| J. S. Bach: Six Unaccompanied Cello Suites Arranged for Guitar Guitare Guitare classique [Partition] - Intermédiaire Mel Bay
by J. S. Bach arranged by Stanley Yates. For classic guitar. Stanley Yates Gtr. ...(+)
by J. S. Bach arranged by
Stanley Yates. For
classic guitar. Stanley
Yates Gtr. Classic,
Baroque. Level:
Intermediate. Book.
Solos. Size 8.75x11.75.
192 pages. Published by
Mel Bay Pub., Inc.
(4)$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 24 Preludes for Guitar. New Urtext Edition with comparison of sources and reproduction of fragments from the autograph manuscript Guitare [Conducteur] Ut Orpheus
Guitar SKU: UT.CH-388 Composed by Manuel Ponce. Edited by Andrea De Vitis...(+)
Guitar SKU:
UT.CH-388 Composed by
Manuel Ponce. Edited by
Andrea De Vitis and
Riccardo Del Prete.
Classical. Score. Ut
Orpheus #CH 388.
Published by Ut Orpheus
(UT.CH-388). ISBN
9790215328242. 9 x 12
inches. Main source
of the present editions
is the manuscript by
Manuel M. Ponce, kept in
the Manuel M. Ponce
Archive, located in the
Cuicamatini library of
the Facultad de Música
de la Universidad
Nacional Autónoma de
México. The
preludes were composed
around 1929 after the
invitation of Segovia
who, urged by the
publishers to write a
method, asked Ponce to
compose some short pieces
to include in this
didactic project. In
April 1930 Segovia
published only 12
preludes with Schott
publishing house.
Many of Ponceâ??s
manuscripts remained
unknown for a long time,
until 1977, when the
Mexican guitarist and
musicologist Miguel
Alcázar, thanks to the
collaboration of Carlos
Vázquez, pupil and
heir of Manuel Ponceâ??s
manuscripts, began an
important recovery of
Ponceâ??s guitar music
by preparing the first
complete edition of the
preludes. $19.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Hutton's Guide to Martin Guitars: 1833-1969 Centerstream
SKU: HL.1104293 Forewords by Dick Boak, George Gruhn, and Joe Spann(+)
SKU: HL.1104293
Forewords by Dick
Boak, George Gruhn, and
Joe Spann. Book.
Guitar Reference.
Softcover. 436 pages.
Published by Centerstream
Publications
(HL.1104293). ISBN
9781574244113. UPC:
196288101994.
9.0x12.0x1.093
inches. It is now
more than 40 years since
Mike Longworth published
his seminal book on the
Martin Guitar Company. It
was Mike's book that
stirred Greig Hutton's
original interest in
Martin guitars and it put
him on the path to
seeking more information
and insights. Martin
Guitars: A History became
the first of a long list
of books that have
continuously expanded the
information available for
the Martin instruments.
This book will not just
recapitulate previous
research; rather, it will
build on earlier work
while filling in gaps
using source documents,
as well as collating new
information into tables
and diagrams for ease of
use. Although broadly
based on a number of
previous publications,
none of this information
was incorporated into the
book without direct
comparison to the source
archival documents. This
hefty tome includes 400
photos and forewords by
Dick Boak, George Gruhn,
and Joe Spann. There is
certainly no one else on
the planet that knows as
much about the history of
Martin guitars as Greig
does, and I personally
thank him for sharing his
knowledge with those of
us who are anxiously
waiting to receive it!
–Dick Boak. $80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Grand Recueil pour la Guitare Op. 114 - Vol. 2: Third and Fourth Part Guitare Guitare classique [Conducteur] Ut Orpheus
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Ca...(+)
Guitar SKU:
UT.CH-387 Composed by
Ferdinando Carulli.
Edited by Romolo
Calandruccio. Classical.
Score. Ut Orpheus #CH
387. Published by Ut
Orpheus (UT.CH-387).
ISBN 9790215328235. 9
x 12 inches. Opus
114 is certainly one of
Carulliâ??s most
important didactic works,
so much so that the
author himself made a
point of writing in the
second edition of his
famous Method op. 27
(1819): The student, when
moving on to the second
part, must continue to
practise on the easy
pieces which are to be
found in opus nos. 50,
15, 35, 36, 93, 7 and
above all in opus 114. He
maintained this
indication also in later
editions of the Method
itself, unlike what he
did with other
collections of studies
which were no longer
recommended. The
purpose of op. 114, in
particular of the
preludes, is clearly
explained by the author
himself in the preface of
op. 265: I have already
offered preludes in my
opus nos. 71 and 114 to
people, but they serve to
study and learn to play
all sorts of difficult
passages, to practise
modulating, and learn to
improvise on the guitar.
Carulli seems to want to
provide his students with
a large handbook of
formulas typical of his
musical writing and he
does so by making use of
the keys which, in his
opinion, are most
congenial to the guitar.
In his Method he points
out: Each instrument has
its favourite keys: the
guitar can be played in
all keys, but the best
ones are: A major and
minor, D major and minor,
E major and minor, C, G,
F. The others are
difficult; [â?¦].
However, some of the
difficult ones are
included but only in the
fourth part. Of course,
the easiness of a key
essentially depends on
the possibility of
extensive use of the open
strings, especially in
the low notes, ensuring
the accompaniment on the
main degrees. This
edition has some unique
features. First of all,
it is the first complete
modern edition of
Carulliâ??s op. 114; it
presents an important
critical apparatus in
which the Carullian
technique is presented
and analysed; finally,
Carulli's original
fingering is indicated in
the score (including that
of the thumb of the left
hand) and the missing one
was obtained from the
comparison of his other
fingerings present in
other works. All this
allows an easy and
complete reading both for
those who perform the
pieces following the
nineteenth-century
performance practice with
a historical instrument,
and for those who play a
modern instrument. $43.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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