| String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.144407270 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.144407270 Composed
by Sydney F. Hodkinson.
Sws. Set of Score and
Parts. 44+16+16+16+16
pages. Duration 22
minutes. Merion Music
#144-40727. Published by
Merion Music
(PR.144407270). UPC:
680160681891. 9 x 12
inches. My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Merion Music
Chamber Music String Quartet SKU: PR.14440727S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440727S Composed
by Sydney F. Hodkinson.
Sws. Full score. 44
pages. Duration 22
minutes. Merion Music
#144-40727S. Published by
Merion Music
(PR.14440727S). UPC:
680160681907. 9 x 12
inches. My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H. $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Panis Angelicus Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Music Distribution Services
Low voice (alto/bass) and string quartet SKU: M7.DOHR-16300 Composed by C...(+)
Low voice (alto/bass) and
string quartet SKU:
M7.DOHR-16300
Composed by Cesar Auguste
Franck. Arranged by
Wolfgang Birtel. Sheet
music. Score and parts.
20 pages. MDS (Music
Distribution Services)
#DOHR 16300. Published by
MDS (Music Distribution
Services)
(M7.DOHR-16300). ISBN
9790202033005. Die
Panis Angelicus-Vertonung
von César Franck ist
so bekannt geworden, dass
man in der Regel sein
Stück meint, wenn man
von dem Panis Angelicus
spricht. Das Werk
gehört(e) zum
Standardrepertoire vieler
bedeutender Tenöre. Es
wird auch bei Hochzeiten
gern aufgeführt. Das
Werk liegt hier in einer
Bearbeitung für tiefe
Stimme und
Streichquartett vor.
Für die Bearbeitung
wurde das Stück von
A-Dur nach F-Dur
transponiert. $17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sing Sing: J. Edgar Hoover Quatuor à cordes: 2 violons, alto, violoncelle [Partition + CD] Boosey and Hawkes
String Quartet and Pre-recorded Sound Score and Parts with CD. Composed b...(+)
String Quartet and
Pre-recorded Sound Score
and Parts with CD.
Composed by Michael
Daugherty (1954-). Boosey
and Hawkes Chamber Music.
Softcover with CD. Boosey
and Hawkes #M051105991.
Published by Boosey and
Hawkes (HL.48022599).
$50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| What Child Is This? Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile David E. Smith Publications
String quartet - Grade 3 SKU: DS.169424 Composed by Willaim C. Dix. Arran...(+)
String quartet - Grade 3
SKU: DS.169424
Composed by Willaim C.
Dix. Arranged by Dana F.
Everson. Christmas. Sheet
Music. Sacred
instrumental music. Score
and parts. David E. Smith
#169424. Published by
David E. Smith
(DS.169424). A
string quartet with
optional third violin for
viola. After a brief
introduction the theme is
presented in a straight
forward ensemble
harmonization with some
altered pitches. The next
section places the melody
in the viola line with
opposing lines in the
violins. The ensuing
section now gives the
tune to the second violin
with contrapuntal action
in the other voices. A
chorus section is now
more articulated and
active until the tune is
handed to the first
violin with ever more
moving counterpoint in
the other voices. The
piece then ends in a
strong
statement.
Key of
G, D. $10.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Only Your Love Quatuor à cordes: 2 violons, alto, violoncelle - Facile GIA Publications
By Timothy Valentine. Arranged by Tim And Peter Valentine. For Voices: SATB, sol...(+)
By Timothy Valentine.
Arranged by Tim And Peter
Valentine. For Voices:
SATB, solo, assembly.
Instruments: String
quartet (2 violins,
viola, cello); flute; 2
French horns (in F)
(instruments optional).
Keyboard accompaniment.
Based on Prayer of St.
Ignatius of Loyola.
Celebration Series
Sacred. Level: easy. 8
pages. Published by GIA
Publications.
$1.30 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suzuki Violin School, Volume 2 Violon SATB, Orchestre Alfred Publishing
Violin SKU: AP.48726 International Edition. By Hilary Hahn and Nat...(+)
Violin SKU:
AP.48726
International
Edition. By Hilary
Hahn and Natalie Zhu.
This edition:
Performance/Accompaniment
CD; International.
MakeMusic Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. CD. Alfred Music
#00-48726. Published by
Alfred Music (AP.48726).
ISBN 9781470644161.
UPC: 038081560373.
English. Teach
violin with the popular
Suzuki Violin School! The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Violin School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and work with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This CD
of the Suzuki violin
method, Volume 2 features
recordings by Hilary Hahn
in collaboration with
pianist Natalie Zhu, as
well as piano
accompaniment only tracks
for play-along purposes.
Titles: Study
Points for Volume 2 *
Chorus from Judas
Maccabaeus (Handel) *
Musette, Gavotte II or
the Musette from English
Suite III in G Minor for
Klavier, BWV 808 (Bach) *
Hunters' Chorus from 3rd
Act of the Opera Der
Freischutz (Weber) *
Long, Long Ago (Bayly) *
Waltz, Op. 39, No. 15 for
Piano (Brahms) *
Bourrée from
Sonata in F Major for
Oboe, HHA IV/18, No. 8
(Handel) * The Two
Grenadiers, Die beiden
Grenadier, Op. 49, No. 1
for Voice and Piano
(Schumann) * Theme from
Witches' Dance (Paganini)
* Gavotte from Mignon
(Thomas) * Gavotte
(Lully) * Minuet in G,
Wo0 10, No. 2 (Beethoven)
* Minuet from Sei
Quintetti per Archi No.
11, Op. 11, No. 5 in E
Major (Boccherini). This
title is available in
MakeMusic Cloud.
About Suzuki
Method The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music. $15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suzuki Violin School Violin Part, Volume 2
Violon [Partie seule] Alfred Publishing
By Dr. Shinichi Suzuki. For Violin. String - Violin (Suzuki). The Suzuki Method ...(+)
By Dr. Shinichi Suzuki.
For Violin. String -
Violin (Suzuki). The
Suzuki Method Core
Materials. Instructional
Book. 40 pages. Published
by Alfred Publishing.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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