| Compatible Duets for Winds Carl Fischer
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(31 Duets That Can Be
Played by Any Combination
of Wind Instruments). By
Larry Clark. For
Trombone, Euphonium Bc,
Bassoon. Published by
Carl Fischer
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata in E Minor Basson, Piano (duo) EMB (Editio Musica Budapest)
For Bassoon and Piano. By Georg Philipp Telemann. Arranged by Otto Oromszegio. E...(+)
For Bassoon and Piano. By
Georg Philipp Telemann.
Arranged by Otto
Oromszegio. EMB. Size
8x11.25 inches. Published
by Editio Musica
Budapest.
$16.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mr Sheen’s Miscellany for Bassoon. Grade 3 Basson, Piano (duo) Clifton Edition
Bassoon and Piano SKU: ST.C183 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano SKU:
ST.C183 Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C183. Published
by Clifton Edition
(ST.C183). ISBN
9790570811830. Drunken Sailor —
the
sequel This
needs a plaintive tone
especially in the upper
register where the
dynamics are particularly
important. To capture the
mood of the piece those
slurs in bars 35 and 36,
for example, might even
be close to a glissando.
Use your imagination to
recreate the sailor’s
state of
health!
Th
e Vulgar
Boatman Not
only more hidden melodies
but more appalling puns!
(Volga Boatman for those
not versed in Russian
folksongs). This is like
a waltz: it is written in
3/4 time but played so as
to give the impression of
one beat in bar. The
melodies need to be well
sustained so that we hear
four, eight or even more
bars as a single phrase.
Clues for the musical
detective:- in addition
to the Volga Boatman, you
might spot just a hint of
Sailing down the
River on a Sunday
Afternoon, We
Sail the Ocean Blue
(H.M.S. Pinafore),
The Eton Boating
Song and even
Wagner’s Flying
Dutchman.
Last Tango in
Harris Everyo
ne must surely know these
thinly disguised Scottish
tunes, but can you make
them sound like a tango?
Bear in mind that tangos
are not jazz: the rhythm
is quite strict, but the
tango character is in the
tone and the phrasing.
Notice how expressive the
occasional shorter note
value can be, as in bars
4 and 5 in the bassoon
part.
Rheu
manian
Stretches Or
was that Rumanian
Sketches? This is a
chance to play the main
melody in two registers
of the bassoon. Try to
make a good even sound in
both octaves. This piece
requires careful counting
since the phrases in the
bassoon part don’t
always begin where you
might expect. Think of
this piece as a
song. Four Pieces for
Bassoon and
Piano
Grade
3 Former Spartan Press
Cat. No.: SP1163. $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Wind Octet 2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons Potenza Music
Composed by Jonathan Russell. For Wind Octet (Oboe, Bassoon, Clarinet, Horn). Ch...(+)
Composed by Jonathan
Russell. For Wind Octet
(Oboe, Bassoon, Clarinet,
Horn). Chamber music,
20th century. Published
by Potenza Music
$39.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pavane Flûte, Hautbois, Basson [Conducteur et Parties séparées] - Avancé Wonderful Winds
By Gabriel Faure (1845-1924). Arranged by Anna Cooper. For wind trio: flute, obo...(+)
By Gabriel Faure
(1845-1924). Arranged by
Anna Cooper. For wind
trio: flute, oboe,
bassoon. Pick and Mix
series. Grade 5 to 8.
Score and parts. Duration
4'33. Published by
Wonderful Winds
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Apres un reve: An Album of Twenty French Songs Basson, Piano (duo) - Intermédiaire/avancé Clifton Edition
Bassoon and Piano - Grade 6-8 SKU: ST.C389 Composed by Various. Arranged ...(+)
Bassoon and Piano - Grade
6-8 SKU: ST.C389
Composed by Various.
Arranged by Martin Gatt.
Wind and brass music.
Clifton Edition #C389.
Published by Clifton
Edition (ST.C389).
ISBN
9790570813896. An
Album of Twenty French
Songs arranged for
Bassoon and Piano by
Martin
Gatt
Fauréâ??s
poignant love song
Après un rêve
exists in many different
transcriptions for
various instruments (the
most famous version
perhaps being the one for
cello and piano that
Pablo Casals made in
1910), and provides the
initial inspiration for
this album of French
songs transcribed for
bassoon and piano. The
bassoon is capable of a
broad range of timbres
and expression, and it is
the lyrical, vocal
quality of the instrument
that Martin Gatt has
always been attracted to.
In both his performance
and teaching, his
emphasis is on the
importance of what he
calls â??vocalisingâ??
through the bassoon, and
for him, music for the
voice â?? especially art
songs of the 19th and
20th centuries â?? has
been a rich source of
material for exploring
the expressive tonal
colours of the
bassoon.
The
treasure trove of French
art song from composers
ranging from Claude
Arrieu to Louis Vierne,
not to mention the greats
like Berlioz or Debussy
or Ravel, has made the
task of choosing which
songs to include in this
album a difficult one. In
the end, Martin has
settled on eight
composers who have
produced some of the most
appealing music in the
genre â?? Camille
Saint-Saëns
(1835-1921), Georges
Bizet (1838-1875),
Emmanuel Chabrier
(1841-1894), Jules
Massenet (1842-1912),
Gabriel Fauré
(1845-1924), Henri Duparc
(1848-1933), Cécile
Chaminade (1857-1944),
and Francis Poulenc
(1899-1963). Rather than
grouping by composer, the
songs are set out in a
way that contrasts
different emotional
worlds and sentiments,
from the vibrant
exuberance of
Chabrierâ??s Lâ??île
heureuse to the gentle
melancholy of
Poulencâ??s Mais mourir.
These â??songs without
wordsâ? for the
bassoon, clearly
demonstrate the
instrumentâ??s cantabile
qualities, varied
nuances, and wide-ranging
emotional
possibilities. $20.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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