PARTITIONS GRATUITES : QUATUOR à VENT: FLûTE, HAUTBOIS, CLARINETTE, BASSON
- Debussy

Bassoon Heft 10: Mahler, Debussy, Mascagni. Composed by Seltmann. Edited by Angerhofer and Seltmann. Arranged by Angerhofer and Seltmann. Sheet music. Friedrich Hofmeister Musikverlag #FH 7074. Published by Friedrich Hofmeister Musikverlag (HF.FH-7074).

For Woodwind Quintet. By Claude Debussy. Arranged by Gordon Davies. Schott. Size 9x12 inches. 46 pages. Published by Schott.

Bassoon (bassoon/piano)

SKU: HL.48181054

For Bassoon and Piano. Composed by Henri Dutilleux. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL20097. Published by Alphonse Leduc (HL.48181054).

UPC: 888680787059. 9x12 inches.

Internation ally acclaimed French composer Henri Dutilleux (1916-2013) followed the music traditions of Maurice Ravel and Claude Debussy yet implemented his own, distinctive style. His Sarabande et Cortege for Bassoon and Piano displays influences of Debussy's eschewing of tonality and Ravel's inventive textures. These, combined with Dutilleux's unique uses of structure and pedal points create a truly riveting piece for bassoon and piano. Sarabande et Cortege comes at the beginning of Dutilleux's career and was composed as part of a set of four exam pieces for the Paris Conservatoire (1942-1950). Yet the popularity of all four pieces remains, and they continue to be performed to this day. Elements like lyrical melodies and furious semiquaver passages make for an exciting piece for bassoonists.

(Late 19th and 20th Century Favorites). By Various. Arranged by Daniel Kelley. Wind quartet, mixed quartet. For Flute, Oboe, Clarinet, Bassoon. Quartets. Late 19th/Early 20th Century Favorites. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing

Bassoon

SKU: HL.48181112

For Bassoon. Composed by Various. Leduc. Classical. Softcover. Alphonse Leduc #AL20262. Published by Alphonse Leduc (HL.48181112).

UPC: 888680862039. 9.0x12.0x0.229 inches.

From Works by: Ravel, Rabaud, Stravinsky, Boieldieu, W.A.Mozart, Ibert, G. Pierne, Saint-Saens, Rimsky-Korsakov, Mascagni, Bizet, Smetana, Borodin, Balakirev, Delvincourt, Debussy, Beethoven, Chabrier, Bach, Brahms, Purcell, Mendelssohn, Wagner and Puccini.

Bassoon and Piano

SKU: ST.C130

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C130. Published by Clifton Edition (ST.C130).

ISBN 9790570811304.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry clarinet players
Grades 1–4
Former Spartan Press Cat. No.: SP1219.

By Claude Debussy. Arranged by Henry Paine. For Bassoon. Woodwind - Bassoon Solo. 8 pages. Published by Alfred Publishing.
Level: (III) (grade 3).

Bassoon and Piano - Grade 6-8

SKU: ST.C389

Composed by Various. Arranged by Martin Gatt. Wind and brass music. Clifton Edition #C389. Published by Clifton Edition (ST.C389).

ISBN 9790570813896.

An Album of Twenty French Songs arranged for Bassoon and Piano by Martin Gatt

Fauréâ??s poignant love song Après un rêve exists in many different transcriptions for various instruments (the most famous version perhaps being the one for cello and piano that Pablo Casals made in 1910), and provides the initial inspiration for this album of French songs transcribed for bassoon and piano. The bassoon is capable of a broad range of timbres and expression, and it is the lyrical, vocal quality of the instrument that Martin Gatt has always been attracted to. In both his performance and teaching, his emphasis is on the importance of what he calls â??vocalisingâ?? through the bassoon, and for him, music for the voice â?? especially art songs of the 19th and 20th centuries â?? has been a rich source of material for exploring the expressive tonal colours of the bassoon.

The treasure trove of French art song from composers ranging from Claude Arrieu to Louis Vierne, not to mention the greats like Berlioz or Debussy or Ravel, has made the task of choosing which songs to include in this album a difficult one. In the end, Martin has settled on eight composers who have produced some of the most appealing music in the genre â?? Camille Saint-Saëns (1835-1921), Georges Bizet (1838-1875), Emmanuel Chabrier (1841-1894), Jules Massenet (1842-1912), Gabriel Fauré (1845-1924), Henri Duparc (1848-1933), Cécile Chaminade (1857-1944), and Francis Poulenc (1899-1963). Rather than grouping by composer, the songs are set out in a way that contrasts different emotional worlds and sentiments, from the vibrant exuberance of Chabrierâ??s Lâ??île heureuse to the gentle melancholy of Poulencâ??s Mais mourir. These â??songs without wordsâ? for the bassoon, clearly demonstrate the instrumentâ??s cantabile qualities, varied nuances, and wide-ranging emotional possibilities.