| M. Balakirew : Islamey (Fantasie Orientale) Piano seul [Partie seule] Carl Fischer
By M. Balakirew. Arranged by Julius Chaloff. For Piano. Published by Carl Fische...(+)
By M. Balakirew. Arranged
by Julius Chaloff. For
Piano. Published by Carl
Fischer.
(5)$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| JULIUS CAESAR: Caro bella (Soprano, Castrato) Soli, choeur mixte et accompagnement Lucks Music Library
(0.2.0.0/0.0.0.0,str=4.4. 0.2.2,SCastrato soli) SKU: TM.14293SET Composed...(+)
(0.2.0.0/0.0.0.0,str=4.4.
0.2.2,SCastrato soli)
SKU: TM.14293SET
Composed by George
Frideric Handel. Set
Type: M. Set of parts.
Lucks Music Library
#E1201. Published by
Lucks Music Library
(TM.14293SET).
No. 39 Duet:
Caesar and Cleopatra.
Incl. recit: Qui Curio
vincitor. Recit sung by
Nireno (castrato), Cesare
(castrato), Sesto
(soprano), Cornelia
(contralto), Cleopatra
(soprano). Ob I&II double
on Violin I&II. $30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Julius Caesar, Complete (Chrysander) Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.0.2/4.1.0.0,hp,str=1 .1(1).1.1.1,solo viola da gamba,SATB chorus) SKU: T...(+)
(2.2.0.2/4.1.0.0,hp,str=1
.1(1).1.1.1,solo viola da
gamba,SATB chorus)
SKU: TM.04694SET
Composed by George
Frideric Handel. Set
Type: M. Set of parts.
Lucks Music Library
#A7881. Published by
Lucks Music Library
(TM.04694SET).
$425.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Triglav Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1104964-010 Slovenian Ma...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1104964-010
Slovenian March -
Slowenischer Marsch, opus
72. Composed by
Julius Fucik. Arranged by
Wil van der Beek. Great
Classics. March. Set
(Score & Parts). Composed
2010. De Haske
Publications #DHP
1104964-010. Published by
De Haske Publications
(BT.DHP-1104964-010).
9x12 inches.
English-German-French-Dut
ch. Julius Fucik
wrote over 100
compositions: chamber
music and piano pieces as
well as works for
symphony orchestra and
choir. Aside from this he
created countless
compositions for wind
band, earning himself the
nickname ‘Bohemian
Sousa’.
Triglav(opus 72)
is an original march for
wind band from 1900,
named after the highest
peak of Slovenia. Wil van
der Beek has arranged
this march for modern
wind band
instrumentation.
J
ulius Fuc k heeft meer
dan honderd werken
geschreven: kamermuziek
en pianostukken, maar ook
composities voor
symfonieorkest en koor.
Verder vervaardigde hij
talrijke werken voor
blaasorkest. Hij wordt
daarom ook wel de
‘Boheemse
Sousa’
genoemd.Triglav
(uit 1900) is een
oorspronkelijke mars,
waarvan de titel verwijst
naar de hoogste berg van
Slovenië. Wil van der
Beek heeft de mars voor
een moderne
blaasorkestbezetting
bewerkt.
Julius
Fucik schrieb über 100
Werke: Kammermusik und
Klavierstücke ebenso
wie Werke für
Sinfonieorchester und
Chor und nicht zuletzt
auch für
Blasorchester. Triglav
(opus 72) ist ein
originaler Marsch für
Blasorchester aus dem
Jahre 1900,benannt nach
dem höchsten Berg
Sloweniens. Wil van der
Beek bearbeitete den
Marsch für eine
moderne
Blasorchesterbesetzung. Julius Fuc k a
composé plus de 400
Å“uvres dont bon
nombre est écrit pour
orchestre
d’harmonie
connotation militaire.
Triglav, op. 72
est une Å“uvre
originale composée en
1900 pour orchestre
d’harmonie, qui
tire son nom du plus haut
sommet deSlovénie, le
Triglav (2864 m). Elle
apportera une touche de
brillance tout programme
de concert.
Julius
Fuc k compose oltre 400
opere di cui un buon
numero scritto per banda
militare. Ne fa parte
anche Triglav, op.
72 scritta nel 1900,
brano originale che
prende il nome dal monte
più alto della
Slovenia (2864 m). Un
pezzo che non mancher di
incantare chi vi
ascolta. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Ides of March [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, China Cymbal, Clarinet 1,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, China Cymbal,
Clarinet 1, Clarinet 2,
Clarinet 3, Claves, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2 and more. - Grade 3
SKU: CF.CPS142F
Composed by Sean
O'Loughlin. Concert
Performcnace Series. Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS142F.
Published by Carl Fischer
Music (CF.CPS142F).
ISBN 9780825892899.
UPC: 798408092894. 9 x 12
inches. Key: Eb
minor. Sean
O'Loughlin's The Ides of
March is pulse-pounding
and haunting; a dramatic
composition for band.
This work celebrates the
composer's love of modern
film music and is an
exercise in economy of
musical material while
remaining wonderfully
melodic and
elegant.
Pulse-pounding and
haunting are two very
distinct characteristics
in The Ides of March.
This dramatic compo-
sition for string
orchestra celebrates my
love of modern film music
and is an exercise in
economy of musical
material. This economy is
often referred to as
minimalism, although I
would not go so far as to
include this composition
in that world. The Ides
of March is a phrase that
first appeared in the
play Julius Caesar by
William Shakespeare and
rep- resented the time
when a coup detat
happened in the Roman
government. Et tu, Brute?
is the famous line
recited by Julius Caesar
at the climactic scene.
The music reflects this
heart pounding pace and
the events leading to the
coup detat or overthrow
of the government in
power. The music starts
with a three note idea
that permeates the entire
composition. The first
section of the piece from
mm. 1-35 is essentially
one big crescendo.
Different elements get
added to the core
three-note idea to
increase its complexity.
The swells in the low
strings provide a
grounding element to the
rhythm above. The rhythm
starts to break away from
itself at m. 13 with the
addition of a
counterrhythm in the
first violin. This
counterrhythm becomes the
main driving force at m.
21 with some melodic
material introduced in
the lower strings. The
two eighth-note rhythmic
ideas unite once again at
m. 29 with a third
rhythmic idea brought
into the lower strings to
provide the final push
into m. 35. The rhythmic
cycle starts up again at
m. 36, but this time it
welcomes a lyrical line
in the first violins. The
piz- zicato notes in the
celli and basses should
have a light and spirited
quality to them. A
counterline joins the
lyrical line at m. 46
with several intriguing
moments of dissonance.
The rhythm lets up a
touch at m. 54, but
quickly returns at m. 62
with the same three note
rhythm displaced by one
beat between the violins
and the viola and celli.
A build-up follows that
releases into the big
lyrical and haunting
moment of the piece at m.
74. The sound here should
be broad, rich and
triumphant. Bring out the
eighth notes at mm. 80-81
while hav- ing the
sustained notes pull back
a bit. The soft dynamic
at m. 90 signals a return
to the rhythmic cycle. As
before, layers of rhythms
keep being added to
increase the intensity of
the moment. This
crescendo finally
releases itself at the
end. Be mindful of the
two beats of tutti rest
in m. 117 that sets up
the final climactic
gesture in the following
measure.
$13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Great Marches Orgue Wayne Leupold Editions
By John Phillip Sousa, Henry Filmore & Julius Fucik. Edited by Joseph M. Linger....(+)
By John Phillip Sousa,
Henry Filmore & Julius
Fucik. Edited by Joseph
M. Linger. For organ.
Medium. Published by
Wayne Leupold Editions
$31.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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