| Distant Voices Quatuor à cordes: 2 violons, alto, violoncelle Schott
Score and Parts String Quartet (Score & Parts) SKU: HL.49047209 String...(+)
Score and Parts String
Quartet (Score & Parts)
SKU: HL.49047209
String Quartet Score
and Parts. Composed
by Toshio Hosokawa.
String Ensemble.
Classical, Contemporary.
Softcover. Duration 840
seconds. Schott Music
#SJ1214. Published by
Schott Music
(HL.49047209). UPC:
196288159513. In my
sixth work for a string
quartet, there is a very
simple melody concealed
in the background. That
melody (distant voices)
is played within an
extremely slow tempo, and
the notes which form the
melody gain different
textures by becoming
disassembled, and played
by different techniques.
In our daily lives, our
inner voices become
concealed by our daily
customs. The act of
composing, tome, is to
find out that concealed
distant voices, make
those voices spatialized
and construct them within
the musical time. This
work is dedicated to
Alois Lageder. Toshio
Hosokawa.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays. $40.00 - Voir plus => Acheter | | |
| Vasks String Quartet No.5 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schott
String quartet (P/ST) - difficult SKU: HL.49033305 Composed by Peteris Va...(+)
String quartet (P/ST) -
difficult SKU:
HL.49033305 Composed
by Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
Parts. Composed 2004. 56
pages. Duration 25'.
Schott Music #ED9809.
Published by Schott Music
(HL.49033305). ISBN
9790001137911. UPC:
884088408053.
9.0x12.0x0.202
inches. String
Quartet No. 5 consists of
two contrasting
movements. The first
movement, being present,
immediately leads to an
atmosphere of high
emotional tension. The
prevailing atmospheric
elements of the music are
dramatic and passionate,
alternating with each
other like a
kaleidoscope. In contrast
to that, a second theme
is intoned three times -
an invitation, a memory
of the existence of
another world, a
light-house which
illuminates the twilight
in which we live so
often. But this
invitation remains
unheard. The first
movement concludes with
dissonances in the upper
register - a cry of utter
desperation.The second
movement, so distant ...
yet so near, is the calm,
unhurried vocal section
of the quartet. A
forgiving, loving look at
a world tortured by grief
and contradictions.
Gradually, the singing
becomes more personal,
more emotional and more
dramatic. The rhythmic
figure of a funeral march
in the recapitulation of
the second movement is a
gesture of loss.
Eventually, the quartet
loses itself in an
atmosphere of
light-filled grief.
Peteris Vask. $48.00 - Voir plus => Acheter | | |
| Concerto Serenade Violon Edward B. Marks Music Company
Full Score SKU: HL.359057 For Violin and Small String Orchestra Full S...(+)
Full Score SKU:
HL.359057 For
Violin and Small String
Orchestra Full Score.
Composed by William
Bolcom. E.B. Marks.
Softcover. 34 pages.
Edward B. Marks Music
#MP075008. Published by
Edward B. Marks Music
(HL.359057). ISBN
9781705120941. UPC:
840126945119.
11.0x13.0x0.404
inches. Composed
during the summer of 1964
at the Aspen Music
Festival, performed by
students under the
direction of Leonard
Slatkin. The composer
writes: “The first
movement has much the
feel of a Mozart string
divertimento. The
'distant relative' of the
second movement was
Richard Wagner, and there
are hidden quotations of
his work throughout. The
short scherzo movement,
which leads to a solo
lament, eventually lands
upon a light-hearted
rondo, unashamedly in G
major, a compositional
ploy that drew criticism
in its time.â€. $54.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sorensen String Quartet No 3 Quatuor à cordes: 2 violons, alto, violoncelle Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet
No.3 'Angel's Music' by
Bent Sorensen (1988)
Premiered by the Arditti
String Quartet at the
Danish Radio Concert Hall
16 November 1988. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angels Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on Angels
Music was started in
Rome, where I spent the
autumn of 1987 staying at
The Danish Academy.
Whether this stay has
influenced the quartet or
not is impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part ofthe
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of Angels
Music is divided into
three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the small
cells into the general
pattern.'
$58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violon [Partition] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky.
For fiddle. All styles.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lighthouse Collection Book/CD Set Violon [Partition + CD] - Intermédiaire Cranford Publication
(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and V...(+)
(Newly Composed Fiddle
Tunes). Edited by Paul
Stewart Cranford. For
Fiddle and Violin.
Transcribed Solos.
Cranford Publications.
Fiddle Tunes.
Intermediate. Book/CD
Set. 112 pages
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hugh Wood: String Quartet No.4 Op.34 (Score And Parts) Quatuor à cordes: 2 violons, alto, violoncelle Chester
String Quartet SKU: HL.14036341 Composed by Hugh Wood. Music Sales Americ...(+)
String Quartet SKU:
HL.14036341 Composed
by Hugh Wood. Music Sales
America. Classical. Set.
Composed 2001. Chester
Music #CH60931. Published
by Chester Music
(HL.14036341). ISBN
9780711955080. Comm
issioned by the BBC and
premiered by the
Chilingirian String
Quartet. Quoting Wood: In
my Second and Third
Quartets I attempted
sectional, agglutinative
forms: in my Fourth I
return to the
conventional four
movement form of my First
Quartet of 1962. Both
works build up (as in the
19th century symphony) to
the Finale, thus making
it the most substantial
movement, which provides
a climax to the work. The
First Movement has, in
both works, only the
status of an
Introduction. But there
the consciously willed
resemblances end. This
Introduction follows the
Second Quartet to a
certain extent, in that
it provides a sort of
'cauldron', from which
elements to be used later
can all be plucked. Its
opening will reappear at
various points throughout
the work, most completely
at a climatic point of
the Finale (bar 110).
Subsequent material will
be more fully worked out
in the second movement, a
large Scherzo. The
Introduction concludes
with an unusually placed
violin cadenza (itself a
rare feature in a string
quartet, the idea lifted
from Elliott Carter's
First Quartet) of which
the opening is to
reappear halfway through
the Finale. The Scherzo
(which follows attacca)
does not have at its
centre a discretely
characterized Trio: a
figure in double-stops
like a distant fanfare
supplies the necessary
contrast of a second
idea. The Slow Movement
has a secondary idea
first heard on the cello
and marked appassionato:
an agitato middle section
recalls the opening of
the work, but in a
formulation which will be
found closely to
anticipate its
reappearance in the
Finale. The Finale is
planned on a broad scale.
Only after a fully worked
exposition of both
primary and secondary
material does the opening
of the whole work return,
now in a greatly extended
form. Then, at bar 140,
the tune of the violin
cadenza is first
harmonized in fanfare
style on the upper
instruments, then
presented as a chorale on
the lower ones, with a
rushing semiquaver
accompaniment above. This
climatic activity mounts
to the very end. The work
is dedicated to the
Chilingirian Quartet, old
friends over many years.
Score available
separately: SOS04044. $83.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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