George Gershwin VIOLON SEUL

ed by George Gershwin (1898-1937), arranged by Steven L. Rosenhaus. Set of performance parts for string quartet (2 violins, viola, and cello). Series: Orchestra. 56 pages. Published by Alfred Publishing.

Composed by George Gershwin (1898-1937), arranged by Jeff Sultanof, Tony Esposito, edited by Thom Proctor. Full score and set of performance parts for string quartet. With full score notation and standard notation. 68 pages. Published by Alfred Publishing.

Composed by George Gershwin (1898-1937). Set of performance parts (parts only, score not included) for violin I, violin II, viola and cello. 16 pages. Published by Alfred Publishing.

Instrumental Play-Along for Violin. Composed by George Gershwin (1898-1937). Instrumental Play-Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

Arranged by Tony Esposito. George Gershwin. String Quartet. The Composer Series. Jazz. Full Score & Parts. 68 pages. Published by Alfred Publishing.

Violin Play-Along Volume 63. Composed by George Gershwin (1898-1937). Violin Play- Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

By George Gershwin (1898-1937). Arranged by Alan Gout. For Violin and Piano. Book; Masterworks; String - Violin Studies or Collection. Faber Edition. 20th Century; Masterwork Arrangement. Published by Faber Music

Cello, Viola, 2 Violins SKU: HU.HN1224 Composed by George Gershwin. Edited by Norbert Gertsch. String Quartet, Strings, Ensembles. Lullaby for String Quartet. Set of Parts. G. Henle #HN1224. Published by G. Henle (HU.HN1224). 12.2 x 9.3 x 0.1 inches. In 1919-20 George Gershwin was making a name for himself with Broadway songs and a first show of his own in New York. But he was already attracted to the world of classical music - a world he would enter with a bang in 1924 with his "Rhapsody in blue". He prepared himself for this by taking an intensive course in composition, during which he wrote this brief "Lullaby" for string quartet as an exercise, probably in 1919. He liked its catchy melody so much that he later used it again in his one-act "jazz opera" "Blue Monday Blues". "I find the piece charming and kind", wrote his brother Ira in 1968 when the quartet movement appeared in print for the first time. Thus the world was given a second lullaby by this American composer - one worthy to stand alongside his famous "Summertime" from "Porgy and Bess".