| Bits And Pieces - 10 Easy Pieces For Violin And Piano Violon et Piano SATB, Orgue PWM (Polskie Wydawnictwo Muzyczne)
Violin and Piano (Violin/Piano) SKU: HL.133217 Composed by J. Stasica. PW...(+)
Violin and Piano
(Violin/Piano) SKU:
HL.133217 Composed by
J. Stasica. PWM.
Classical. Book Only.
Polskie Wydawnictwo
Muzyczne #6779020.
Published by Polskie
Wydawnictwo Muzyczne
(HL.133217). UPC:
884088980511. $19.99 - Voir plus => Acheter | | |
| Classic Movie Instrumental Solos for Strings (Violin) Violon [Livre + CD] - Intermédiaire Alfred Publishing
(Violin). For Violin. Book; CD; Play-Along; String Series. Pop Instrumental Solo...(+)
(Violin). For Violin.
Book; CD; Play-Along;
String Series. Pop
Instrumental Solo Series.
Movie. Grade 2; Grade
2.5; Grade 3. 52 pages.
Published by Alfred Music
Publishing
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| blues for the new millennium trio Violon Subito Music
Violin, clarinet & piano SKU: SU.23145050 For violin, clarinet & piano...(+)
Violin, clarinet & piano
SKU: SU.23145050
For violin, clarinet &
piano. Composed by
Bruce Wolosoff. Chamber
Music, Piano Trio.
Violin, Clarinet, Piano.
Score & Parts. Subito
Music Corporation
#23145050. Published by
Subito Music Corporation
(SU.23145050).
Duration: 12'
Composed: 1999
Commissioned by: the 21st
Century Consort Bruce
Wolosoff Music Bruce
Wolosoff's contribution,
a trio for violin,
clarinet and piano called
Blues for the New
Millennium really does
sound and feel like a
turning point. Opening
with bits and pieces of
thematic material tossed
around in familiarly
idiomatic contemporary
ease, the bits begin to
take on blues sounds, the
piano moves into boogie
patterns and the music
seems to morph back and
forth between classical
contemporary and blues
personalities. (The
Washington Post). $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Making the Grade: Grade 1-3 Violin Violon SATB, Orchestre - Intermédiaire Chester
Violin SKU: HL.239841 Grades 1-3 (Violin). By Marjory King. Arrang...(+)
Violin SKU:
HL.239841 Grades
1-3 (Violin). By
Marjory King. Arranged by
Jerry Lanning. Music
Sales America. Classical.
Softcover. Composed 2012.
134 pages. Chester Music
#CH78573. Published by
Chester Music
(HL.239841). ISBN
9781780382531. This
collection of 50 popular
tunes has been carefully
arranged and graded to
provide attractive
repertoire for young
violinists. The
familiarity of the
material will stimulate
pupils' enthusiasm and
encourage
theirpractice.
The
technical demands of the
solo part increase
progressively up to the
standard of Associated
Board Grade 3. The piano
accompaniments are simple
yet effective and should
be within the range of
most pianists. $22.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Background Trios for Strings Vol. 2 - Violin, Viola, and Cello Trio à Cordes: violon, alto, violoncelle [Set de Parties séparées] Greenblatt and Seay
Arranged by Deborah Greenblatt. Trios for Strings. Set of parts. With Standard N...(+)
Arranged by Deborah
Greenblatt. Trios for
Strings. Set of parts.
With Standard Notation.
56 pages per part pages.
Published by Greenblatt
and Seay
(GS.BSG3BTFSV2-T).
$25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440265S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S). UPC:
680160027910. The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.Â
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.Â
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonate, Premier Mouvement (violin & Piano) Violon et Piano Leduc, Alphonse
Violin SKU: HL.48181993 Composed by Marcel Bitsch. Leduc. Classical. Soft...(+)
Violin SKU:
HL.48181993 Composed
by Marcel Bitsch. Leduc.
Classical. Softcover.
Alphonse Leduc #AL22782.
Published by Alphonse
Leduc (HL.48181993).
UPC: 888680846640.
9.0x12.0x0.072
inches. Marcel
Bitsch: Sonate, Premier
Mouvement (Violin &
Piano). $26.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Town Tunes Violon Carl Fischer
Concert Pieces for Teaching Beginning Strings. By Doris Gazda; Henry Purcell; Ja...(+)
Concert Pieces for
Teaching Beginning
Strings. By Doris Gazda;
Henry Purcell; James
Pierpont. Arranged by
Doris Gazda. For Violin
I, Violin II. This
edition: Violin. Student
Book. 16 pages. Published
by Carl Fischer.
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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