| Schott Violin Library: Baroq Sonatas Separate Part - Bassoviolin And Basso Continuo Violon, Basse continue Schott
Violin and basso continuo SKU: HL.49044547 The Finest Baroque Sonatas<...(+)
Violin and basso continuo
SKU: HL.49044547
The Finest Baroque
Sonatas. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music.
String. Softcover. 36
pages. Schott Music
#ED21925-01. Published by
Schott Music
(HL.49044547). ISBN
9783795749422. UPC:
841886023338.
9.0x12.0x0.106
inches. Separate
bass part for performance
e.g. with cello
accompaniment.Schott
Violin Library includes
eleven contrasting
Baroque sonatas for
violin and continuo bass.
Besides popular and
well-known sonatas by
Corelli, Vivaldi, Handel
and Telemann there are
also delightful less
familiar compositions by
Dall'Abaco, Pepusch and
Finger, among others. All
these pieces are at lower
to intermediate level.
Some of them can be
played in first position
throughout, while others
require just a few
position changes, but the
sonatas by Dall'Abaco,
Kirchhoff, Vivaldi and
Handel require fluent use
of the first three
positions. The pieces
brought together in this
book are the best-loved
works from the popular
series Schott Violin
Library (VLB) and other
violin repertoire
published by Schott. $13.99 - Voir plus => Acheter | | |
| Franz Joseph Haydn: Six Duets For Two Violins
2 Violons (duo) [Set de Parties séparées] - Intermédiaire Kalmus
Composed by Franz Joseph Haydn (1732-1809). Edited by Marty Winkler. Duet or Duo...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Marty Winkler. Duet or
Duo; Masterworks; Solo
Small Ensembles; String -
2 Violins. Kalmus
Edition. Classical
Period. Set of
performance parts
(includes separate
pull-out violin parts).
58 pages. Kalmus Classic
Edition #00-K02087.
Published by Kalmus
Classic Edition
$9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Privacy Trio Clarinet, Violin, Piano Violon et Piano Schott
Clarinet, violin and piano (Chamber Ensemble) - difficult SKU: HL.49019079(+)
Clarinet, violin and
piano (Chamber Ensemble)
- difficult SKU:
HL.49019079 (in
memoriam Laszlo
Polgar). Composed by
Detlev Mueller-Siemens.
This edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2010. 36 pages.
Duration 12'. Schott
Music #ED21208. Published
by Schott Music
(HL.49019079). ISBN
9790001178686. UPC:
884088907358.
9.0x12.0x0.103
inches. 'Privacy'
means separation. The
title of the trio for
clarinet, violin and
piano thus describes the
character of the piece.
The piano weaves sound
tapestries of deep and
long, yet fully fingered
chords which increase
their tempo in the course
of the piece. In contrast
to that, the melody of
the violin is for the
most part played in a
very high register. It is
the clarinet that fills
the space between these
extremes by means of
trembling trills, always
following the rhythm of
the violin and answering
to the latter like an
echo. $27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Colourstrings Violin ABC: Book G2 - Third position Violon SATB, Orchestre Fennica Gehrman
Violin SKU: FG.55011-595-8 Violin tutor. Colourstrings. Classical....(+)
Violin SKU:
FG.55011-595-8
Violin tutor.
Colourstrings. Classical.
Book. Fennica Gehrman
#55011-595-8. Published
by Fennica Gehrman
(FG.55011-595-8).
The volume G of
the popular Colourstrings
violin tutors by Geza
Szilvay studies every
position of the violin in
a separate volume: G1 the
second position, G2 the
third position, G3 the
fourth position, G4 the
fifth position and the
last one, G5, the high
positions (sixth,
seventh, eighth). These
books form an
all-embracing, rich
collection of shifting
exercises, position
playing studies, excerpts
from the literature,
chamber music (mainly
duos), and performing
pieces, piano
accompaniment offered as
a separate publication
(9790550116467). The
extensive Book G2 - Third
position (9790550115958)
follows the key
principles of
Colourstrings methodology
- the use of natural
harmonics for instance -
but it can be fully
utilized also without any
previous use or knowledge
about the Colourstrings
method. The performance
pieces are a welcome
enlargement in the
syllabus. A separate
collection, Colourstrings
Violin ABC: Performing
pieces for Violin in the
First Three Positions
(supplement for the book
G2) (9790550116375),
completes the carefully
hand-picked repertoire
from four centuries. $57.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| se sont penches dessus 2 Violons (duo) Carus Verlag
2 violins SKU: CA.1632710 Synchroniestudie Nr. 1 fur 2 Violinen. C...(+)
2 violins SKU:
CA.1632710
Synchroniestudie Nr. 1
fur 2 Violinen.
Composed by Walter
Feldmann. This edition:
Paperbound. German title:
Se Sont Penches Dessus,
Duo. Playing score.
Composed 2004/05. 10
pages. Duration 5
minutes. Carus Verlag #CV
16.327/10. Published by
Carus Verlag
(CA.1632710). ISBN
9790007113063. Language:
all languages. The
study in synchronicity,
se sont penches dessus
first achieved its final
scoring after many
changes. It was first
composed as music to a
choreography by Gabriel
Hernandez: Le (!). eh ?
Zovotrimaserovmeravmerouv
ian (dmzn !) ; se sont
penches dessus, which is
based on the letters of a
fragment translated into
French that appears in
James Joyce's Finnegan's
Wake. The short, static
piece has existed in
three versions: 1. -
sspd , electronic music
(normal version, a
glissando from one chord
of four sounds to
another, employed in the
electronics of No. 3) 2.
- sspd sature,
electronic music
(intentionally distorted
version of No. 1) 3. -
se sont penches dessus
for violin, alto flute
and electronics, in which
the flutist had to sing
one tone of a diad It
turns out that a version
for two equal string
instruments can better
render the harmony of the
piece (a tone sung
simultaneously with a
tone that is played on
the flute yields a
ring-modulated mixture of
sound which is too
indistinct), and thus the
duo version for 2 violins
was composed. A
collaboration with the
Kairos Quartet, Berlin,
(le second tour du noye,
3rd String Quartet) led
me to smuggle a viola and
cello into the piece as
background, in order to
glue the abrupt harmonic
changes discretely
together. The Duo and the
Quartet are definitive
and equally valid
versions, both of which
are available separately:
Duo (Carus 16.327/10),
Quartet (Carus 16.327).
se sont penches dessus
is now literally the
transposition of the
translated quotation from
James Joyce, in which the
letters of the text se
sont penches dessus
establish the basic
structure of the piece
(the rhythmic standstill
denotes the vowels of the
4 words), the letters of
Zovotrimaserovmeravmerouv
ian indicate the fine
rhythmic structure and
the manner of playing
(e.g., sul ponticello).
Walter Feldmann. Score
available separately -
see item CA.1632700. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praktische Instrumentenkunde Orchestre, Violon Barenreiter
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950). ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N. Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger). $22.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Violin/Cello Rascals (Viulu-/selloviikarit) 1-2-3 Violon et Piano Fennica Gehrman
By Laszlo Rossa. For Violin Or Cello, Piano. Album. Published by Fennica Gehrman...(+)
By Laszlo Rossa. For
Violin Or Cello, Piano.
Album. Published by
Fennica Gehrman
$65.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Excursions Violon et Piano Theodore Presser Co.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin SKU:
PR.414411630 Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630). ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches. EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982. $80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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