| Athenais Paulian : Airs et variations chantes par Madame Catalani Guitare Guitare classique Editions Orphee
Composed by Athenais Paulian. For guitar unaccompanied. The Guitarist'...(+)
Composed by Athenais
Paulian. For guitar
unaccompanied. The
Guitarist's
Repertoire,
Vol.11. Full Score -
Study.
Standard Notation. Op.1.
16
pages. Editions Orphee
#494-
02969. Published by
Editions
Orphee
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 18 Contrapuntal Pieces for Guitar Guitare Ut Orpheus
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo
Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and
Raffaello
Ravasio. Saddle
stitching.
Piero Bonaguri
Collection.
Classical. Ut Orpheus #CH
254.
Published by Ut Orpheus
$21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Classical Guitar Solos - Favorite Sonatinas Guitare - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.30989 Saddle-stitched, Solos. Sonatinas. Bo...(+)
Guitar - Intermediate
SKU: MB.30989
Saddle-stitched, Solos.
Sonatinas. Book. 152
pages. Mel Bay
Publications, Inc #30989.
Published by Mel Bay
Publications, Inc
(MB.30989). ISBN
9781513466705. 8.75x11.75
inches. In this
book, guitarist and music
historian David Grimes
presents 20 â??small
sonatasâ? or
sonatinas, complete
with detailed performance
notes and bio sketches of
each of the contributing
composers: Leonhard von
Call, Matteo Carcassi,
Ferdinando Carulli, Mauro
Giuliani, Francesco
Molino, and Antonio
Nava. While flexible,
the early 19th-century
sonatina form usually
consists of 2 - 4
contrasting movements,
here in guitar-friendly
keys, making these pieces
ideal for performance by
intermediate-level
students.Â
In
all but the most
challenging passages,
Grimes has intentionally
kept fingering to a
minimum to allow students
to form their own concept
of this critical skill.
Then, as many bass notes
in these pieces are
played on open strings,
the player must develop a
sense of when to
selectively damp
dissonant tones or
observe a restâ??
exposing and overcoming
yet another shortcoming
in the education of many
guitarists.  Most classic guitar
teachers are familiar
with the easy didactic
studies by Carcassi,
Carulli and Giuliani;
Favorite
Sonatinas offers
more highly developed,
but not yet virtuoso
pieces by the same
Italian triumvirateâ??
plus three more composers
in a similar veinâ??
promoting confident,
enjoyable sight-reading
by guitarists of all
levels. . $22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| VIVALDI Two Concerti for Guitar (Lute) and Orchestra: C major, RV425 (F. V/1); D major, RV93 (F. XII/15) Guitare, Orchestre [Livre + CD] Music Minus One
For Guitar. This newly engraved, authoritative printed music score features the ...(+)
For Guitar. This newly
engraved, authoritative
printed music score
features the solo guitar
part plus orchestral
reduction for ease of
learning and study,
historical notes and
performance suggestions,
printed on high-quality,
acid-free ivory paper.
Also includes a compact
disc containing a
complete version with
soloist, in digitally
recorded stereo; then a
digital stereo version of
the orchestral
accompaniment, minus the
soloist; and a second
compact disc containing
the complete version of
the concerto, followed by
a -20% slow-tempo version
of the accompaniments for
practice purposes.
Published by Music Minus
One.
(3)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata XXIII (Dresden nr.48) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6761EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6761EM.
Published by Metropolis
Music Publishers
(IS.G6761EM). ISBN
9790365067619. This
sonata (WeissSW No. 48,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIII comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIII
is a large and mature
piece. It probably dates
to the last period of the
life of Weiss. The Sonata
has seven movements:
Prelude, Allemande
(andante), Courante,
Bourée, Sarabande
(andante), Menuet, and it
ends with a Presto. The
use of tempo indications
for French dance
movements is
characteristic for the
later work of Weiss. The
purpose of beginning a
lute sonata with a
Prelude is to introduce
the specific key and the
harmonic design of the
sonata. However, not
every sonata in the
Dresden manuscripts has a
Prelude. About one third
of the 34 Dresden Sonatas
opens with a Prelude, but
only six of them may be
considered truly integral
to the sonata. The other
Preludes are composed in
a rather
â??rudimentaryâ??
style, as a model for the
less experienced lute
player to improvise on
the central key and
theme. They may have been
added later in the
copying process. The
Prelude of this
particular Sonata is
regarded as spurious, in
respect to composition, a
rather weak addition. I
have included the Prelude
in this Edition, leaving
it to the guitar player
to judge whether it fits
with the musical style
and idiom of the Sonata
or not. Originally, the
Sonata is written in F
sharp minor, a key often
used by Weiss as it is
appropriate for playing
the lute, but rather
awkward with the guitar.
For ease and
effectiveness of playing,
I have transposed the
Sonata a major second
lower to E minor. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
2nd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 1st
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy DADGAD Classics for Acoustic Guitar Guitare notes et tablatures Guitare acoustique [Partition + Accès audio] - Intermédiaire Mel Bay
Composed by Rob MacKillop. Saddle-stitched. Book and online audio. 56 pages. ...(+)
Composed by Rob
MacKillop.
Saddle-stitched. Book and
online audio. 56 pages.
Published by Mel Bay
Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XXXIII (Dresden nr.52) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6766EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6766EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6766EM.
Published by Metropolis
Music Publishers
(IS.G6766EM). ISBN
9790365067664. This
sonata (WeissSW No. 52,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXXIII is a
unique copy. It comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXXIII
is in the fifth volume.
It belongs to a group of
large and mature Sonatas
of the late
â??productiveâ?? period
of Weissâ??s life,
probably after 1740. The
Sonata has six movements:
Ouverture , Courante
assai moderato,
Bourée, Siciliana (a
slow dance, but more
cheerful than a
Sarabande), Menuet, and
it ends with a Presto.
The Ouverture substitutes
the traditional
Allemande. It is more
complex in structure, and
includes a Largo, an
Allegro (in the style of
a Fugue), and a Vivace.
The use of tempo
indications for French
dance movements is
characteristic for the
later work of Weiss.
Originally, the Sonata is
written in C minor, a key
appropriate for playing a
Baroque lute tuned in the
D minor chord. However it
is rather awkward with
the guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to A minor. I
suggest using a
capodastro to achieve the
original pitch. Based on
the present standard of A
at 440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XXIX (Dresden nr.25) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6763EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6763EM.
Published by Metropolis
Music Publishers
(IS.G6763EM). ISBN
9790365067633. This
sonata (WeissSW No. 25,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIX comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIX
comes from Weissâ??s
middle â??productiveâ??
period, around 1720. The
Sonata has seven
movements: Prelude,
Allemande (andante),
Passepied, Bourée,
Sarabande, Menuet, and it
ends with a Gigue. There
is another copy of this
Sonata, known as Suite
XIX, in a London
Manuscript (British
Library Ms. Add. 30387).
The London version does
not include a Prelude,
and the Sarabande is
completely different. The
other movements are
similar to those in the
Dresden Manuscript. The
Sonata in this Edition is
based on the Dresden
Manuscript. The purpose
of beginning a lute
sonata with a Prelude is
to introduce the specific
key and the harmonic
design of the sonata.
However, not every sonata
in the Dresden and London
manuscripts has a
Prelude. About one third
of the 34 Dresden Sonatas
opens with a Prelude, but
only six of them may be
considered truly integral
to the sonata. The other
preludes are composed in
a rather
â??rudimentaryâ??
style, as a model for the
less experienced lute
player to improvise on
the central key and
theme. The Prelude in
this particular Sonata
cannot be regarded as
integral. It has been
added later, either by
the compiler of the
volumes or perhaps by
Weiss himself.
Originally, the Sonata is
written in G minor, a key
not often used by Weiss,
but considered
appropriate for playing
the lute. With the
guitar, however, the key
is rather awkward. For
ease and effectiveness of
playing, I have
transposed the Sonata a
minor third lower to E
minor. To create more
concordance with the
baroque tuning of the
lute, the G string is
lowered by a semitone to
F sharp. I suggest using
a capodastro to achieve
the original pitch. Based
on the present standard
of A at 440 Hertz, the
capo should be placed at
the 3rd fret. However,
during Weissâ??s
lifetime, it was more
common in many parts of
Germany to use a standard
of A at 415 Hertz -â?
a semitone lower. So, to
hear the pitch heard by
Weiss and his
contemporaries, the capo
should then be positioned
at the 2nd fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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