| Kneipenhocker Ligne De Mélodie, (Paroles) et Accords [Partition]
Melody, Lyrics and Chords SKU: BT.MVH10001031 230 Lumpenlieder, SpaÃ...(+)
Melody, Lyrics and Chords
SKU:
BT.MVH10001031 230
Lumpenlieder,
Spaßlieder,
Trinklieder and frivole
Lieder für die
fröhliche
Runde. Arranged by
Gerhard Hildner. Book
with CD. 303 pages.
Musikverlag Monika
Hildner #MVH10001031.
Published by Musikverlag
Monika Hildner
(BT.MVH10001031). ISBN
9783932839597. 230
songs to sing in the pub,
or at a party or other
social gathering. This
songbook contains a
selection of traditional
German songs that are
joyful and fun to play.
All songs are arranged in
a melody line, lyrics and
chords format. This book
is accompanied by 3 CDs
that contain the first
verse and the chorus of
every title to enable the
player to become
acquainted with them.
Die 230 besten
Lumpenlieder,
Spaßlieder,
Trinklieder und frivolen
Lieder für die
gesellige Runde und
fürs
Wirtshaus-Singen. Dank
des besonderen Formats
DIN A5 maxi ( 20 %) ist
die Schrift sehr gut
lesbar. Die einzelnen
Titel sind jeweils
arrangiert mit
Melodiezeile, den
Akkorden und Text zum
Spielen mit Keyboard und
Gitarre sowie zur
Gesangsbegleitung. Als
Begleitung zum Buch
erhalten Sie 3 CDs zum
Kennenlernen aller im
Buch enthaltenen Lieder
und zum Mitsingen. Der 1.
Vers und der Refrain
werden dabei angespielt,
Gesangsbegleitung
inklusive. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata XXIII (Dresden nr.48) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6761EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6761EM.
Published by Metropolis
Music Publishers
(IS.G6761EM). ISBN
9790365067619. This
sonata (WeissSW No. 48,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIII comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIII
is a large and mature
piece. It probably dates
to the last period of the
life of Weiss. The Sonata
has seven movements:
Prelude, Allemande
(andante), Courante,
Bourée, Sarabande
(andante), Menuet, and it
ends with a Presto. The
use of tempo indications
for French dance
movements is
characteristic for the
later work of Weiss. The
purpose of beginning a
lute sonata with a
Prelude is to introduce
the specific key and the
harmonic design of the
sonata. However, not
every sonata in the
Dresden manuscripts has a
Prelude. About one third
of the 34 Dresden Sonatas
opens with a Prelude, but
only six of them may be
considered truly integral
to the sonata. The other
Preludes are composed in
a rather
â??rudimentaryâ??
style, as a model for the
less experienced lute
player to improvise on
the central key and
theme. They may have been
added later in the
copying process. The
Prelude of this
particular Sonata is
regarded as spurious, in
respect to composition, a
rather weak addition. I
have included the Prelude
in this Edition, leaving
it to the guitar player
to judge whether it fits
with the musical style
and idiom of the Sonata
or not. Originally, the
Sonata is written in F
sharp minor, a key often
used by Weiss as it is
appropriate for playing
the lute, but rather
awkward with the guitar.
For ease and
effectiveness of playing,
I have transposed the
Sonata a major second
lower to E minor. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
2nd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 1st
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XXIX (Dresden nr.25) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6763EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6763EM.
Published by Metropolis
Music Publishers
(IS.G6763EM). ISBN
9790365067633. This
sonata (WeissSW No. 25,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIX comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIX
comes from Weissâ??s
middle â??productiveâ??
period, around 1720. The
Sonata has seven
movements: Prelude,
Allemande (andante),
Passepied, Bourée,
Sarabande, Menuet, and it
ends with a Gigue. There
is another copy of this
Sonata, known as Suite
XIX, in a London
Manuscript (British
Library Ms. Add. 30387).
The London version does
not include a Prelude,
and the Sarabande is
completely different. The
other movements are
similar to those in the
Dresden Manuscript. The
Sonata in this Edition is
based on the Dresden
Manuscript. The purpose
of beginning a lute
sonata with a Prelude is
to introduce the specific
key and the harmonic
design of the sonata.
However, not every sonata
in the Dresden and London
manuscripts has a
Prelude. About one third
of the 34 Dresden Sonatas
opens with a Prelude, but
only six of them may be
considered truly integral
to the sonata. The other
preludes are composed in
a rather
â??rudimentaryâ??
style, as a model for the
less experienced lute
player to improvise on
the central key and
theme. The Prelude in
this particular Sonata
cannot be regarded as
integral. It has been
added later, either by
the compiler of the
volumes or perhaps by
Weiss himself.
Originally, the Sonata is
written in G minor, a key
not often used by Weiss,
but considered
appropriate for playing
the lute. With the
guitar, however, the key
is rather awkward. For
ease and effectiveness of
playing, I have
transposed the Sonata a
minor third lower to E
minor. To create more
concordance with the
baroque tuning of the
lute, the G string is
lowered by a semitone to
F sharp. I suggest using
a capodastro to achieve
the original pitch. Based
on the present standard
of A at 440 Hertz, the
capo should be placed at
the 3rd fret. However,
during Weissâ??s
lifetime, it was more
common in many parts of
Germany to use a standard
of A at 415 Hertz -â?
a semitone lower. So, to
hear the pitch heard by
Weiss and his
contemporaries, the capo
should then be positioned
at the 2nd fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Complete Jewish Songbook for Children Piano, Voix et Guitare [Partition] - Facile Transcontinental Music
Transcontinental Music Folios. Size 8.5x11 inches. 308 pages. Published by Trans...(+)
Transcontinental Music
Folios. Size 8.5x11
inches. 308 pages.
Published by
Transcontinental Music
Publications.
$39.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
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