PARTITIONS GRATUITES : VIOLON
CLASSIQUE
- Still, still

String Quartet String Orchestra - Grade 2

SKU: AP.36-52703029

Composed by Sheila Sandys-Wunsch. Performance Music Ensemble; Quartet; String Quartet. Latham Music. Score and Part(s). Latham Music Enterprises #36-52703029. Published by Latham Music Enterprises (AP.36-52703029).

ISBN 9781682962411. UPC: 746241228789. English.

Volume 3 explores major and minor keys up to 2 flats, violin 1 will play to 3rd position and the cello part also has minimal shifting. The nine tunes are very accessible rhythmically and these are quite appropriate for an accomplished middle school group. Contents: Linstead Market, I Love My Love, Still, Still, Still, Danny Boy, Down By the Salley Gardens, Jack Was Every Bit a Sailor, Bourree (Stoltzer), and Minuet and Gigue (Handel).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

String Quartet

SKU: HL.14042796

Composed by Karl Aage Rasmussen. Music Sales America. Classical. Softcover. Edition Wilhelm Hansen #KP00245. Published by Edition Wilhelm Hansen (HL.14042796).

ISBN 9788759882269. Danish.

Score for Still - String Quartet No.4 by Karl Aage Rasmussen.

String Quartet - Grade 5

SKU: HL.14042989

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Classical. Softcover. Composed 2014. Edition Wilhelm Hansen #WH31937. Published by Edition Wilhelm Hansen (HL.14042989).

ISBN 9788759829240. English.

All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2013 (String Quartet No.12,13 and 14 played simultaneously).


Gudmundsen -Holmgreen has written a collection of three new string quartets: String Quartet no. 12, ‘Each in Each’; String Quartet no. 13, ‘Mutual Ordering’, and String Quartet no. 14, ‘Well-Tuned Sounds’. Each quartet can be played on its own; they can also played simultaneously in any combination. When all three quartets are played together, as they are tonight, the combined work is titled All in One. About this collection, Gudmundsen-Holmgreenwrite s:


'Some years ago Kronos and the vocal group Theatre of Voices performed three new pieces, which I had written for the two groups: one for Theatre of Voices (Green), and two for Kronos (New Ground and No Ground). They were played and sung by each group independently – but also both groups together concurrently, on top of each other, as a final gesture. The combined pieces were called New Ground Green and No Ground Green.


'David liked the idea (and the result) of pairs of quartets that could be played both independently and simultaneously, and asked me if the vocal quartet could be transformed into a string quartet. It could not. He then asked me to repeat the whole set-up with a new pair of quartets, adding also some percussion instruments, as was the case with Green for Theatre of Voices. Of course this was tempting. Furthermore David asked me to make one of the two new quartets a little easier to play.
'I began to work. The Kronos part of the pair of quartets turned out to be tough to play, as David puts it. Unfortunately the ‘easier’ one was tough to play also! So I had to write one more, which was then a little easier still (but still not easy).
'The three new works can be played separately and on top of each other in many different combinations, resulting in different kinds of.

Violin, piano (solo: vl - str - bc)

SKU: BR.EB-8694

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by S. Kuijken and S. Petrenz. Solo instruments; stapled. Edition Breitkopf. Bach's E major concerto still presents interpretative questions that have yet to be answered. Solo concerto; Baroque. Piano reduction. 56 pages. Duration 17'. Breitkopf and Haertel #EB 8694. Published by Breitkopf and Haertel (BR.EB-8694).

ISBN 9790004181829. 9 x 12 inches.

With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Hartel and its new editions. Bach's E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist's suggestions for a stylistically accurate interpretation. In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.

Composed by Leos Janacek (1854-1928). Edited by Jan Krejci; Alena Nemkova. For violin and piano. This edition: Urtext edition. Stapled. Level 4. Score with part. Published by Baerenreiter Verlag