Children's Tunes. By Various Composers. De Haske Play-Along Book. Book & CD Package. Size 9x12 inches. 24 pages. Published by De Haske Publications.

By Traditional. Arranged by Sarah Labrousse-Baert. Solo. For Solo violin. Classical, Educational, Traditional. Grade 1. Part. 32 pages. Published by FLEX Editions

(Very First Pieces with Piano Accompaniment). Arranged by Paul de Keyser. For Violin. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Beginner; Elementary. Published by Faber Music

Edited by Paul de Keyser and Fanny Waterman. For Violin and Piano. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Published by Faber Music

Arranged by Paul de Keyser. For Violin and Piano. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Published by Faber Music

Methods and Music for Children; Violin

SKU: UT.DM-10

Composed by Lucia Corini. Saddle stitching. Classical. Ut Orpheus #DM 10. Published by Ut Orpheus (UT.DM-10).

ISBN 9790215309555. 9 x 12 inches.

The ensemble music, implemented from the very first instrument courses, allows the student to become better acquainted with 'technical' elements such as rhythm, bowing and intonation. These small pieces for violins only can be prepared within the class, without the need to add external elements.
The first 20 pieces require the same level of study for each component of the ensemble; nos. from no. 21 to no. 24 involve a more experienced violinist alongside one who plays only empty strings; from no. 25 to no. 32 there are pages of various kinds.
Duets and trios mostly follow a traditional language: only some of them introduce a sparing use of dissonance. In any case, the score printing helps the control - visual also - of the other parts.