PARTITIONS GRATUITES : GUITARE
SONATE
- Was

SKU: MB.30667M

ISBN 9781513463971. 8.75 x 11.75 inches.

Johann Sebastian Bachâ??s arrangements of the â??69 Sacred Songsâ? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bachâ??s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.

A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the â??69 Sacred Songsâ? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.

Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bachâ??s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.

This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes â??Scores in their Original Keys,â? and stand-alone â??Guitar Accompaniment,â? and â??Bass Parts.

SKU: HL.49016263

ISBN 9783795750589. 8.25x11.75x0.33 inches. German.

Grove, Groove, Groove... uberall groovt es. Groove hat eine packende und mitreissende Wirkung. Aber was ist Groove? Wodurch entsteht er? Wie spiele ich grooviger? Das alles erklart dir dieses Buch. Es zeigt Groove-Techniken wie Choke, Slapped Strings, Ghost Strings oder ungewohnliche Plektrumtechniken. Ausserdem erklart es die Bedeutung von Timing, Mikrotiming, Second Line Beat usw. Dadurch lernst du, auf der Gitarre mit mehr Energie zu spielen, denn Groove Guitar ist eine Mischung aus Rhythmusgitarre und Energie. Unplugged & Plugged. Fur Wester- und E-Gitarre. Fur Anfanger und Fortgeschrittene.Und weil Groove in erster Linie eine Sache des Gefuhls ist, liegt diesem Buch eine CD mit Groove-Playbacks/Play-Alo ng-Songs bei, in die Du Dich zum Mitgrooven einklinken kannst. Die CD ist satte 76 Minuten lang und enthalt alle Gitarren-Grooves auch in einer besonders langsam eingespielten Solo-Version.

SKU: HL.48024601

ISBN 9781540050663. UPC: 888680933807. 9.0x12.0 inches.

Beyond the White Hand: Construction with Guitar Player, was commissioned by the Julian Bream Trust and first performed at St John's Smith Square by Andrey Lebedev in 2014. This substantial addition to the advanced solo guitar repertoire reflects and expands upon an earlier miniature from 2007: Guitar and White Hand, Birtwistle’s first piece for the instrument. Both pieces draw artistic inspiration from the artist Pablo Picasso: the smaller piece written for Forbes Henderson and sharing a title with the 1927 painting of the same name. The larger piece was composed in the centenary year of Picasso's Construction with Guitar Player after which the piece is named and the sculpture Guitar.Picasso made about a dozen 'sculptural' constructions’ during 1912-1914, many of which employ recycled or carved elements. A good number of these were destroyed and only one, Still Life was shown publically during his lifetime. Picasso's own Construction with Guitar Player was an installation of a partially drawn and painted figure to which he added arms made of newspaper that fold away from the wall to embrace a real guitar. In the foreground stands a table with a bottle of wine and this was photographed by Picassoin his studio in 1913. Musically, Birtwistle’s Construction is a large scale, dense work of sixteen minutes’ duration. It does not develop linearly, but presents fragments of detail, interruptions, digressions and loops as a “deconstructed guitar” in sound.