PARTITIONS GRATUITES : VIOLON
- BJE Music

String Quartet. By Gyorgy Kurtag. EMB. Size 9x12 inches. 20 pages. Published by Editio Musica Budapest.

By Frigyes Sandor. Arranged by Albert Renyi. EMB. 63 pages. Published by Editio Musica Budapest.

For Two Violins, Op. 85. Composed by Jacques Fereol Mazas (1782-1849). This edition: Complete - Books 1-3. Carl Fischer Music Library. Classical. Set of parts. With Standard notation. Opus 85. 80 pages. Carl Fischer #L001072. Published by Carl Fischer

Harp, Flute, Clarinet, String Quartet

SKU: HL.14023298

Composed by Per Norgard. Music Sales America. Score. Music Sales #KP01431. Published by Music Sales (HL.14023298).

ISBN 9788759871591. English.

Per Norgard 's Gennem Torne / Through Thorns (2003) Harp Concerto No. 2 - Passage for Harp Solo with Flute, Clarinet and String Quartet. Premiered by Tine Rehling (Harp) and the Esbjerg Ensemble, conducted by Kaisa Roose at the Concert Hall of the Western Jutland Academy of Music, Esbjerg, 28th January 2004. Programme Note THROUGH THORNS has a duration of about 20 minutes, in one continuous movement, thus the subtitle passage. The work is scored for harp solo, flute, clarinet and string quartet. The title is borrowed from the lines from an old Virgin Mary Hymn: Mary wanders through thorns, a hymn which ends with the following line: then roses grew forth amongst thethorns. I only came across the poem after finishing the composition, the passage of which is a journey of sometimes dramatic events, concluding with a rose-blooming, as does the hymn.  For THROUGH THORNS to borrow its title from a Virgin Mary Hymn has to do with the musical material and current of the piece, which brings motives from an earlier choral piece of mine, FLOS UT ROSA (Latin for a flower like a rose), and the rose in question is of course the one which grew forth when the Virgin Mary gave birth to the Infant Jesus in a hitherto unheard-of fashion, a NOVA GENITURA (new birth), which is the title of another work of mine that also derives its material from my original rose-melody from 1975.  THROUGH THORNS is dedicated to Tine Rehling, and together with her I have tried to expand the sonorities of the harp, by exploring existing techniques and their more remote regions, in order to gain access to new territory and new soundscaoes, as realised by the constantly experimentally-minded and virtuoso player.  Per Norgard, 2004.   .

(Eight Tangos Violin and Piano). Composed by Peter Ludwig. For Piano Accompaniment, Violin. Schott. Softcover. 86 pages. Schott Music #ED20883. Published by Schott Music

Chamber Music String Quartet

SKU: PR.14440218S

After Zurbarán. Composed by James Primosch. Full score. With Standard notation. Duration 18 minutes. Merion Music #144-40218S. Published by Merion Music (PR.14440218S).

UPC: 680160027170. 9.5 x 13 inches.

The concerts and exhibits of the Cleveland Museum of Art were an important formative influence for me during my student days. So when the invitation came to create a new work celebrating this institution on its seventy-fifth anniversary, I was not only happy to accept, but knew immediately that I wanted to write a piece that would somehow relate specifically to the museum. I decided to make the work a reflection on a painting in the museum's collection: Zurbaran's The Holy House of Nazareth. My quartet is not program music in a narrative sense, but rather a kind of meditation that takes its tone from this painting's remarkable integration of intense affect, mysterious repose and secret geometry. Besides Zurbaran's painting, the piece is occupied with a purely musical object of contemplation: the hymn tune Picardy, best known with the text Let All Mortal Flesh Keep Silence. This tune permeates the harmonic and melodic life of the quartet, sometimes appearing in a very simple, straightforward fashion, but often hidden amidst more complex structures. I was attracted to the melody for its musical qualities, but later realized that the hymn's text also resonates with the mood of the painting; the words speak of a reverent awe, of cherubim with sleepless eye, and of the mystery of the Incarnate Word who must suffer: King of kings, yet born of Mary...

Chamber Music String Quartet

SKU: PR.144402180

After Zurbarán. Composed by James Primosch. Set of Score and Parts. With Standard notation. 20+8+8+8+8 pages. Duration 18 minutes. Merion Music #144-40218. Published by Merion Music (PR.144402180).

UPC: 680160027156. 9.5 x 13 inches.

The concerts and exhibits of the Cleveland Museum of Art were an important formative influence for me during my student days. So when the invitation came to create a new work celebrating this institution on its seventy-fifth anniversary, I was not only happy to accept, but knew immediately that I wanted to write a piece that would somehow relate specifically to the museum. I decided to make the work a reflection on a painting in the museum's collection: Zurbaran's The Holy House of Nazareth. My quartet is not program music in a narrative sense, but rather a kind of meditation that takes its tone from this painting's remarkable integration of intense affect, mysterious repose and secret geometry. Besides Zurbaran's painting, the piece is occupied with a purely musical object of contemplation: the hymn tune Picardy, best known with the text Let All Mortal Flesh Keep Silence. This tune permeates the harmonic and melodic life of the quartet, sometimes appearing in a very simple, straightforward fashion, but often hidden amidst more complex structures. I was attracted to the melody for its musical qualities, but later realized that the hymn's text also resonates with the mood of the painting; the words speak of a reverent awe, of cherubim with sleepless eye, and of the mystery of the Incarnate Word who must suffer: King of kings, yet born of Mary...

In Collaboration with the International Louis Spohr Society Kassel e.V.. Composed by Louis Spohr (1784-1859). Edited by Kolja Lessing. The selection of 36 violin duos from Louis Spohr's famous Violinschule, compiled with commentary by Kolja Lessing, meets two objectives: First of all, it is an extraordinarily delightful, musically- enriched addition to the violin-duo repertoire; second. Breitkopf and Haertel #EB-8977. Published by Breitkopf and Haertel