| America's All-Time Favorite Songs for God and Country Piano, Voix et Guitare [Partition] Music Sales
(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacr...(+)
(P/V/G). By Various.
Songbooks and Methods.
Music Sales America.
Patriotic, Sacred.
Softcover. 320 pages
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Hymns Ever Piano, Voix et Guitare [Partition] Hal Leonard
118 Beloved Favorites. By Various. Piano/Vocal/Chords Songbook (Arrangements for...(+)
118 Beloved Favorites. By
Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 272 pages.
Published by Hal Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Royal Winter Music Guitare Schott
First Sonata on Shakespearean Characters Solo Guitar. Composed by Hans Werner ...(+)
First Sonata on
Shakespearean
Characters Solo Guitar.
Composed by Hans Werner
Henze
(1926-). Edited by Marco
Minà.
Guitar. Classical.
Softcover.
48 pages. Duration 1500
seconds. Schott Music
#GA580.
Published by Schott Music
$32.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymns Piano, Voix et Guitare [Partition] Hal Leonard
Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Budget Books. By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 320 pages.
Published by Hal Leonard.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Guitar Essentials Guitare [Poster] Santorella Publications
Guitar Essentials composed by Phil Black. For guitar. This edition: Paperback. R...(+)
Guitar Essentials
composed by Phil Black.
For guitar. This edition:
Paperback. Reference.
Educational. Color
poster. Text Language:
English. 1 pages.
Published by Santorella
Publications
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Élégie Guitare Guitare classique [Conducteur] - Intermédiaire Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522). ISBN
9782897963026. Fran
cis Bebey est né Ã
Douala en juillet 1929,
dans une grande famille
où son père,
pasteur, luttait pour
nourrir ses enfants. Mais
Francis a eu
l'opportunité d'aller
à l'école. Admirant
son frère aîné,
Marcel Eyidi Bebey, il
s'est éduqué, s'est
distingué, et a
finalement reçu une
bourse pour passer son
baccalauréat en
France. Nous
approchions de la fin des
années 1950 lorsqu'il
est arrivé à La
Rochelle. Plus que
jamais, dans cette France
où les Africains
étaient regardés
avec curiosité,
condescendance ou
dédain, Francis
s'appuyait sur ses
ressources
intellectuelles.
Travailleur assidu, il a
obtenu son
baccalauréat, puis
s'est installé Ã
Paris où il a
commencé des études
d'anglais à la
Sorbonne. Un jour, il a
su ce qui l'attirait
vraiment : il voulait
faire de la radio.
Francis a appris son
métier en France et
aux
�tats-Unis. Après
avoir travaillé
quelques années comme
reporter, il a été
embauché en 1961 en
tant que fonctionnaire
international au
Département de
l'information de
l'UNESCO. Parallèle
ment, Francis a toujours
été attiré par
la création musicale.
Son activité diurne
très sérieuse ne
l'empêchait pas de
fréquenter les clubs
de jazz le soir. Ã?
Paris, le jazz, la
musique à la mode Ã
cette époque, mais
aussi la rumba et la
salsa l'attiraient. Il
collectionnait les
disques et assistait Ã
de nombreux concerts.
Avec son complice Manu
Dibango, Francis montait
sur scène et jouait de
la musique. Francis
aimait la musique
classique depuis son
enfance. Il avait grandi
en écoutant les
cantates et les oratorios
de Bach ou Handel que son
père chantait au
temple. Il s'est
passionné pour la
guitare, impressionné
par les maîtres
espagnols et
sud-américains, et a
décidé d'apprendre
à jouer de
l'instrument
lui-même. Il a
commencé à composer
des pièces pour
guitare, mêlant les
diverses influences qui
le traversaient avec la
musique traditionnelle
africaine qu'il portait
en lui depuis son
enfance. Son approche a
captivé le directeur
du Centre culturel
américain (alors
situé dans le quartier
de Saint-Germain Ã
Paris), qui lui a offert
l'opportunité de se
produire devant un
public. Francis y a
donné son premier
récital de guitare
(1963) devant un public
hypnotisé. Son premier
album solo est sorti peu
de temps
après. Progressivem
ent, Francis est devenu
reconnu comme musicien et
compositeur. Plusieurs
albums de l'ambassadeur
africain de la guitare,
comme le décrivait la
presse, sont sortis. Il a
également écrit des
livres, au point que sa
carrière artistique
est devenue difficile
à concilier avec sa
carrière de
fonctionnaire. En 1974,
même s'il était
devenu le directeur
général chargé
de la musique Ã
l'UNESCO, il a fait le
saut audacieux et a
démissionné de
cette prestigieuse
institution pour se
consacrer aux trois
activités qui
l'intéressaient : la
musique, la
littérature et le
journalisme. Il a
exploré le patrimoine
musical traditionnel du
continent africain,
notamment à travers le
piano à pouce sanza et
la musique polyphonique
des pygmées d'Afrique
centrale, ou en chantant
dans sa langue maternelle
et en composant des
chansons humoristiques en
français ! Le
succès a suivi.
Francis Bebey a parcouru
le monde : de la France
au Brésil, du Cameroun
à la Suède, de
l'Allemagne aux
Caraïbes, ou du Maroc
au Japon... la liste des
pays où il a été
invité à se
produire, Ã donner des
conférences ou Ã
rencontrer des lecteurs
est très longue. En
plus de la reconnaissance
publique, il
bénéficiait de la
reconnaissance de ses
collègues musiciens,
tels que le guitariste
John Williams ou le
Vénézuélien
Antonio Lauro, qui l'ont
invité à faire
partie du jury d'un
concours de guitare
classique Ã
Caracas. Sa vie
était le voyage d'un
pionnier africain, un
homme enraciné dans
son patrimoine culturel
et portant un message de
partage et d'espoir pour
le monde. Son
originalité continue
de résonner dans le
monde entier depuis son
décès à la fin
du mois de mai
2001.
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata XVII (London nr.23) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6764EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6764EM.
Published by Metropolis
Music Publishers
(IS.G6764EM). ISBN
9790365067640. This
sonata (WeissSW No. 23,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XVII comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
It is the only London
Sonata with a title:
Divertimento à solo.
The Sonata has ten
separate movements:
Prelude (Prǣlude),
Entrée, Bourée I
and II, Gavotte I and II,
Sarabande, Menuet I and
II, and Saltarella. The
Entrée is nothing more
than an Allemande. The
Saltarella resembles the
Scottish Gigue. The pairs
of the middle
â??dancesâ?? are
intended to be played
side by side, as one
coherent movement in
which the second part
complements the musical
notion of the first part.
There are concordant
copies of the first parts
of the Bourée, Gavotte
and Menuet in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI).
Bourée I can also be
found in the Bayerische
Staatsbibliothek in
München, although it
is quite different from
the London version.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 18 Contrapuntal Pieces for Guitar Guitare Ut Orpheus
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo
Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and
Raffaello
Ravasio. Saddle
stitching.
Piero Bonaguri
Collection.
Classical. Ut Orpheus #CH
254.
Published by Ut Orpheus
$21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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